This second volume of Cleaning historic buildings deals with special cleaning problems such as the removal of paint, grafitti, metallic stains and so on, and provide an assessment of the cleaning methods currently available.
What happens to the fabric of a historic building if it is not cleaned? What is soiling, how does it affect the building? What cleaning methods should be used? This second of a comprehensive two-volume guide addresses these important and controversial questions, along with many others, and offers practical guidance on appropriate cleaning techniques, backed up with useful case study material. Based on the author's extensive on-site involvement at trial and contract stage in many cleaning and surface repair project, this book examines the various attitudes and current cleaning practices, along with the role and need for analysis of substrates and soiling. It also offers advice on dealing with special cleaning problems, such as the removal of paint, graffiti and metallic stains, and provides an assesment of the cleaning methods currently available.
What happens to the fabric of a historic building if it is not cleaned? What is soiling, how does it affect the building? What cleaning methods should be used? This first of a comprehensive two-volume guide addresses these important and controversial questions, along with many others, and offers practical guidance on appropriate cleaning techniques, backed up with useful case study material. Based on the author's extensive on-site involvement at trial and contract stage in many cleaning and surface repair project, this book examines the various attitudes and current cleaning practices, along with the role and need for analysis of substrates and soiling. It also offers advice on dealing with special cleaning problems, such as the removal of paint, graffiti and metallic stains, and provides an assesment of the cleaning methods currently available.
Provides guidance to owners, architects, and developers of historic buildings with information on: cleaning and waterproof coating for historic masonry; repointing mortar joints; conserving energy; roofing for historic buildings; historic adobe buildings; dangers of abrasive cleaning; historic glazed architectural terra-cotta; aluminum and vinyl siding on wood frame buildings; repairing historic wooden windows; exterior paint problems on historic woodwork; and rehabilitating historic storefronts.
In Specifications for Building Conservation, the National Trust draws on a range of case studies and specifications to provide a much needed guide to specification writing for building conservation. Although traditional building accounts for approximately a quarter of all buildings in the UK, the old skills and understanding required for their care and maintenance have been increasingly eroded over the last century. As the largest heritage charity in Europe, the National Trust has a first class reputation for high standards of conservation and care, and in this three volume set, the Trust brings together a remarkable pool of expertise to guide conservation professionals and students through the process of successful specification writing. This first book focusses on the materials used for the external fabric, detailing successful approaches employed by the National Trust at some of their most culturally significant sites. A range of studies have been carefully selected for their interest, diversity and practicality; showcasing projects from stonework repairs on the magnificent Grade I listed Hardwick Hall to the re-thatching of the traditional cottages of the Holnicote Estate. Complete with a practical Conservation Management Plan checklist, this book will enable practitioners to develop their skills, allowing them to make informed decisions when working on a range of project types. This is the first practical guide to specification writing for building conservation and the advice provided by the National Trust experts will be of interest to any practitioners and students involved in building conservation, both in the UK and beyond. Profits generated from the sale of this publication will go to the National Trust Building Apprenticeship Scheme. This provides placements for traditional skills at National Trust properties.
Provides advice about controlling the sources of unwanted moisture in historic buildings. Based on the Secretary of the Interior's Standards for the Treatment of Historic Properties.
The design of treatments for the conservation of stone in historical buildings and works of art is a challenging task, as a deep understanding of the working properties and performance of the available products and methods is required to tackle complex decay patterns. The chapters in this book illustrate the state of the art on traditional and innovative materials and methods for stone conservation, examining current trends and future perspectives. Each of them is focused on describing the consequent phases that complement the spectrum of the conservation intervention: preliminary investigations, condition assessment, and mapping of the deterioration patterns; surface cleaning, with a specific focus on laser technology; consolidation; protection; repair mortars and grouts; and onsite assessment and monitoring of conservation treatments. The performance of the applied conservation interventions is criticized and discussed with an aim of providing the specialists with specific tools for stone conservation. This book intends to bridge the gap between laboratory studies and conservation interventions, by linking together the diverse scientific areas involved in the preservation of stone heritage. Different case studies are included, highlighting specific conservation challenges and their solutions in order to understand and overcome them. The aim is to guide conservators, conservation scientists and heritage stakeholders in the selection of compatible and sustainable materials and techniques for Conserving Stone Heritage.
The construction of buildings is learnt through experience and the inheritance of a tradition in forming buildings over several thousand years. Successful construction learns from this experience which becomes embodied in principles of application. Though materials and techniques change, various elements have to perform the same function. 'Principles of Element Design' identifies all the relevant elements and then breaks these elements down into all their basic constituents, making it possible for students to fully understand the given theory and principles behind each part. As all building projects are subject to guidance through the Building Regulations and British Standards, this book gives an immediate reference back to relevant information to help practitioners and contractors identify key documents needed. Yvonne Dean B.A. (Hons) B.A (Open) RIBA, an architect, energy consultant and materials technologist. She also has 15 years experience as a lecturer, travels widely and is a guest lecturer at many universities. She pioneered an access course for Women into Architecture and Building, which has been used as a template by others, and has been instrumental in helping to change the teaching of technology for architects and designers. Peter Rich AA Dipl. (Hons) Architect, started his career with 14 years experience as a qualified architectural technician. He then joined the AA School of Architecture, working with Bill Allen and John Bickerdike after his graduation, later becoming a partner of Bickerdike Allen Rich and Partners. He also taught building construction at the Bartlett School of Architecture, University College London, and architectural design at the Polytechnic of North London. He now acts as a Consultant.