The Butterflies of Egypt attempts to summarise the current knowledge and place the butterflies in ecological and biogeographical perspective. Details are given as far as possible on the distribution, habits, ecology and biology of the species involved. The distribution within Egypt and the zoogeographical patterns are discussed. The book contains the following chapters: Introduction; ecological sub-division of Egypt; History of Butterfly Research in Egypt; Systematic part; Biogeography of the Egyptian butterflies; The distribution of butterflies within Egypt; Migrant butterflies in Egypt; Butterflies as pests; Concluding remarks; Acknowledgements; References.
The story of a young girl living in the Middle Ages who took the time to observe the life cycle of butteflies--and in so doing disproved a theory that went all the way back to ancient Greece. Includes historical note.
“In this satisfying, lyrical memoir,” an American woman discovers her true faith—and true love—by converting to Islam and moving to Egypt (Publishers Weekly). Raised in Boulder, Colorado, G. Willow Wilson moved to Egypt and converted to Islam shortly after college. Having written extensively on modern religion and the Middle East in publications such as The Atlantic Monthly and The New York Times Magazine, Wilson now shares her remarkable story of finding faith, falling in love, and marrying into a traditional Islamic family in this “intelligently written and passionately rendered memoir” (The Seattle Times, 27 Best Books of 2010). Despite her atheist upbringing, Willow always felt a connection to god. Around the time of 9/11, she took an Islamic Studies course at Boston University, and found the teachings of the Quran astounding, comforting, and profoundly transformative. She decided to risk everything to convert to Islam, embarking on a journey across continents and into an uncertain future. Settling in Cairo where she taught English, she soon met and fell in love with Omar, a passionate young man with a mild resentment of the Western influences in his homeland. Torn between the secular West and Muslim East, Willow—with her shock of red hair, shaky Arabic, and Western candor—struggled to forge a “third culture” that might accommodate her values as well as her friends and family on both sides of the divide. Part travelogue, love story, and memoir, “Wilson has written one of the most beautiful and believable narratives about finding closeness with God” (The Denver Post).
Andreu describes the Egyptians as they spend a day in the marshes with family and friends. They glide on light skiffs through the papyrus plants, stopping occasionally to marvel at the marsh creatures: frogs, butterflies, kingfishers, ibises, herons, lapwings, weasels, and mongooses. Because the marshes also shelter crocodiles and hippopotamuses, the day is not without its perils.
This book will enable the identification of each of the 57 species of butterfly that has been recorded from the Cayman Islands. There is a description of every butterfly, stressing its most important characteristics, with photographs of living and mounted specimens. The distribution, history and biology of each species are reviewed and the plants which provide adult butterflies with nectar or feed their caterpillars are tabulated. A general introduction includes a discussion of the affinities and size of the Caymanian butterfly fauna. The three islands share most of their butterfly species but each island has uniquely characteristic elements and five subspecies live only in the Cayman Islands. Knowledge is fundamental to conservation; it is hoped that both the casual butterfly watcher and those more committed to the study of butterflies will discover much of interest in this book and thereby make a contribution to the continuing survival of these beautiful insects.
Fact-filled coloring book includes 14 boldly outlined full-page illustrations of supernatural beings worshipped by the ancient Egyptians, among them Osiris, the god of fertility and farming; Anubis, the jackal-headed god; Isis, the goddess of love and motherhood; and Horus, depicted as a human male with the head of a falcon. Informative captions.
This volume provides an ambitious synopsis of the complex, colourful world of textiles in ancient Mediterranean iconography. A wealth of information on ancient textiles is available from depictions such as sculpture, vase painting, figurines, reliefs and mosaics. Commonly represented in clothing, textiles are also present in furnishings and through the processes of textile production. The challenge for anyone analysing ancient iconography is determining how we interpret what we see. As preserved textiles rarely survive in comparable forms, we must consider the extent to which representations of textiles reflect reality, and critically evaluate the sources. Images are not simple replicas or photographs of reality. Instead, iconography draws on select elements from the surrounding world that were recognisable to the ancient audience, and reveal the perceptions, ideologies, and ideas of the society in which they were produced. Through examining the durable evidence, this anthology reveals the ephemeral world of textiles and their integral role in the daily life, cult and economy of the ancient Mediterranean.
A Flutter of Butterflies is a stunning showcase of butterfly and moth illustrations held by the National Library of Australia. The works span the years from the 1770s, through the early colonial period to the turn of the twenty-first century.As well as containing a plethora of gorgeous colour images, the publication features a fascinating introductory essay about the history of Australian Lepidoptera illustration. In addition to the essay, the book offers biographical essays about the artists represented, among whom are some of Australias most-loved artists, including Louisa Anne Meredith, Marian Ellis Rowan and Charles McCubbin.
