British Goblins - Welsh Folk-lore, Fairy Mythology, Legends and Traditions. British Goblins does a good job at its stated purpose - collecting and loosely categorizing Welsh Folklore of every category, ranging from the reasons behind certain customs and superstitions of daily life, to descriptions and associated stories of various faeries, goblins, and giants, to descriptions of apparitions and the view of the afterlife, to more fantastic things, like dragons, standing stones, and magic wells and stones. Although a somewhat anecdotal approach is taken, the author has in fact preserved a good deal of information that might have otherwise been lost.
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William Wirt Sikes (November 23, 1836 - August 18, 1883) was an American journalist and writer, perhaps best known today for his writings on Welsh folklore and customs.William Wirt Sikes was born in Watertown, New York, the son of William Johnson Sikes, a prominent local physician. He was the seventh of eleven children, of whom only six survived to adulthood. Sikes himself was seriously ill as a child and almost lost his hearing, so he was largely educated at home. At fourteen he went to work for a printer and learned how to set type. He supported himself thereafter by typesetting, contributing to local newspapers, and giving temperance lectures.In 1856 he was working at the Utica Morning Herald as a typesetter and contributor. He published a book of stories and poems, A Book for the Winter-Evening Fireside, in 1858. He spent time in Chicago working at newspapers there, and around 1860 worked on a paper called City and Country in Nyack, New York. In 1862 he was given the job of canal inspector in Chicago for the state-owned Illinois and Michigan Canal. While in Chicago he was separated from his wife, by mutual consent; they divorced in 1870.
With regard to other divisions of the field of folklore, the views of scholars differ, but in the realm of faerie these differences are reconciled; it is agreed that fairy tales are relics of the ancient mythology; and the philosophers stroll hand in hand harmoniously. This is as it should be, in a realm about which cluster such delightful memories of the most poetic period of life-childhood, before scepticism has crept in as ignorance slinks out. The knowledge which introduced scepticism is infinitely more valuable than the faith it displaced; but, in spite of that, there be few among us who have not felt evanescent regrets for the displacement by the foi scientifique of the old faith in fairies. There was something so peculiarly fascinating in that old belief, that "once upon a time" the world was less practical in its facts than now, less commonplace and humdrum, less subject to the inexorable laws of gravitation, optics, and the like. What dramas it has yielded! What poems, what dreams, what delights!
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Excerpt from British Goblins: Welsh Folk-Lore, Fairy Mythology, Legends and Traditions With the rich mass of legendary lore to which these figures belong, the present volume is not in tended to deal; nor do its pages treat, save in the most casual and passing manner, of the lineage and original significance of the lowly goblins which are its theme. The questions here involved, and the task of adequately treating them, belong to the comparative mythologist and the critical historian. Rather than to the mere literary workman. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
One of the most beautiful and complete collections of stories, legends, myths, folktales, and traditions to ever emerge from Wales. Compiled by an American-the United States consul for Wales in the late nineteenth century-this volume was the work of several years' labor. Scouring the hills and valleys of Wales after falling in love with the land, the author wrote down the oral traditions, stories, myths, and legends related to him by the people he met on his travels. The result was a spectacular work, divided up into four sections: "Faerie Realm," the "Spirit-World," "Quaint Old Customs," and "Bells, Wells, Stones, and Dragons." In this book, the reader will not only learn of the greatest Welsh legends (including King Arthur, Iolo ap Hugh, the Green Lady of Caerphilly), but also of the local fairy stories and even the superstitions of ancient-and not so ancient-Wales. Rarely has a nation's mythos and essence been so elegantly captured as in this work. The legacy of Welsh mythology and folklore has entered the vocabulary of modern English, and spread around the world, being some of the oldest tales in all Europe. As the author states in his introduction: "In a certain sense Wales may be spoken of as the cradle of fairy legend. It is not now disputed that from the Welsh were borrowed many of the first subjects of composition in the literature of all the cultivated peoples of Europe." This edition has been completely reset, contains the full text and all the wonderful-and hand restored-illustrations of the original work. It is a literary treasure of the first class. Illustrations by T. H. Thomas.
