Joseph Byrnes recounts the fights and reconciliations between French citizens who found Catholicism integral to their traditional French identity and those who found the continued presence of Catholicism an obstacle to both happiness and progress.
In Catholic and French Forever Joseph Byrnes recounts the fights and reconciliations between French citizens who found Catholicism integral to their traditional French identity and those who found the continued presence of Catholicism an obstacle to both happiness and progress.
The 115,000 priests on French territory in 1789 belonged to an evolving tradition of priesthood. The challenge of making sense of the Christian tradition can be formidable in any era, but this was especially true for those priests required at the very beginning of 1791 to take an oath of loyalty to the new government—and thereby accept the religious reforms promoted in a new Civil Constitution of the Clergy. More than half did so at the beginning, and those who were subsequently consecrated bishops became the new official hierarchy of France. In Priests of the French Revolution, Joseph Byrnes shows how these priests and bishops who embraced the Revolution creatively followed or destructively rejected traditional versions of priestly ministry. Their writings, public testimony, and recorded private confidences furnish the story of a national Catholic church. This is a history of the religious attitudes and psychological experiences underpinning the behavior of representative bishops and priests. Byrnes plays individual ideologies against group action, and religious teachings against political action, to produce a balanced story of saints and renegades within a Catholic tradition.
A Companion to the French Revolution comprises twenty-nine newly-written essays reassessing the origins, development, and impact of this great turning-point in modern history. Examines the origins, development and impact of the French Revolution Features original contributions from leading historians, including six essays translated from French. Presents a wide-ranging overview of current historical debates on the revolution and future directions in scholarship Gives equally thorough treatment to both causes and outcomes of the French Revolution
Victorian medievalism physically transformed the streets of Britain It lay at the root of new laws and social policies It changed religious practices It deeply coloured national identities And it inspired art literature and music that remains influential to this day Sometimes driven by nostalgia but also often progressive and futurefacing this widereaching movement which reached its peak during the reign of Queen Victoria looked back to a range of different peoples and historical periods spanning a thousand years in order to inspire and vindicate cultural political and social change Medievalism was pervasive in Victorian literature with texts ranging from translated sagas to pseudomedieval devotional verse to tripledecker novels It became a dominant architectural mode transforming the English landscape with 75% of new churches built on a 'Gothic' rather than a classical model as well as museums railway stations town halls and pumping stations It was appealed to by both Whigs and Tories But it also permeated domestic life influencing the popularity of beards the naming of children and the design of homes and furniture This landmark study is an attempt to draw together for the first time every major aspect of Victorian medievalism and to examine the phenomenon from the perspective of the many disciplines to which it is relevant including intellectual history religious studies social history literary history art history and architecture Bringing together the expertise of 39 experts from different subject areas it reveals the pervasiveness and multifaceted character of the movement in the nineteenth century and explains its continuing legacy today
A history of the innovation and effects of the French Republican Calendar. The French Republican Calendar was perhaps the boldest of all the reforms undertaken in Revolutionary France. Introduced in 1793 and used until 1806, the Calendar not only reformed the weeks and months of the year, but decimalisedthe hours of the day and dated the year from the beginning of the French Republic. This book not only provides a history of the calendar, but places it in the context of eighteenth-century time-consciousness, arguing that the French were adept at working within several systems of time-keeping, whether that of the Church, civil society, or the rhythms of the seasons. Developments in time-keeping technology and changes in working patterns challenged early-modern temporalities, and the new calendar can also be viewed as a step on the path toward a more modern conception of time. In this context, the creation of the calendar is viewed not just as an aspect of the broader republican programme of social, political and cultural reform, but as a reflection of a broader interest in time and the culmination of several generations' concern with how society should be policed. Matthew Shaw is a curatorat the British Library, London.
In the decades since the declaration of the "end of history," the West has been reminded time and again that history is not yet done with us. Time marches on, but the past keeps pace. The twin questions at the heart of the last two hundred years of philosophy and theology--What is history? What is tradition?--are more pressing now than when they were first posed. While most answers to these questions are methodological and descriptive, Nothing Gained Is Eternal presents an answer both theological and theoretical, an answer rooted in action, memory, and freedom. Drawing on the thought of some of the brightest lights of the twentieth century, such as Bernard Lonergan, Charles Péguy, Maurice Blondel, and Hans Urs von Balthasar, Anne M. Carpenter argues for a new theory of tradition. It is a theory firmly moored to the ambiguities, contradictions, and varied fruits of the past. Carpenter shows ressourcement to be a way not only of retrieving the past but of making moral judgments about both a former age and our own. The resulting account of tradition pushes back against sentimental and triumphalist interpretations of Christian patrimony. Yet, this work also identifies the ways in which theology's turn to history is incomplete and confronts its own theory of tradition with decolonial criticism. Carpenter challenges readers to wrestle with whether tradition can persist when its colonialist practices are brought to light. And in asking this question, she offers hope for transforming the life of tradition in its wake.
Military defeat, political and civil turmoil, and a growing unrest between Catholic traditionalists and increasingly secular Republicans formed the basis of a deep-seated identity crisis in Third Republic France. Beginning in the early 1880s, Republican politicians introduced increasingly secularizing legislation to the parliamentary floor that included, but was not limited to, the secularization of the French educational system. As the divide between Church and State widened on the political stage, more and more composers began writing religious--even liturgical--music for performance in decidedly secular venues, including popular cabaret theaters, prestigious opera houses, and international exhibitions. This trend coincided with Pope Leo XIII's Ralliement politics that encouraged conservative Catholics to "rally" with the Republican government. But the idea of a musical Ralliement has largely gone unquestioned by historians and musicologists alike. Sacred Sounds, Secular Spaces provides the first fundamental reconsideration of music's role in the relationship between the French state and the Catholic Church in the Third Republic. In doing so, the book dismantles the somewhat simplistic epistemological position that emphasizes a sharp division between the Church and the "secular" Republic during this period. Drawing on extensive archival research, critical reception studies, and musical analysis, author Jennifer Walker reveals how composers and critics from often opposing ideological factions undermined the secular/sacred binary through composition and musical performance in an effort to craft a brand of Frenchness that was built on the dual foundations of secular Republicanism and the heritage of the French Catholic Church.
In 1869, some seven hundred Catholic bishops traveled to Rome to participate in the first church-wide council in three hundred years. The French Revolution had shaken the foundations of the church. Pope Pius IX was determined to set things right through a declaration by the council that the pope was infallible. John W. O’Malley brings to life the bitter, schism-threatening conflicts that erupted at Vatican I. The pope’s zeal in pressing for infallibility raised questions about the legitimacy of the council, at the same time as Italian forces under Garibaldi seized the Papal States and were threatening to take control of Rome itself. Gladstone and Bismarck entered the fray. As its temporal dominion shrank, the Catholic Church became more pope-centered than ever before, with lasting consequences. “O’Malley’s account of the debate over infallibility is masterful.” —Commonweal “[O’Malley] excels in describing the ways in which the council initiated deep changes that still affect the everyday lives of Catholics.” —First Things “An eminent scholar of modern Catholicism...O’Malley...invit[es] us to see Catholicism’s recent history as profoundly shaped by and against the imposing legacy of Pius IX.” —Wall Street Journal “Gripping...O’Malley continues to engage us with a past that remains vitally present.” —The Tablet “The worldwide dean of church historians has completed his trinity of works on church councils...[A] masterclass in church history...telling us as much about the church now as then.” —America