Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap.
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This fourth volume of Professor Meyer Schapiro's Selected Papers contains his most important writings - some well-known and others previously unpublished - on the theory and philosophy of art. Schapiro's highly lucid arguments, graceful prose, and extraordinary erudition guide readers through a rich variety of fields and issues: the roles in society of the artist and art, of the critic and criticism; the relationships between patron and artist, psychoanalysis and art, and philosophy and art. Adapting critical methods from such wide-ranging fields as anthropology, linguistics, philosophy, biology, and other sciences, Schapiro appraises fundamental semantic terms such as "organic style, " "pictorial style," "field and vehicle, " and "form and content"; he elucidates eclipsed intent in a well-known text by Freud on Leonardo da Vinci, in another by Heidegger on Vincent van Gogh. He reflects on the critical methodology of Bernard Berenson, and on the social philosophy of art in the writings of both Diderot and the nineteenth century French artist/historian Eugene Fromentin. Throughout all of his writings, Meyer Schapiro provides us with a means of ordering our past that is reasoned and passionate, methodical and inventive. In so doing, he revitalizes our faith in the unsurpassed importance of both critical thinking and creative independence.
On the roof of the Sheridan Apartment House, near Washington Square, New York, is a "small bachelor apartment, penthouse style", and the small bachelor who owns it is amateur artist George Finch, who is rich due to an inheritance. He falls in love with Molly Waddington at first sight, but is too shy to approach her until he retrieves her dog. George's authoritative friend J. Hamilton Beamish, author of self-help books, is helping mild-mannered policeman Garroway become a poet. Garroway recognizes George's valet, Frederick Mullett, an ex-convict who served time for burglary, though Mullett is now reformed. Mullett is engaged to former pickpocket Fanny Welch, who is somewhat less reformed. Wodehouse ties all the disparate plot elements together in a romantic farce worthy of the Jeeves & Wooster tales.
Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta.
The action begins with playboy bachelor Jimmy Pitt in New York; having fallen in love on a transatlantic liner, he befriends a small-time burglar and breaks into a police captain's house as a result of a bet. The cast of characters head to England, and from there on it's a typically Wodehousian romantic farce, set at the stately Dreever Castle, overflowing with imposters, detectives, crooks, scheming lovers and conniving aunts.
