Charter and Ordinances of the City of Milwaukee, and Amendatory Acts, Together with a List of Officers and Rules and Regulations of the Common Council
Author: Milwaukee (Wis.).
Publisher:
Published: 1852
Total Pages: 282
ISBN-13:
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Author: Milwaukee (Wis.).
Publisher:
Published: 1852
Total Pages: 282
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DOWNLOAD EBOOKAuthor: New York Public Library
Publisher:
Published: 1913
Total Pages: 402
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library
Publisher:
Published: 1912
Total Pages: 980
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DOWNLOAD EBOOKIncludes its Report, 1896-19 .
Author: Milwaukee Public Library
Publisher:
Published: 1885
Total Pages: 1030
ISBN-13:
DOWNLOAD EBOOKAuthor: Milwaukee Public Library
Publisher:
Published: 1896
Total Pages: 520
ISBN-13:
DOWNLOAD EBOOKAuthor: Gillian M Rodger
Publisher: University of Illinois Press
Published: 2010-06-17
Total Pages: 298
ISBN-13: 0252077342
DOWNLOAD EBOOKIn this rich, imaginative survey of variety musical theater, Gillian M. Rodger masterfully chronicles the social history and class dynamics of the robust, nineteenth-century American theatrical phenomenon that gave way to twentieth-century entertainment forms such as vaudeville and comedy on radio and television. Fresh, bawdy, and unabashedly aimed at the working class, variety honed in on its audience's fascinations, emerging in the 1840s as a vehicle to accentuate class divisions and stoke curiosity about gender and sexuality. Cross-dressing acts were a regular feature of these entertainments, and Rodger profiles key male impersonators Annie Hindle and Ella Wesner while examining how both gender and sexuality gave shape to variety. By the last two decades of the nineteenth century, variety theater developed into a platform for ideas about race and whiteness. As some in the working class moved up into the middling classes, they took their affinity for variety with them, transforming and broadening middle-class values. Champagne Charlie and Pretty Jemima places the saloon keepers, managers, male impersonators, minstrels, acrobats, singers, and dancers of the variety era within economic and social contexts by examining the business models of variety shows and their primarily white, working-class urban audiences. Rodger traces the transformation of variety from sexualized entertainment to more family-friendly fare, a domestication that mirrored efforts to regulate the industry, as well as the adoption of aspects of middle-class culture and values by the shows' performers, managers, and consumers.
Author:
Publisher:
Published: 1968
Total Pages: 712
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Economic and Public Affairs Division
Publisher:
Published: 1972
Total Pages: 676
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1984
Total Pages: 572
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Research Libraries
Publisher:
Published: 1979
Total Pages: 546
ISBN-13:
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