When Clara and Clem build a robot out of blocks, they have no idea where the robot (and their imaginations) will take them. But soon enough, they are in outer space! They see planets and stars, aliens and Mars. This Level 1 is beautifully simple and sweet.
Embark on a reading adventure with the adorable and imaginative Clara and Clem! When Clara and Clem build a car out of blocks, they have no idea where it will take them. But with a little imagination, the two take the trip of a lifetime down winding roads, up tall mountains, and across the sky. This Level 1 reader is beautifully simple and sweet--and available in both hardcover and paperback!
Three side-splitting stories in one great picture book! In three laugh-out-loud situations, an irresistible cast of colorful birds illustrate the concepts of "up," "tall" and "high." First, a short peacock proves that he may not be tall, but he definitely isn't small. Then, a resourceful bird helps his penguin friend find a way to fly. Finally, two birds want to live in the same tree, but what goes up must come down! Each short story features a flap that reveals a surprise twist. With fun fold-outs, easy-to-read text, and a hilarious cast of characters, these stories beg preschoolers and emerging readers to act them out again and again.
What happens when you try to make an ice cream cake, but add too much stuff? You end up with ice cream soup! This original Level 1 reader with rhyming text is perfect for beginning readers.
An epic space journey perfect for any bedtime--earth or space--that puts the reader right in the cockpit and combines Goodnight Goodnight Construction Site with Interstellar Cinderella! There's a tiny little rocket that will take you to the stars.It only flies there once a year but zips you out past Mars.Its fins are solid silver with a door made out of gold.There's a cozy pilot seat inside for a person young or old.Climb aboard for a bedtime picture book sure to appeal to every kid's sense of wonder. Young readers will love stepping into the cockpit of a wonderful rocket ship that takes them zipping through the planets, stars, and space, all the way back home to Earth and their cozy beds!
It’s time for fun on the farm with the Geisel Award-winning author of Up, Tall, and High! Why is Pig inside Chicken’s coop? How many animal friends can fit on top of a tractor? Lift the flaps to find out in three easy-to-read stories that will take readers all over the farm!
Cleo is back at Yasiro Academy, recovering from the tragic events that occurred on planet Hykosis. She feels responsible for the death of her friend Zaid, and trains nonstop. And when she learns that the Golden Lion -- a star with immeasurable energy that could destroy them all if weaponized -- has been located, she goes alone to the snowy, icy planet Cada'duun to find it. There, she faces off with a new enemy who has been instructed to destroy the Golden Lion... and her.
In his latest iconoclastic work, Douglas Brode—the only academic author/scholar who dares to defend Disney entertainment—argues that "Uncle Walt's" output of films, television shows, theme parks, and spin-off items promoted diversity decades before such a concept gained popular currency in the 1990s. Fully understood, It's a Small World—one of the most popular attractions at the Disney theme parks—encapsulates Disney's prophetic vision of an appealingly varied world, each race respecting the uniqueness of all the others while simultaneously celebrating a common human core. In this pioneering volume, Brode makes a compelling case that Disney's consistently positive presentation of "difference"—whether it be race, gender, sexual orientation, ideology, or spirituality—provided the key paradigm for an eventual emergence of multiculturalism in our society. Using examples from dozens of films and TV programs, Brode demonstrates that Disney entertainment has consistently portrayed Native Americans, African Americans, women, gays, individual acceptance of one's sexual orientation, and alternatives to Judeo-Christian religious values in a highly positive light. Assuming a contrarian stance, Brode refutes the overwhelming body of "serious" criticism that dismisses Disney entertainment as racist and sexist. Instead, he reveals through close textual analysis how Disney introduced audiences to such politically correct principles as mainstream feminism. In so doing, Brode challenges the popular perception of Disney fare as a bland diet of programming that people around the world either uncritically deem acceptable for their children or angrily revile as reactionary pabulum for the masses. Providing a long overdue and thoroughly detailed alternative, Brode makes a highly convincing argument that with an unwavering commitment to racial diversity and sexual difference, coupled with a vast global popularity, Disney entertainment enabled those successive generations of impressionable youth who experienced it to create today's aura of multiculturalism and our politically correct value system.