For this new edition Ceramics and Print has been significantly expanded and treats recent developments in the use of the photocopier, laser printer, and computer-generated prints.
The ultimate guide to the potential of ceramic transfer printing as a creative medium. This book is ideal for anyone wishing to combine ceramics with print and transfers, a very exciting area which has enormous scope for creativity. Ceramic transfers or decals are one of the prime methods of decorating industrially-made ceramics. They also offer exciting creative potential for studio-based artists or designer-makers. A ceramic transfer is traditionally made by printing ceramic ink onto a special paper and allows pictures, patterns or text to be transferred onto ceramic forms - 2D and 3D. Importantly, print can achieve distinct aesthetic effects on ceramics that are not possible by using other decoration methods such as hand painting. Drawing on over twenty years of experience, Kevin Petrie offers a focused analysis of the potential of ceramic transfer printing as a creative medium. Discover the specific materials and techniques for making versatile screen-printed ceramic transfers - from the 'low tech' to the more sophisticated. In this book, you can also explore other approaches by artist researchers as well as recent developments with digital transfers. A range of case studies shows the potential and diversity of the transfer printing approach in this area, which extends beyond ceramics to include printing on enamel, metal and glass.
This breathtaking entry in the highly successful 500 Ceramics series ventures into the hottest area of modern ceramics: image transfer on clay. Juried by the renowned artist and teacher Paul Andrew Wandless, it showcases a visually intriguing collection of contemporary work in this rapidly evolving field. The featured pieces include silkscreen; newspaper, tissue, and digital ink transfer; stencils and more, printed on everything from earthenware and porcelain to stoneware and vitreous china.
Written for the general reader with an interest in ceramics, Handbuilt Ceramics is a big, colorful, and complete how-to manual for shaping clay without a potter’s wheel. Features 8 projects, complete with materials lists, clear step-by-step instructions, and detailed “how-to” color photos.
In A Potter's Workbook, renowned studio potter and teacher Clary Illian presents a textbook for the hand and the mind. Her aim is to provide a way to see, to make, and to think about the forms of wheel-thrown vessels; her information and inspiration explain both the mechanics of throwing and finishing pots made simply on the wheel and the principles of truth and beauty arising from that traditional method. Each chapter begins with a series of exercises that introduce the principles of good form and good forming for pitchers, bowls, cylinders, lids, handles, and every other conceivable functional shape. Focusing on utilitarian pottery created on the wheel, Illian explores sound, lively, and economically produced pottery forms that combine an invitation to mindful appreciation with ease of use. Charles Metzger's striking photographs, taken under ideal studio conditions, perfectly complement her vigorous text.
From the introduction of woodblock printing in China to the development of copper-plate engraving in Europe, the print medium has been used around the world to circulate knowledge. Ceramic artists across time and cultures have adapted these graphic sources as painted or transfer-printed images applied onto glazed or unglazed surfaces to express political and social issues including propaganda, self-promotion, piety, gender, national and regional identities. Long before photography, printers also included pots in engravings or other two-dimensional techniques which have broadened scholarship and encouraged debate. Pots, Prints and Politics examines how European and Asian ceramics traditionally associated with the domestic sphere have been used by potters to challenge convention and tackle serious issues from the 14th to the 20th century. Using the British Museum's world-renowned ceramics and prints collections as a base, the authors have challenged and interrogated a variety of ceramic objects - from teapots to chamber pots - to discover new meanings that are as relevant today as they were when they were first conceived.
For anyone working with clay, this project-driven guide is an unmatched teaching tool and a fount of inspiration. Focusing on surface processes and skills ranging from letterpress to painting, it offers a wealth of techniques for transferring images onto clay vessels. The topics include staining sculptural work, glazing, brush application, screenprinting patterns, and more. Q&As with top artists reveal how they discovered their signature style.
Ceramic forms produced by British potter George Jones and his firm, including popular majolica wares and "Abbey" blue and white transfer printed ceramics. Over 700 color photos display table, tea, toilet, and ornamental wares. A detailed history, pattern registration dates, shapes, & manufacturer's marks are provided. Values, bibliography, and several appendices round out the book Geoffrey Godden has called .,."the ultimate work on this Stoke firm."