Voyage is the first part of The Coast of Utopia, Tom Stoppard's long-awaited and monumental trilogy that explores a group of friends who came of age under the Tsarist autocracy of Nicholas I, and for whom the term intelligentsia was coined. Among them are the anarchist Michael Bakunin, who was to challenge Marx for the soul of the masses; Ivan Turgenev, author of some of the most enduring works in Russian literature; the brilliant, erratic young critic Vissarion Belinsky; and Alexander Herzen, a nobleman's son and the first self-proclaimed socialist in Russia, who becomes the main focus of this drama of politics, love, loss, and betrayal. In The Coast of Utopia, Stoppard presents an inspired examination of the struggle between romantic anarchy, utopian idealism, and practical reformation.
Above all don’t use the word good as though it meant something in evolutionary science. The Hard Problem is a tour de force, exploring fundamental questions of how we experience the world, as well as telling the moving story of a young woman whose struggle for understanding her own life and the lives of others leads her to question the deeply held beliefs of those around her. Hilary, a young psychology researcher at the Krohl Institute for Brain Science, is nursing a private sorrow and a troubling question. She and other researchers at the institute are grappling with what science calls the “hard problem”—if there is nothing but matter, what is consciousness? What Hilary discovers puts her fundamentally at odds with her colleagues, who include her first mentor and one-time lover, Spike; her boss, Leo; and the billionaire founder of the institute, Jerry. Hilary needs a miracle, and she is prepared to pray for one.
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
The spellbinding tale of six queer witches forging their own paths, shrouded in the mist, magic, and secrets of the ancient California redwoods. Danny didn’t know what she was looking for when she and her mother spread out a map of the United States and Danny put her finger down on Tempest, California. What she finds are the Grays: a group of friends who throw around terms like queer and witch like they’re ordinary and everyday, though they feel like an earthquake to Danny. But Danny didn’t just find the Grays. They cast a spell that calls her halfway across the country, because she has something they need: she can bring back Imogen, the most powerful of the Grays, missing since the summer night she wandered into the woods alone. But before Danny can find Imogen, she finds a dead boy with a redwood branch through his heart. Something is very wrong amid the trees and fog of the Lost Coast, and whatever it is, it can kill. Lush, eerie, and imaginative, Amy Rose Capetta’s tale overflows with the perils and power of discovery — and what it means to find your home, yourself, and your way forward.
Tom Stoppard is justly famous for his innovative theatrical techniques. Daniel Jernigan argues that while much of Tom Stoppard's early work (Rosencrantz and Guildenstern Are Dead and The Real Inspector Hound, for instance) is postmodern, the remainder of his career essentially tracks backward from there--becoming "late modernist" in the 1970s (Travesties) and fully modernist in the 80s and 90s (The Real Thing and Arcadia). This pattern also makes sense of Stoppard's recent and uncharacteristic foray into dramatic realism with The Coast of Utopia (2002) and Rock 'n' Roll (2006), at which point the playwright seems to embrace the more straightforward rhetorical advantages of literary realism.
It is 1936 and A. E. Housman is being ferried across the river Styx, glad to be dead at last. His memories are dramatically alive. The river that flows through Tom Stoppard's The Invention of Love connects Hades with the Oxford of Housman's youth: High Victorian morality is under siege from the Aesthetic movement, and an Irish student called Wilde is preparing to burst onto the London scene. On his journey the scholar and poet who is now the elder Housman confronts his younger self, and the memories of the man he loved his entire life, Moses Jackson—the handsome athlete who could not return his feelings. As if a dream, The Invention of Love inhabits Housman's imagination, illuminating both the pain of hopeless love and passion displaced into poetry and the study of classical texts. The author of A Shropshire Lad lived almost invisibly in the shadow of the flamboyant Oscar Wilde, and died old and venerated—but whose passion was truly the fatal one?
High school sweethearts, a tragic accident, and a second chance to salvage their love. Three years ago, an accident ripped Rowan Walker’s life apart. He doesn’t recognize himself or his life. He’s no longer a boyfriend, volunteer firefighter, and friend. But he’s got a plan to make amends and get his life back on track. If he catches the Caribou River Arsonist, it will be his apology letter to his family. To Eastwood. To Violet. Violet Ross has always been a fighter, but the darkness in Rowan’s head never played fair. Now, Violet has to avoid the man she still loves. No easy feat. They share custody of their dogs, and he hasn’t technically moved out yet. Slowly, she lets Rowan back into her life, and her heart reminds her that she’s never been a quitter. Old hurts don’t stay hidden long when loss and grief follow them around. Violet might still have some fight left in her, but she can’t win Rowan’s battles for him. She has her own to contend with, something she thought was long gone and buried. This small-town second chance romance is the second book in the Caribou River series but can be read as a standalone.
One hundred kilometers from Seville, there is a small village, Marinaleda, that for the last thirty years has been at the center of a long struggle to create a communist utopia. In a story reminiscent of the Asterix books, Dan Hancox explores the reality behind the community where no one has a mortgage, sport is played in the Che Guevara stadium and there are monthly "Red Sundays" where everyone works together to clean up the neighbourhood. In particular he tells the story of the village mayor, Sanchez Gordillo, who in 2012 became a household name in Spain after leading raids on local supermarkets to feed the Andalucian unemployed.
**Winner of the Tony Award for Best Play** Finally making its Broadway debut in a limited engagement run, Tom Stoppard’s humane and heartbreaking Olivier Award-winning play of love, family, and endurance At the beginning of the twentieth century, Leopoldstadt was the old, crowded Jewish quarter of Vienna, a city humming with artistic and intellectual excitement. Stoppard’s epic yet intimate drama centers on Hermann Merz, a manufacturer and baptized Jew married to Catholic Gretl, whose extended family convene at their fashionable apartment on Christmas Day in 1899. Yet by the time the play closes, Austria has passed through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany, and the Holocaust, which stole the lives of 65,000 Austrian Jews alone. From one of today’s most acclaimed playwrights, Leopoldstadt is a human and heartbreaking drama of literary brilliance, historical verisimilitude, and powerful emotion.