"Richard Lyons brings his creative talents to an explorations of some of the most vexing and profound questions about war in this imaginative series of epic poems ... Reminiscent of the great Greek and Roman works, each of the four parts ranges in setting from ancient India to colonial America, to battlefields of modern Europe and to a conjectured scene in the contemporary Mid East."--Back of book.
The #1 New York Times bestseller from “one of America’s most hilarious and provocative writers . . . a volatile brew of one-liners and vitriol” (Time). Renowned for his cranky conservative humor, P. J. O’Rourke runs hilariously amok in this book, tackling the death of communism; his frustration with sanctimonious liberals; and Saddam Hussein in a series of classic dispatches from his coverage of the 1991 Gulf War. On Kuwait City after the war, he comments, “It looked like all the worst rock bands in the world had stayed there at the same time.” On Saddam Hussein, O’Rourke muses: “He’s got chemical weapons filled with . . . with . . . chemicals. Maybe he’s got The Bomb. And missiles that can reach Riyadh, Tel Aviv, Spokane. Stock up on nonperishable foodstuffs. Grab those Diet Coke cans you were supposed to take to the recycling center and fill them with home heating oil. Bury the Hummel figurines in the yard. We’re all going to die. Details at eleven.” And on the plague of celebrity culture, he notes: “You can’t shame or humiliate modern celebrities. What used to be called shame and humiliation is now called publicity.” Mordant and utterly irreverent, this is a modern classic from one of our great political satirists, described by Christopher Buckley as being “like S. J. Perelman on acid.” “Mocking on the surface but serious beneath . . . When it comes to scouting the world for world-class absurdities, O’Rourke is the right man for the job.” —Los Angeles Times Book Review “The funniest writer in America.” —The Wall Street Journal
In one of the most detailed and powerfully argued books published on American intervention in Vietnam, Fredrik Logevall examines the last great unanswered question on the war: Could the tragedy have been averted? His answer: a resounding yes. Challenging the prevailing myth that the outbreak of large-scale fighting in 1965 was essentially unavoidable, Choosing War argues that the Vietnam War was unnecessary, not merely in hindsight but in the context of its time. Why, then, did major war break out? Logevall shows it was partly because of the timidity of the key opponents of U.S. involvement, and partly because of the staunch opposition of the Kennedy and Johnson administrations to early negotiations. His superlative account shows that U.S. officials chose war over disengagement despite deep doubts about the war's prospects and about Vietnam's importance to U.S. security and over the opposition of important voices in the Congress, in the press, and in the world community. They did so because of concerns about credibility—not so much America's or the Democratic party's credibility, but their own personal credibility. Based on six years of painstaking research, this book is the first to place American policymaking on Vietnam in 1963-65 in its wider international context using multiarchival sources, many of them recently declassified. Here we see for the first time how the war played in the key world capitals—not merely in Washington, Saigon, and Hanoi, but also in Paris and London, in Tokyo and Ottawa, in Moscow and Beijing. Choosing War is a powerful and devastating account of fear, favor, and hypocrisy at the highest echelons of American government, a book that will change forever our understanding of the tragedy that was the Vietnam War.
Jason Bourne meets Homeward Bound in book two of this fast-paced series where Wild--an unusually intelligent dog--must stop adorably cute, but dangerous, puppies from being released to the greater Los Angeles area with the help of her friends. Wild has been on the run--jumping from one family to the next--ever since she left Chance almost a year ago. But when a mysterious canine corporation, C.A.T., abducts her and threatens to hurt Chance, she will stop at nothing to escape and find her old friend. Together again, Wild and Chance must enlist the help of Junebug to hack into C.A.T.'s computer to discover what they really want. But along the way, the group is reunited with an old friend and introduced to the Puppio puppies--love-at-first-sight cute, with massive eyes, who smell like apple pie. Even though they may look cute on the outside, Wild is convinced everything isn't as it seems. When she finds out a shocking discovery about her past, Wild must decide who is more important to protect--her past, her best friend, or the greater Los Angeles area who are in incredible Puppio danger. Equal parts heart-pounding action and heartfelt journey, this second book in the Wild & Chance series grabs readers from page one and never lets go.
“This lively appreciation of one of the most intimidating and massive novels ever written should persuade many hesitant readers to try scaling the heights of War and Peace sooner rather than later” (Publishers Weekly). Considered by many critics the greatest novel ever written, War and Peace is also one of the most feared. And at 1,500 pages, it’s no wonder why. Still, in July 2009 Newsweek put War and Peace at the top of its list of 100 great novels and a 2007 edition of the AARP Bulletin included the novel in their list of the top four books everybody should read by the age of fifty. A New York Times survey from 2009 identified Warand Peace as the world classic you’re most likely to find people reading on their subway commute to work. What might all those Newsweek devotees, senior citizens, and harried commuters see in a book about the Napoleonic Wars in the early 1800s? War and Peace is many things. It is a love story, a family saga, a war novel. But at its core it’s a novel about human beings attempting to create a meaningful life for themselves in a country torn apart by war, social change, political intrigue, and spiritual confusion. It is a mirror of our times. Give War and Peace a Chance takes readers on a journey through War and Peace that reframes their very understanding of what it means to live through troubled times and survive them. Touching on a broad range of topics, from courage to romance, parenting to death, Kaufman demonstrates how Tolstoy’s wisdom can help us live fuller, more meaningful lives. The ideal companion to War and Peace, this book “makes Tolstoy’s characters lively and palpable…and may well persuade readers to finally dive into one of the world’s most acclaimed—and daunting—novels” (Kirkus Reviews).
General George S. Patton famously said, "Compared to war all other forms of human endeavor shrink to insignificance. God, I do love it so!" Though Patton was a notoriously single-minded general, it is nonetheless a sad fact that war gives meaning to many lives, a fact with which we have become familiar now that America is once again engaged in a military conflict. War is an enticing elixir. It gives us purpose, resolve, a cause. It allows us to be noble. Chris Hedges of The New York Times has seen war up close -- in the Balkans, the Middle East, and Central America -- and he has been troubled by what he has seen: friends, enemies, colleagues, and strangers intoxicated and even addicted to war's heady brew. In War Is a Force That Gives Us Meaning, he tackles the ugly truths about humanity's love affair with war, offering a sophisticated, nuanced, intelligent meditation on the subject that is also gritty, powerful, and unforgettable.
Set in British headquarters on the Western Front during World War I, Amiens focuses on a handful of military leaders and soldiers who experience personal and professional crises. The military leadership of the Allied Forces undoubtedly suffered as a result of the enormity of bloodshed and common soldiers directly faced the ferocity and intractability of trench warfare. The volume compels us to consider how capable humans are in adapting to unforeseen circumstance and the enormous sacrifice humans are capable of making. The volume turns on whether this sacrifice is made for the highest cause, the highest law, the highest covenant or not.
Anders Engberg-Pedersen shows how the Napoleonic Wars inspired a new discourse on knowledge in the West. Soldiers returning from battle were forced to reconsider what it is possible to know and how decisions are made in a fog of imperfect knowledge. Chance no longer appeared exceptional but normative—a prism for understanding the modern world.
