The Victoria and Albert Museum

The Victoria and Albert Museum

Author: Elizabeth James

Publisher: Routledge

Published: 2013-10-15

Total Pages: 841

ISBN-13: 1134271069

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A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.


The Robert Lehman Collection

The Robert Lehman Collection

Author: James Byam Shaw

Publisher: Metropolitan Museum of Art

Published: 1987

Total Pages: 272

ISBN-13: 069104046X

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This volume, one of a series of sixteen, catalogues the eighteenth-century Italian drawings in The Robert Lehman Collection at The Metropolitan Museum. -- Metropolitan Museum of Art website.


An Italian Journey

An Italian Journey

Author: Linda Wolk-Simon

Publisher: Metropolitan Museum of Art

Published: 2010

Total Pages: 270

ISBN-13: 1588393798

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Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.


The Wrightsman Pictures

The Wrightsman Pictures

Author: Jayne Wrightsman

Publisher: Metropolitan Museum of Art

Published: 2005

Total Pages: 454

ISBN-13: 1588391442

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This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.


The Glory of Venice

The Glory of Venice

Author: Jane Martineau

Publisher: Yale University Press

Published: 1994-01-01

Total Pages: 536

ISBN-13: 0300061862

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Venice, home of Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi, was the most artistic city of 18th-century Italy. This beautiful book examines the whole range of the arts in Venice during the period, including paintings, pastels and gouaches, drawings and watercolors, prints and illustrated books and sculpture. Beautifully illustrated.


Encyclopedia of Interior Design

Encyclopedia of Interior Design

Author: Joanna Banham

Publisher: Routledge

Published: 1997-05

Total Pages: 1469

ISBN-13: 1136787585

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First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.


Tiepolo

Tiepolo

Author: Peter Oluf Krückmann

Publisher: Prestel Publishing

Published: 1996

Total Pages: 152

ISBN-13:

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A study of the frescos painted by Tiepolo for the Prince Bishop of Wurzburg between 1750 and 1753. The book provides a history of fresco painting and discusses the intricacies, iconography and importance of each scene at Wurzburg, and its development from