Ghosts

Ghosts

Author: Edith Wharton

Publisher: New York Review of Books

Published: 2021-10-26

Total Pages: 289

ISBN-13: 1681375729

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An elegantly hair-raising collection of Edith Wharton's ghost stories, selected and with a preface written by the author herself. No history of the American uncanny tale would be complete without mention of Edith Wharton, yet many of Wharton’s most dedicated admirers are unaware that she was a master of the form. In fact, one of Wharton’s final literary acts was assembling Ghosts, a personal selection of her most chilling stories, written between 1902 and 1937. In “The Lady’s Maid’s Bell,” the earliest tale included here, a servant’s dedication to her mistress continues from beyond the grave, and in “All Souls,” the last story Wharton wrote, an elderly woman treads the permeable line between life and the hereafter. In all her writing, Wharton’s great gift was to mercilessly illuminate the motives of men and women, and her ghost stories never stray far from the preoccupations of the living, using the supernatural to investigate such worldly matters as violence within marriage, the horrors of aging, the rot at the root of new fortunes, the darkness that stares back from the abyss of one’s own soul. These are stories to “send a cold shiver down one’s spine,” not to terrify, and as Wharton explains in her preface, her goal in writing them was to counter “the hard grind of modern speeding-up” by preserving that ineffable space of “silence and continuity,” which is not merely the prerogative of humanity but—“in the fun of the shudder”—its delight. Contents All Souls’ The Eyes Afterward The Lady’s Maid’s Bell Kerfol The Triumph of Night Miss Mary Pask Bewitched Mr. Jones Pomegranate Seed A Bottle of Perrier


Teaching Social Justice Through Shakespeare

Teaching Social Justice Through Shakespeare

Author: Hillary Caroline Eklund

Publisher:

Published: 2020

Total Pages: 271

ISBN-13: 9781474477130

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Provides diverse perspectives on Shakespeare and early modern literature that engage innovation, collaboration, and forward-looking practices.


Shakespeare and Race

Shakespeare and Race

Author: Catherine M. S. Alexander

Publisher: Cambridge University Press

Published: 2000-12-21

Total Pages: 254

ISBN-13: 9780521779388

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This volume, first published in 2000, draws together thirteen important essays on the concept of race in Shakespeare's drama.


The depiction of the middle class in Shakespeare's "The Merry Wives of Windsor"

The depiction of the middle class in Shakespeare's

Author: Yvonne Benoit

Publisher: GRIN Verlag

Published: 2007-06-19

Total Pages: 23

ISBN-13: 3638798305

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Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, Saarland University (Anglistik, Amerikanistik und Anglophone Kulturen), course: Hauptseminar Shakespeare's Changing Comedies, language: English, abstract: The 17th century witnesses the rise of a new social class in England: the middle class. At this time, mainly merchants and traders belong to this community. They are rich, powerful and educated. In The Merry Wives of Windsor, the two middle class families, namely the Fords and the Pages, form the head of the Windsor community and are its leaders. In order to be able to understand the position of this social class in society, it needs to be seen in comparison with the other residents and visitors of the city. By choosing Windsor as the setting, Shakespeare links the city of Windsor and its independent middle class with the presence of the monarchy. The proximity to Windsor Castle and the siege of the Order of the Garter bring the aristocracy into the play and introduce the authority of the Crown. Due to Fenton’s and Falstaff’s presence in the play, Windsor’s middle class has to face the social class above them and the problems which exist between the two. However, it is not only the aristocracy which helps the Windsor middle class to define and establish themselves but also the foreigners in the play. Therefore, it is important to consider the interactions of the middle class with Parson Evans or Dr. Caius in order to see how far these foreigners differ from the English and how they help the Fords and the Pages to establish themselves in their society and to reconfirm their national identity as well as their position in society. The use of the term “middle class”, however, is problematic. Since it includes the term “middle”, the question arises of what “middle” actually means, opposed to whom or what this class is the middle and in which context it has to be seen. Since the word “bourgeoisie” has its ethymological origin in the French language and generally designs an inhabitant of a city or town, this word includes the two families who are relevant to this topic. Therefore, the term “bourgeoisie” will be used synonymously in this paper. Several attempts have been made to define the term. “As Immanuel Wallerstein explains, critics generally define members of the bourgeoisie either culturally – by their style of life and opportunities for consumption – or economically – by their relations to production and opportunities for investment” . The definition which is most suitable for this paper is the one that the bourgeoisie of Renaissance England is “that feudal middle class which was neither nobility nor peasantry”.


Of Human Kindness

Of Human Kindness

Author: Paula Marantz Cohen

Publisher: Yale University Press

Published: 2021-02-09

Total Pages: 172

ISBN-13: 0300258321

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An award-winning scholar and teacher explores how Shakespeare's greatest characters were built on a learned sense of empathy While exploring Shakespeare's plays with her students, Paula Marantz Cohen discovered that teaching and discussing his plays unlocked a surprising sense of compassion in the classroom. In this short and illuminating book, she shows how Shakespeare's genius lay with his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways. Cohen takes her readers through a selection of Shakespeare's most famous plays, including Hamlet, Othello, King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat "the other." Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic response to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature's power to champion what is best in us.


Shakespeare and the 99%

Shakespeare and the 99%

Author: Sharon O'Dair

Publisher: Springer

Published: 2019-02-08

Total Pages: 292

ISBN-13: 3030038831

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Through the discursive political lenses of Occupy Wall Street and the 99%, this volume of essays examines the study of Shakespeare and of literature more generally in today’s climate of educational and professional uncertainty. Acknowledging the problematic relationship of higher education to the production of inequity and hierarchy in our society, essays in this book examine the profession, our pedagogy, and our scholarship in an effort to direct Shakespeare studies, literary studies, and higher education itself toward greater equity for students and professors. Covering a range of topics from diverse positions and perspectives, these essays confront and question foundational assumptions about higher education, and hence society, including intellectual merit and institutional status. These essays comprise a timely conversation critical for understanding our profession in “post-Occupy” America.


Shakespeare and the Law

Shakespeare and the Law

Author: Bradin Cormack

Publisher: University of Chicago Press

Published: 2016-07-11

Total Pages: 342

ISBN-13: 022637856X

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"William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life; trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges, Shakespeare and the Law demonstrates that Shakespeare's thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law's technical workings, its underlying premises, and its social effects. Shakespeare and the Law opens with three essays that provide useful frameworks for approaching the topic, offering perspectives on law and literature that emphasize both the continuities and the contrasts between the two fields. In its second section, the book considers Shakespeare's awareness of common-law thinking and practice through examinations of Measure for Measure and Othello. Building and expanding on this question, the third part inquires into Shakespeare's general attitudes toward legal systems. A judge and former solicitor general rule on Shylock's demand for enforcement of his odd contract; and two essays by literary scholars take contrasting views on whether Shakespeare could imagine a functioning legal system. The fourth section looks at how law enters into conversation with issues of politics and community, both in the plays and in our own world. The volume concludes with a freewheeling colloquy among Supreme Court Justice Stephen G. Breyer, Judge Richard A. Posner, Martha C. Nussbaum, and Richard Strier that covers everything from the ghost in Hamlet to the nature of judicial discretion"--Jacket.


The Victorian Cult of Shakespeare

The Victorian Cult of Shakespeare

Author: Charles LaPorte

Publisher: Cambridge University Press

Published: 2020-11-05

Total Pages: 227

ISBN-13: 1108853463

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In the Victorian era, William Shakespeare's work was often celebrated as a sacred text: a sort of secular English Bible. Even today, Shakespeare remains a uniquely important literary figure. Yet Victorian criticism took on religious dimensions that now seem outlandish in retrospect. Ministers wrote sermons based upon Shakespearean texts and delivered them from pulpits in Christian churches. Some scholars crafted devotional volumes to compare his texts directly with the Bible's. Still others created Shakespearean societies in the faith that his inspiration was not like that of other playwrights. Charles LaPorte uses such examples from the Victorian cult of Shakespeare to illustrate the complex relationship between religion, literature and secularization. His work helps to illuminate a curious but crucial chapter in the history of modern literary studies in the West, as well as its connections with Biblical scholarship and textual criticism.