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Excerpt from A Book of Cambridge Verse Nevertheless, after all deductions have been made, how much true poetry is yet left! He must be hard to please who cannot find intense enjoyment in the Eclogues of Phineas Fletcher, in Cowley's epitaph on Harvey, in the Miltonic stanzas of Gray's Installation Ode, in a score of other pieces, grave, quaint, or classical in their allusive ness of phrasing. Especially grateful must we be to the number of poets, of exquisite feeling and easy mastery of form, who during the last fifty or sixty years have enriched the language with delicate and elegant verse, from which it has been only too difficult to choose because its quantity is so great and its merit so even. Of this we trust we have given a tolerably adequate selection but it would have been easy to multiply it fourfold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Liz Goldwyn's lifelong fascination with the inimitable glamour of classic burlesque inspired her to spend the past eight years corresponding with, visiting, interviewing, receiving striptease lessons from, and forming close relationships with the last generation of the great American burlesque queeens. Goldwyn invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form. Meet Betty "Ball of Fire" Rowland, who was known for her flaming red hair and bump–and–grind routines. (It turns out she once sued the author's grandfather, Samuel Goldwyn Jr., for using her stage name and costume in his Hollywood picture, Ball of Fire.) Meet Sherry Britton, who, with her long black hair and curvy, trim physique, was among the most stunning of the burlesque stars before Mayor LaGuardia outlawed burlesque in New York. Meet Zorita, whose sexually explicit "Consummation of the Wedding of the Snake" dance (performed with a live snake) and other daring performances earned her legendary status. Goldwyn draws back the curtain to reveal the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them–despite today's resurgence of burlesque.
Excerpt from The Life, Travels, and Literary Career of Bayard Taylor The author cannot do less than acknowledge, in this place, his great obligations to the father and mother of Mr. Taylor, to Mrs. Annie Carey, his sister, and to Dr. Franklin Taylor, his cousin, for their generous courtesy and most important assistance in gathering the facts for this volume. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Recent American Art Song: A Guide is a reference source devoted to songs with English texts by American composers, written for solo voice and piano. The book focuses exclusively on art song since 1980, a substantial period largely ignored by scholars. This is the first study to examine this repertory in detail, and many of the songs and composers are discussed in print for the first time. Keith E. Clifton has examined approximately 1000 songs by nearly 200 composers. Many songs employ musical idioms well beyond traditional classical styles, including references to jazz, musical theater, rap, and rock & roll, and several songs blur the boundaries between recital and stage works. Organized alphabetically by composer, entries contain complete biographical and bibliographical information, with major works and links to print resources and composer websites when available. In addition, Clifton provides detailed information on the vocal range, musical style, and appropriate voice type for individual songs. The book concludes with a full discography and bibliography, as well as indexes listing the works by poet, song cycle, title, voice type, and level of difficulty.
Excerpt from A History of Burlesque Greek Myth Through London Fog. A Miner Sees A Burlesque Faust Inside a Melodeon. Three Fast Men for Ten Nights. The Marsh Juvenile Comedians Maguire and the Seven Sisters. A Free Ride for the State Senate Mazeppa Comes to Town. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book is the first detailed study of the life and music of British composer Madeleine Dring (1923–1977). From her life in London through her numerous accomplishments as performer and musician, her achievements are highlighted through her remarkable story and diverse musical works.
Excerpt from Over the Garden Wall: A Musical Burlesque in One Act Scene. - The garden wall. Branches of willow or evergreen at sides and back of wall. At rise of curtain the prelude to the song "Over the Garden Wall" is played by the pianist. Reginald De Jones appears back of wall in centre. Reginald. Ladies, gentlemen and all fellow-citizens assembled before me to-night, - I take great pleasure in introducing to your notice the greatest travelling aggregation of the day. It has taken years of labor to form this gigantic company of "Stars," and there has never been seen such an array of beauty, grace and talent combined as you will find in this company. It is very seldom that we ever play in a town of this size, but last week when we were playing in Blueberry Corners, or name of some village near by) we located this town on the map and decided to make it our next stand, provided we could get a sufficient guarantee from the management of this house. We are the only company on the road travelling on what is now the popular mode of locomotion - namely, the "byke"; and could you see us when we start out you would discover that we all wear bloomers. Now, I am the manager, proprietor and bill-poster of this organization, and my wife, Evangeline, is the treasurer. I wanted that office myself; but as she furnished the money to start us out, she insists on handling all the cash. She also has full charge of the programme; and if you will give us your kind attention we will now proceed. (Calls, L.) Evangeline, my love! Evangeline (outside, L.). Yes, Reginald, my dear. Reginald. You may appear in front of the wall. [Evangeline Enters, L. This fair creature, ladies and gentlemen, is considered by the press and the public to be the most beautiful woman before the American footlights to-day. (To her.) Evangeline, my love, salute the ladies and gentlemen, especially the gentlemen. [She bows two or three times. Now, you may proceed with the programme while I go out and look after the proceeds of the box office. [Exit down behind the wall. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A lively history of the Watch and Ward Society--New England's notorious literary censor for over eighty years. Banned in Boston is the first-ever history of the Watch and Ward Society--once Boston's unofficial moral guardian. An influential watchdog organization, bankrolled by society's upper crust, it actively suppressed vices like gambling and prostitution, and oversaw the mass censorship of books and plays. A spectacular romp through the Puritan City, here Neil Miller relates the scintillating story of how a powerful band of Brahmin moral crusaders helped make Boston the most straitlaced city in America, forever linked with the infamous catchphrase "banned in Boston."
