This anthology recalls Christmas in Shakespeare's day, when it was an expansive festival, dominated by strict religious observance on the day itself, but including a long season of merrymaking, feasting and, most important of all, masques and plays. Also included are little-known delights such as the story of how Elizabeth I interrupted Shakespeare's performance by walking across the stage and dropping a glove at his feet and how the barristers at Inns of Court danced before the judges.
Cleaning woman and karate expert Lily Bard is back in Charlaine Harris's latest cozy-but-noirish mystery about the dark secrets of a small Southern town In Shakespeare’s Christmas, Lily heads home to Bartley, Arkansas--always an uncomfortable scenario for the introverted Lily--for her sister Varena’s Christmas wedding. But Lily has more to worry about than being a bridesmaid for a sister to whom she’s no longer close. Soon after she arrives in Bartley, Lily’s private-detective boyfriend shows up too, and not just for moral support: He’s investigating a four-year-old unsolved kidnapping. Try as she might, Lily can’t help but get involved when she discovers that the case hits dangerously close to home--for Varena’s new husband is the widowed father of a girl bearing a remarkable resemblance to the vanished child.
Shakespeare's Christmas is a collection of historical adventure tales: Shakespeare's Christmas Ye Sexes, Give Ear! Captain Wyvern's Adventures Frenchman's Creek The Man Behind the Curtain Rain of Dollars The Lamp and the Guitar
In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night are the key to understanding Shakespeare's comedies. Brilliantly interweaving anthropology, social history, and literary criticism, Barber traces the inward journey--psychological, bodily, spiritual--of the comedies: from confusion, raucous laughter, aching desire, and aggression, to harmony. Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies' combination of seriousness and levity. "I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.
* Contains a fascinating array of manuscript and printed materials documenting not only what people ate but where the food came from, how it was grown, preserved, seasoned, and served, and what people believed about various foods' benefits to their health
Humbug, forsooth! In William Shakespeare's Christmas Carol, you'll experience Dickens' classic tale with a new (Oliver) twist. Ebenezer Scrooge is a wealthy theater owner with a stingy heart, until he's visited by his old partner Marlowe. The Ghosts of Christmas Past, Present and Future become Puck (A Midsummer Night's Dream), Falstaff (the Henry V plays), and the Ghost of King Hamlet. Benedick and Beatrice Cratchit worry about their child Tiny Tim, and other familiar characters fill out the cast in this Shakespearean adaptation of your holiday favorite, all in iambic pentameter. Bard bless us, every one!
The range of poetic invention that occurred in Renaissance English literature was vast, from the lyric eroticism of the late sixteenth century to the rise of libertinism in the late seventeenth century. Heather James argues that Ovid, as the poet-philosopher of literary innovation and free speech, was the galvanizing force behind this extraordinary level of poetic creativity. Moving beyond mere topicality, she identifies the ingenuity, novelty and audacity of the period's poetry as the political inverse of censorship culture. Considering Spenser, Marlowe, Shakespeare, Jonson, Milton and Wharton among many others, the book explains how free speech was extended into the growing domain of English letters, and thereby presents a new model of the relationship between early modern poetry and political philosophy.
