England's John Zaradin is a gifted performer both in jazz and in the field of classic guitar. He is especially knowledgeable in the wide and diverse world of Latin American guitar solo and rhythm styles. This book contains six solos based on the Rumba Rhythm (Mosaico de Rumbas) and six solos in the Bossa-Samba mode (Ambientes Brasileiras). Each solo is scored in both notation and tablature and reflects the vitality, rhythm, and improvisatory nature of this idiom.
This collection of Latin-influenced pieces is ideal for the classical or fingerstyle guitarist seeking challenging new material that spans a number of genres and is melodically, harmonically, and rhythmically engaging. For the classical guitarist, the collection offers an excellent source of solos inspired by traditional forms and styles while providing new works that will readily compliment the traditional classical guitar repertoire. Fingerstyle players will discover attractive pieces, appreciating the many syncopated rhythms. The composer himself, with a degree in classical guitar, performs on a modified steel-string instrument. Written in standard notation only, the author's detailed fingerings and online audio recordings will facilitate learning these delightful pieces ranging from intermediate to advanced levels. Includes access to online audio. At Mel Bay Publications, we are privileged to hear a lot of new, original music. With Michael Bellmont's guitar compositions, we guarantee that once you hear them, you'll want to play them yourself!
Classically trained jazz guitarist Diego Barber presents five well-developed themes and a 3-movement solo sonata transcribed from his outstanding commercial CD recordings: Calima, One Minute Later, Tales, and The Choice. Two of the tracks, “Elvira Maria” and the 3-movement Sonata “Banc d’Arguin” are strictly guitar solos, while “Richi” is a solo accompanied by light percussion. “Kilian’s Mountain” is a reduced score of an extended duet with a pianist, and “Desierto” and “Virgianna” include expert sidemen on saxophone, bass and drums. The music ventures from complex melody-chord textures to hard-swinging grooves, all played with spontaneity and a heightened awareness of time, dynamics, color, technique and tone. Even seasoned guitarists will find these pieces rhythmically and technically challenging, but they provide a roadmap to the recordings, and rare insight to the workings of a unique musical mind. Diego Barber’s Compositions for Classical Guitar are written in standard notation only, with online access to stellar solo and ensemble recordings. About Sonata “Banc d’Arguin” … Diego Barber is a native of Lanzarote in the Canary Islands, just off the northeast coast of Africa; in writing Sonata “Banc d’Arguin,” the main solo piece in this collection, he was inspired by the major cities, Nouadhibou and Nouakchott, the Banc d’Arguin National Park, and the desert of the West African country of Mauritania.
Contains a pair of short guitar quartets (Cancion and Studio Ritmico) composed in a style rooted in the music of South America. the pieces are not too difficult but require special attention to rhythm. They are both helpful and entertaining for all young students of this beautiful instrument.
Contemporary Guitar Composers of the Americas is a unique collection of 51 solo works representing 17 composers from the American continents. This anthology addresses continental guitar music; music from North, Central and South America. It features many composers who have helped to enrich its repertoire, giving rise to a diverse palette of styles, textures, rhythms, moods and melodies. A worthwhile addition to the library of any classical guitarist.
This is a well written, informative study of the solo and rhythmic guitar styles found in Latin America. Featured is music from Argentina, Brazil, Costa Rica, Paraguay, Peru, and Venezuela. Most of the compositions are in E major or E minor and all are scored in notation and tablature.
A new collection by Argentine guitar virtuoso and composer Jorge Morel. This collection features solos by three renowned Latin composers plus two original solo guitar compositions by the author/compiler. All works are in the tango/milonga dance form and are presented in notation and tablature. Selections include: Don Agustin Bardi, by Horacio Salgan; Gallo Ciego, by Agustin Bardi; El Choclo, by Angel Villoldo; and Milonga del Viento and Otro Tango; Buenos Aires, by Jorge Morel. A companion CD featuring Mr. Morel's performance of each solo is included.
This great collection of 19th century music is a recognition of Cuban composers who along with Manuel Saumell and Ignacio Cervantes produced a rich legacy of music in both popular and classical genres. Written in standard notation.
Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players—in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos. This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: • Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist. • Biographical and performance notes regarding the selected composers and compositions. • Insightful suggestions for further reading, listening, and study. • Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil’s early flute virtuoso, Patápio Silva. Includes access to online audio.