Colbie Marie Caillat is an American singer-songwriter. Caillat rose to fame through social networking website Myspace. At that time, she was the number one unsigned artist of her genre. After signing with Universal Republic Records, she released her debut album, Coco, in July 2007. The album included the hit singles "Bubbly" and "Realize," and has sold 2,060,000 copies in the US, and is certified 2x Platinum. In 2008 she recorded a duet with Jason Mraz, "Lucky," which won a Grammy Award. In August 2009 she released Breakthrough, her second album, which became her first album to debut at number one on the Billboard 200. It has been certified gold by the RIAA. Breakthrough was nominated for Best Pop Vocal Album at the 2010 Grammy Awards. She was also part of the group that won Album of the Year at the 2010 Grammy Awards for her background vocals and writing on Taylor Swift's Fearless album. In July 2011 she released her third studio album, All of You. In October 2012 she released her first Christmas album, Christmas in the Sand.
Songs written for Disney productions over the decades have become a potent part of American popular culture. Since most Americans first discovered these songs in their youth, they hold a special place in one's consciousness. The Disney Song Encyclopedia describes and discusses hundreds of famous and not-so-famous songs from Disney films, television, Broadway, and theme parks from the 1930s to the present day. Over 900 songs are given individual entries and presented in alphabetical order. The songwriters and original singers are identified, as well as the source of the song and other venues in which it might have been used over the years. Notable recordings of the song are also listed. But most important, the song is described and what makes it memorable is discussed. This is not a reference list but a true encyclopedia of Disney songs. The book also contains a preface describing the criteria for selecting the songs, a glossary of song terms, a list of all the Disney songs and their sources, a songwriter's directory in which every song by each composer/lyricist is listed, a bibliography, a guide to recordings and DVDs of Disney productions, and an index of people and titles.
Miranda Leigh Lambert (born November 10, 1983) is an American country music singer and songwriter. In 2003, she finished in third place of the television program Nashville Star, a singing competition which aired on the USA Network. Outside her solo career, she is a member of the Pistol Annies alongside Ashley Monroe and Angaleena Presley. Lambert has been honored by the Grammy Awards, the Academy of Country Music Awards and the Country Music Association Awards.
Fourteen-year-old Roonie loves hip-hop almost as much as she loves her grandmother. Roonie cannot wait to compete in her school's dance competition. But as her grandmother's health deteriorates, Roonie becomes more and more reluctant to visit her in the care home. These feelings of guilt and frustration cause Roonie to mess things up with her hip-hop dance partner and best friend, Kira. But while doing some volunteer hours in the hospital geriatric ward, Roonie meets an active senior recovering from a bad fall. Their shared love of dance and the woman's zest for life help Roonie face her fears, make amends with Kira and reconnect with Gram before it’s too late.
(DVD). In this book/video/audio package, Stanton Moore presents transcriptions and performances of some of the most important drum grooves in history, breaks them down to their basic elements, describes the way they developed, and shows you how to learn from the past and develop your own complete vocabulary for creating new funk grooves and patterns. There is a unique download code provided in this book for streaming or downloading every musical example, recorded by Stanton, showing how each is played. The entire Groove Alchemy DVD is also included online, for streaming and downloading. This package contains over 600 audio examples as well as 3 hours of video examples all online for you to stream or download.
The musician & producer reflects on New York City’s early punk rock scene, as well as the creation of some of his most famous albums in this memoir. Popular music was in a creative upheaval in the late 1970s. As the singer-songwriter and producer Chris Stamey remembers, “the old guard had become bloated, cartoonish, and widely co-opted by a search for maximum corporate profits, and we wanted none of it.” In A Spy in the House of Loud, he takes us back to the auteur explosion happening in New York clubs such as the Bowery’s CBGB as Television, Talking Heads, R.E.M., and other innovative bands were rewriting the rules. Just twenty-two years old and newly arrived from North Carolina, Stamey immersed himself in the action, playing a year with Alex Chilton before forming the dB’s and recording the albums Stands for deciBels and Repercussion, which still have an enthusiastic following. A Spy in the House of Loud vividly captures the energy that drove the music scene as arena rock gave way to punk and other new streams of electric music. Stamey tells engrossing backstories about creating in the recording studio, describing both the inspiration and the harmonic decisions behind many of his compositions, as well as providing insights into other people’s music and the process of songwriting. Photos, mixer-channel and track assignment notes, and other inside-the-studio materials illustrate the stories. Revealing another side of the CBGB era, which has been stereotyped as punk rock, safety pins, and provocation, A Spy in the House of Loud portrays a southern artist’s coming-of-age in New York’s frontier abandon as he searches for new ways to break the rules and make some noise. “An endlessly fascinating odyssey through the worlds of Southern pop, New York City art punk, and American indie rock. Stamey’s stories capture you with same finely etched detail and emotional depth that have always marked his best songs. Both an engrossing personal memoir and an eye-opening peek into the creative process, this is a truly essential work of music lit.” —Bob Mehr, New York Times–bestselling author of Trouble Boys: The True Story of the Replacements “Informed, eloquent, and daring, this book stands as a model of excellence for both music writing and memoir. Stamey moves effortlessly between analysis and reminiscence, history and personal revelation, shedding light on his own creative journey as well as the city—‘planet New York’—that provided a good deal of the inspiration for it. I simultaneously learned so much and was deeply moved.” —Anthony DeCurtis, author of Lou Reed: A Life “Where most musician autobiographies are fueled by backstage drama, this book focuses almost entirely on the creative process, a choice that not only proves to be compelling but helps turn Stamey’s personal journey into a necessary document of peak-era college rock, illustrating how it was a vibrant scene filled with unexpected cross pollination.” —Pitchfork
A band member recounts his experience with David Bowie during the early years: “Those interested in rock history won’t want to miss this.” —Publishers Weekly For millions of people, David Bowie was an icon celebrated for his music, his film and theatrical roles, and his trendsetting influence on fashion and gender norms. But until now, no one from Bowie’s inner circle has told the story of how David Jones—a young folksinger, dancer, and aspiring mime—became one of the most influential artists of our time. Drummer Woody Woodmansey’s Spider from Mars reveals what it was like to be at the white-hot center of a star’s self-creation. With never-before-told stories and never-before-seen photographs, Woodmansey offers details of the album sessions for The Man Who Sold the World, Hunky Dory, The Rise and Fall of Ziggy Stardustand the Spiders from Mars, and Aladdin Sane: the four albums that made Bowie a cult figure. And, as fame beckoned and eventually consumed Bowie, Woodmansey recalls the wild tours, eccentric characters, and rock ‘n’ roll excess that eventually drove the band apart. A vivid and unique evocation of a transformative musical era and the enigmatic, visionary musician at the center of it, with a foreword by legendary music producer Tony Visconti and an afterword from Def Leppard’s Joe Elliot, Spider from Mars is a close-up portrait of David Bowie, by one of the people who knew him best. “Wild tours, behind-the-scenes drama, and album sessions . . . revealing.” —USA Today “An engaging behind-the-scenes look at an early phase in the life of one of rock’s most triumphant figures.” —Booklist
This book is first published to accompany the major exhibition at Compton Verney, The Artists Studio, staged at this great Adam-designed country house in Warwickshire.
Dennis—with a famous painter father and social activist mother—is a small-time drug dealer and total mess. His hero-worshipping friend Warren has just impulsively stolen $15,000 from his father, an abusive lingerie tycoon. When Jessica, a mixed-up prep school girl, shows up for a date, Warren pulls out a wad of bills and takes her off, awkwardly, for a night of seduction. A wildly funny, bittersweet, and moving story, This Is Our Youth is as trenchant as it was upon its acclaimed premiere in 1996.
