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Author: Nova Scotia College of Art and Design. Press
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design
Published: 2006
Total Pages: 438
ISBN-13:
DOWNLOAD EBOOKArticles by various authors arranged in 7 sections, with List of awardees and biographies.
Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
Published: 2020-12-24
Total Pages: 914
ISBN-13: 1474239730
DOWNLOAD EBOOK"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Author: Sandra Mariet Beckerman
Publisher:
Published: 2017-01-15
Total Pages: 302
ISBN-13: 9789088903281
DOWNLOAD EBOOKThe Corded Ware Culture (c. 2900-2300 BC) is found in a large area, from Russia to the Netherlands and from Scandinavia to Switzerland. Supra-regional elements include beakers decorated with cord and/or spatula imprints, battle-axes, and a funerary customs involving crouched inhumations under barrows with gender-specific placement of the body gender-specific funerary gifts. Analysis of ceramics from well-preserved settlements from the Dutch coastal zone have provided very valuable new information on the Corded Ware chronology, social organization, ideology, subsistence, and use of material culture. A critical review of the commonly applied chronological models shows that many of the underlying premises cannot be supported due to problems with (broad calibration and sample reliability of) 14C dates. This study shows that in the Neolithic Dutch coastal zone, the thin-walled ceramics reflect supra-regional (Corded Ware ) affiliations, whereas the medium-thick-walled and thick-walled ceramics reflect persistent regional (Vlaardingen) traditions. The beakers decorated with cord and spatula impressions were used primarily for cooking; indications for the often proposed use of alcohol (and associated rise of individualization and elites) were not found. It is argued in this study that the Corded Ware Culture represents an economic alliance, a dynamic totality as well as a network linking regional groups - each with a distinct economic base, material culture and ideology. These communities all participated in a vast supra-regional network that was a platform for inter-community exchanges of goods, skills, ideas and possibly people. Affiliation to this supra-regional network was a vital aspect for all regional groups involved, and membership to it was expressed by using a set of common traits. Decorated thin-walled beakers act as symbols of these supra-regional networks and thus embody both functional and ideological roles.
Author: Christie Brown
Publisher: Routledge
Published: 2016-06-17
Total Pages: 247
ISBN-13: 1317160878
DOWNLOAD EBOOKThis groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book examines how ceramic artists have, over the last decade, begun to animate museum collections in new ways, and reflects on the impact that these new initiatives have had in the broad context of visual culture. Ceramics in the Expanded Field is the culmination of a three-year AHRC funded project, and reflects its major findings. It brings together leading international voices in the field of ceramics, research undertaken throughout the project and papers delivered at the concluding conference. By examining the benefits and constraints of interventions and the dialogue between ceramics and museological practice, this book will bring focus to an area of museology that has not yet been theorized, and will contribute to policy debates and art practice.
Author: Graham Philip
Publisher: A&C Black
Published: 2000-12-01
Total Pages: 448
ISBN-13: 9781841271354
DOWNLOAD EBOOKThis book sets out the primary issues and current debates in the use of ceramics to reconstruct and explain cultural economic and social processes in the Early Bronze age. By bringing together research on pottery from various parts of the southern Levant, it allows direct comparison of contemporary material from different regions. Alongside these empirical studies are discussions of general ceramic issues, so that the book highlights the potential of pottery as an investigative tool, and indicates fruitful directions for future research within the traditionally conservative field of Levantine archaeology.
Author: Henry T. Wright
Publisher: U OF M MUSEUM ANTHRO ARCHAEOLOGY
Published: 2010-01-01
Total Pages: 153
ISBN-13: 0915703726
DOWNLOAD EBOOKThe Deh Luran Plain, nestled in the foothills of the Zagros Mountains close to the modern border between Iraq and Iran, had a long and rich prehistory, beginning with the local development of villages dependent upon rainfall farming and herding in the 8th millennium BC. This volume continues the account of the plain from the later 3rd millennium BC to the middle of the 1st millennium BC. It contains detailed site maps and descriptions, aerial and satellite images of major sites, statistics and drawings of ceramics, and discussions of the historical sources.
Author: Nicola Crüsemann
Publisher: Getty Publications
Published: 2019-11-05
Total Pages: 410
ISBN-13: 1606064444
DOWNLOAD EBOOKThis abundantly illustrated volume explores the genesis and flourishing of Uruk, the first known metropolis in the history of humankind. More than one hundred years ago, discoveries from a German archaeological dig at Uruk, roughly two hundred miles south of present-day Baghdad, sent shock waves through the scholarly world. Founded at the end of the fifth millennium BCE, Uruk was the main force for urbanization in what has come to be called the Uruk period (4000–3200 BCE), during which small, agricultural villages gave way to a larger urban center with a stratified society, complex governmental bureaucracy, and monumental architecture and art. It was here that proto-cuneiform script—the earliest known form of writing—was developed around 3400 BCE. Uruk is known too for the epic tale of its hero-king Gilgamesh, among the earliest masterpieces of world literature. Containing 480 images, this volume represents the most comprehensive and up-to-date assessment of the archaeological evidence gathered at Uruk. More than sixty essays by renowned scholars provide glimpses into the life, culture, and art of the first great city of the ancient world. This volume will be an indispensable reference for readers interested in the ancient Near East and the origins of urbanism.
Author: Jon C. Lohse
Publisher: Routledge
Published: 2021-05-30
Total Pages: 713
ISBN-13: 0429620098
DOWNLOAD EBOOKPreceramic Mesoamerica delivers cutting-edge research on the Mesoamerican Paleoindian and Archaic periods. The chapters address a series of fundamental questions in American archaeology including the peopling of the Americas, human adaptations to late glacial landscapes, the Neolithic transition, and the origins of sedentism and early village life. This volume presents innovative and previously unpublished research on the Paleoindian and Archaic periods and evaluates current models in light of new findings. Examples include breakthroughs in dating Mesoamerica’s earliest sites and their implications for models of hemispheric colonization; the transition to postglacial patterns of settlement and subsistence; divergent pathways to initial sedentism; the possibility of Archaic-period monumentality; changing patterns of interregional exchange and interaction; and debates surrounding the origins of agriculture, ceramics, and full-time village life. The volume provides a new perspective on the Mesoamerican Preceramic for students and scholars in archaeology, anthropology, and history. Readers will come to understand how the Preceramic contributed to the emergence of the cultural traditions that anthropologists recognize as Mesoamerica.
Author: Mehmet Işıklı
Publisher: Cambridge Scholars Publishing
Published: 2015-09-04
Total Pages: 440
ISBN-13: 1443881546
DOWNLOAD EBOOKThe Southern Caucasus is a region of great historical, cultural and strategic importance, which means that it has become an indispensable research field for most of the social sciences, particularly archaeology. However, despite its rich potential, research in the areas of modern-day Georgia, Armenia, Azerbaijan, Nakhichevan, North-western Iran and North-eastern Turkey has been inadequate when compared with other important culture basins such as Mesopotamia and the Mediterranean. In October 2012, Atatürk University in Erzurum, North-eastern Anatolia, Turkey, with the patronage of the Eurasian Silk Road Universities Consortium (ESRUC), hosted a Symposium of academics from more than 120 science and education institutions around the world to discuss opinions and share information about cultures in this region from its earliest times to the Middle Ages, within the scope of Ancient History, Archaeology, Art History, and Ethno-archaeology. This two volume publication is a compilation of 75 articles, which were evaluated and selected by an Academic Committee, from contributors who presented their academic papers at the Symposium.
Author: Laura Breen
Publisher: Bloomsbury Publishing
Published: 2019-08-22
Total Pages: 257
ISBN-13: 1350047856
DOWNLOAD EBOOKCeramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.
