Catalogue of Medieval Enamels in the British Museum: Northern Romanesque enamel

Catalogue of Medieval Enamels in the British Museum: Northern Romanesque enamel

Author: British Museum

Publisher:

Published: 1993

Total Pages: 262

ISBN-13:

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The British Museum has an important but little-known collection of Mosan, English and German Romanesque champleve enamels. This illustrated catalogue discusses these rare survivals from the technical, historical and art-historical point of view, bringing them together with related examples form other collections. Analyses of the metals and glasses used by the enamellers have been provided by the British Museum Research Laboratory, and the illustrations include numerous x-rays showing methods of construction.


Medieval Art in America

Medieval Art in America

Author: Elizabeth Bradford Smith

Publisher: Palmer Museum of Art

Published: 1996

Total Pages: 252

ISBN-13:

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This catalogue was published in 1996 to accompany an innovative exhibition, Medieval Art in America: Patterns of Collecting, 1800-1940, organized by the Frick Art Museum and the Palmer Museum of Art. With works of art borrowed from numerous prominent institutions--including the Metropolitan Museum of Art and the Art Institute of Chicago--the exhibition focused not on the objects themselves but rather on the motivations and methods that led collectors to bring medieval art to America. The catalogue for the 1996 exhibition, now newly available to the public, enables readers to revisit the pioneering display of objects, ranging from ivory statues to stained glass. With an illustrated catalogue of the 75 objects in the show and essays on well-known collectors and collections of medieval art, this volume is an indispensable reference for the study of both American collecting and medieval art.


Medieval Art

Medieval Art

Author: Michael Byron Norris

Publisher: Metropolitan Museum of Art

Published: 2005

Total Pages: 195

ISBN-13: 1588390837

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This educational resource packet covers more than 1200 years of medieval art from western Europe and Byzantium, as represented by objects in the collection of The Metropolitan Museum of Art. Among the contents of this resource are: an overview of medieval art and the period; a collection of aspects of medieval life, including knighthood, monasticism, pilgrimage, and pleasures and pastimes; information on materials and techniques medieval artists used; maps; a timeline; a bibliography; and a selection of useful resources, including a list of significant collections of medieval art in the U.S. and Canada and a guide to relevant Web sites. Tote box includes a binder book containing background information, lesson plans, timeline, glossary, bibliography, suggested additional resources, and 35 slides, as well as two posters and a 2 CD-ROMs.


Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice

Author: Arie Wallert

Publisher: Getty Publications

Published: 1995-08-24

Total Pages: 241

ISBN-13: 0892363223

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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.


Enamels of Limoges

Enamels of Limoges

Author: John Philip O'Neill

Publisher: Metropolitan Museum of Art

Published: 1996

Total Pages: 480

ISBN-13: 0870997580

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Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the.


Glass, Wax and Metal: Lighting Technologies in Late Antique, Byzantine and Medieval Times

Glass, Wax and Metal: Lighting Technologies in Late Antique, Byzantine and Medieval Times

Author: Ioannis Motsianos

Publisher: Archaeopress Publishing Ltd

Published: 2019-07-31

Total Pages: 266

ISBN-13: 1789692172

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This volume provides an extensive look at the technological development of lighting and lighting devices during Late Antiquity and the Middle Ages in Western Europe and Byzantium. 29 papers are gathered from two International Lychnological Association (ILA) Round Tables held in Olten, Switzerland (2007) and Thessaloniki, Greece (2011).