This book contributes to the small but growing literature on the interaction between religion and power in antiquity. Edwards focusses on the eastern "Greek" provinces in the first and second centuries A.D.--the period during which Christianity, Judaism, and numerous other religions and cults exploded across the Roman Empire. His purpose is to show how the local elite classes appropriated and manipulated mythic and religious images and practices to establish and consolidate their social, political, and economic power. Edwards considers both archaeological and literary evidence. He examines coins, epigraphs, statuary, building complexes, mosaics, and paintings from across Asia Minor and Syria-Palestine looking for evidence of sponsorship by local elites and the meaning of such sponsorship. On the literary side, Edwards selects one representative figure from each of the three major religio-cultural traditions: the Greek writer, Chariton of Aphrodisias; the Jewish historian, Josephus; and the Christian evangelist, the author of Luke Acts. He illustrates how each writer's use of religion reflects the interaction of local elite groups with the "web of power" that existed in political, cultural, and social spheres of the Roman Empire.
A trio of tales offering an eye-opening alternative view of ancient Greece's literary culture. A fascinating counterpoint to the monumental epics of ancient Greece, Greek Fiction features three novelistic works written between the first and fourth centuries AD. Chariton's "Callirhoe"-perhaps the first novel ever written-is the stirring tale of two star-crossed lovers who are torn apart when Callirhoe is kidnapped and sold into slavery.
Chaereas and Callirhoe . . . is the earliest Greek romantic novel the text of which has been completely preserved; hence it is among the first ancestors of modern European fiction. In this lively tale of adventure, a nobly born heroine is kidnapped across the seas from Syracuse to Asia Minor, where her beauty causes many complications and she is finally rescued by her dashing lover. This book in antiquity took the place of such stories as Dumas and Sabatini have written for later generations.
This text is a collection of translations of primary texts relevant to women's religion in Western antiquity, from the 4th century BCE to the 5th century CE.
Stewart Justman presents Western literature from Shakespeare, Dickens, and others, to show how they changed the appearance of literature with new ways of constructing a tale.
The present volume contains revised versions of most of the papers that were delivered at RICAN 7, which was held in Rethymnon, Crete, on 27-28 May 2013. The focus of the conference was on the portrayal and function of male and female slaves and their masters/mistresses in the ancient novel and related texts; the complex relationship between these social categories raises questions about slavery and freedom, gender and identity, stability of the self and social mobility, social control and social death. The papers offer a wide and rich range of perspectives: enslavement of elite women in Chariton's Callirhoe and Stoic ideas of moral slavery in Dio Chrysostom (Hilton); reversal of social status and techniques of (self-)characterization in Chariton (De Temmerman); the interaction between implicit and explicit narratives of slavery in Chariton and its effect on the readers of the novel (Owens); the narratological, structural and symbolic centrality of slavery in Xenophon's Ephesiaka (Trzaskoma); the socio-historical dimensions of slavery and the prominent discourse on despotism in Iamblichus' Babyloniaka (Dowden); the balance between historical accuracy and fiction in the representation of slavery in Achilles Tatius (Billault); animals, human slaves and elite masters, and the presence of Rome in Longus' Daphnis and Chloe (Bowie); the distribution of slaves on the geographical, cultural and moral maps drawn in Heliodorus' Aithiopika (Montiglio); slave women and their relationships to their mistresses as positive and negative paradigms of love in Heliodorus' Aithiopika (Morgan and Repath); the freedman's world as a self-perpetuating and closed universe in Petronius' Satyrica (Bodel); beauty, slavery and the destabilization of societal norms and authority figures in Petronius' Satyrica (Panayotakis); the interaction between Roman comedy and elegy in the representation of the relationship of Lucius and Photis in Apuleius' Metamorphoses (May); a comparative analysis of the semantics and function of slavery-related terms in pseudo-Lucian's Onos and Apuleius' Metamorphoses (Paschalis); enslaved and free storytelling in the Life of Aesop and the history and evolution of the ancient fable tradition (Lefkowitz).
The emphasis of this volume is on Greek literature produced in the period between the foundation of Alexandria late in the fourth century B.C. and the end of the 'high empire' in the third century A.D. Here we see a shift away from the city states of the Greek mainland to the new centres of culture and power, first Alexandria under the Ptolemies and then imperial Rome, Greek literature, being traditionally cosmopolitan, adapted to these changes with remarkable success, and through the efficiency of the Hellenistic educational system Greek literary culture became the essential mark of an educated person in the Graeco-Roman world.
This book explores the areas in which novels such as Chariton’s Callirhoe and Heliodorus’s Aithiopika are ideal beyond the ideal love relationship and considers how concepts of the ideal connect to archetypal and literary patterns as well as reflecting contemporary ideological and cultural elements. Readers will gain a better understanding of how necessary is an understanding of these ideal elements to a full understanding of the novels’ possible readings and their reader’s attitudes. This book sets forth critical methods, subsequently followed, which allows for this exploration of ideal themes. Ideal Themes in the Greek and Roman Novel will be an invaluable resource for scholars of these novels, as well as ancient narratives and classical literature more generally. Scholars of cultural and utopian studies will also find the book useful, as well as some undergraduate students in all these areas.