Chavo is the last player to get picked for capture the flag. But that's okay. Chavo's small, but he just might surprise people with his quick thinking. Can Chavo protect his flag? Will he outwit the other team? Find out in this word-free graphic novel, the third installment in the Game for Adventure series.
This book is based on a phenomenological study on undocumented Mexican immigrant mothers of high school students who have lived in the U.S. for at least five years and received social services. Most of these mothers have emigrated from rural areas of the central and southern Mexican States of Guanajuato, Michoacan, Queretaro, among others. According to the participants, socio-economic conditions forced them to leave their homelands hoping to find a better life in the U.S.
El Chavo del Ocho is one of the most influential pieces of popular culture to have hit Latin America in the last 50 years, having, at the peak of its popularity in the mid-1970s, reached an approximate audience of 350 million across the Americas. It is also a rare example of a cultural product that has travelled through Latin America, leaving a lasting impact for several decades. Resonances of El Chavo del Ocho in Latin American Childhood, Schooling, and Societies analyses the phenomenon of El Chavo, and its images of schooling and childhood, Latin American-ness, class and experience. With contributions from scholars emerging from or based in countries including Brazil, Mexico, Chile, Puerto Rico, Argentina, Venezuela, Colombia and the US, the book combines reflections from a variety of international perspectives without attempting to compare or reach consensus on any ultimate meaning(s) of the work. The book explores themes such as images of schooling and childhood, romantization of poverty, the prevalence of non-traditional families and the bordering cynicism towards the economic structures and inequalities which, some argue, make the show transgressive and quite uniquely Latin American. Investigating the connection between visual culture studies and transcultural curriculum studies, this innovative title provides scholars with original new insights into conceptualizing childhood, schooling and society in Latin America.
The visual turn recovers new pasts. With education as its theme, this book seeks to present a body of reflections that questions a certain historicism and renovates historiographical debate about how to conceptualize and use images and artifacts in educational history, in the process presenting new themes and methods for researchers. Images are interrogated as part of regimes of the visible, of a history of visual technologies and visual practices. Considering the socio-material quality of the image, the analysis moves away from the use of images as mere illustrations of written arguments, and takes seriously the question of the life and death of artifacts – that is, their particular historicity. Questioning the visual and material evidence in this way means considering how, when, and in which régime of the visible it has come to be considered as a source, and what this means for the questions contemporary researchers might ask.
The 2022 issue of Startling Stories presents more action-packed science fiction adventures. Here are tales of strange worlds, stranger civilization, mech warriors, adventures in space, and much, much more! Included in this issue are: "Out on the Edge," by Darrell Schweitzer "A Quickening Tide," by A.J. McIntosh & Andrew J. Wilson "Pharmakon, Pharmakon," by M. Stern "Rising from the Devil's Planet," by Adrian Cole "Speaking with John Shirley" (Interview), conducted by Darrell Schweitzer "Through Time and Space with Ferdinand Feghoot: Alpha," by Grendel Briarton, Jr. "Hua Gu Quan (Flower Drum Circle)," by Frances Lu-Pai Ippolito "You're Sunk!" by Cynthia Ward "Introduction to Thoughts That Kill," by Phil Harbottle "Thoughts That Kill," by John Russell Fearn and Ron Turner (Comics Feature) "Sharptooth," by Lorenzo Crescenti "Just Like You and Me," by Stephen Persing "Tears In My Algabeer," by Eric Del Carlo "The Lost City of Los Angeles," by John Shirley "The Colour of Nothing," by Mike Chin
Mack Bolan makes a hard probe into the ritualized execution of four U.S. border patrol agents and a U.S. Marshal. His target is a cartel across the border with a hand in just about every illegal activity--drugs, guns, whatever produces lots of easy dinero. Convinced that there are treasonous Americans in the mix, Bolan becomes a one-man blitzkrieg across the Rio Grande, kicking butt and taking names. He goes undercover as one of the best of the worst, infiltrating the mercenaries who've sold themselves and their country for a taste of power and money. The Executioner is hungry, too, but for a different kind of meal: cold, hard justice.
This incredible story begins when a series of seemingly unrelated events take place along the California Coast. Throw in a few earthquakes of various magnitude and you have a perfect mix to kick-off this story. Max, my main character, is truly a genius, and also a thief. He has begged, borrowed and stolen the millions that were required to build his fantastic invention, a machine called Pellucidar. He has no intention of paying back his lenders and will not relinquish ownership of the Pellucidar to anyone. The Federal Government, the Defense Department, and every major lending institution, comprise a group of the ultimate victims of Maxs financially elaborate plan to finance and use his state of the art invention. Among the crew of the Pellucidar are some of the best minds in their various disciplines. Some of their specialties are in Medicine, Engineering, Biology, and Electronics. Those people are all very close friends of Max, they are all volunteers and consider themselves lucky to be a part of Maxs crew. When the largest quake hit California, Max and his entire crew were on-board the Pellucidar when a suddenly opening fissure swallowed Maxs great machine . . . the adventure begins. To the surprise of all on-board, they found themselves in a vast subterranean world, miles beneath the earths outer crust. Many unique species of life, heretofore unknown to man, were discovered there, and a multitude of related adventures happen along the way. During their random explorations, actual contact was established with an alien race. Their technology and machines were far in-advance of the sciences of earth. While on their mission exploration, through an unusual series of circumstances, it was learned that the entire surface of the earth was being consumed by nuclear chain reactions, the end-result of global thermonuclear war. Earth itself seemed to be on Self Destruct. It was only a matter of time until the steadily increasing heat and radiation laid claim to the remnants of the Human Race. With the survival of the Human Race hanging in the balance, this was the time that Selconnifur would prove his worth. The clock is ticking. IT IS THE DAY AFTER TOMORROW AND THE TIME IS NOW!
The trilogy Funeral Drums for Lambs and Wolves includes Isabel Banished in Isabel, the monologue of a woman left to go mad alone; Without Apparent Motive, the monologue of a murderer lamenting the spread of violence; and The Guest, or Tranquility Is Priceless, a confrontational dialogue that speaks directly to the spectators, implicating them for their silent, passive tolerance of Pinochet. The title play, Radrigan's 1981 masterpiece, speaks directly to the specter of the disappeared."--Jacket.