Reproductions of one hundred rare, full-color images from the archives of the Imperial War Museums bring new life to World War II Britain Britain at War in Colour showcases one hundred of the best rare and original color images from the Imperial War Museums' unparalleled collection. Bringing together the most striking photographs from Ian Carter's bestselling War in the Air and The Second World War in Colour, alongside new and never-before-published images, this powerful visual collection shows us a new--or at least long-forgotten--World War II.
Allied victory in the Second World War owed much to air power. The success of military and naval operations invariably hinged on control of the skies, and the rise to dominance of the Allied air forces meant that the Nazi war machine was effectively doomed. Following the success of 'The Second World War in Colour', this book presents a further selection of original colour photographs from the IWM collection, focusing on Allied aircraft and airmen. Alongside these striking images, 'War in the Air' examines how crucial aviation was to winning the war, from the defence of Britain's skies and maritime trade, to battlefield support in North Africa and Europe and the strategic bombing offensive over Germany. Shot from the ground and from the air, these powerful images bring a vital aspect of the Second World War to life.
"A stunning biography…[A] truly singular account of the American Revolution." —Amanda Foreman, author of A World on Fire Through an intimate narrative of the life of painter John Singleton Copley, award-winning historian Jane Kamensky reveals the world of the American Revolution, rife with divided loyalties and tangled sympathies. Famed today for his portraits of patriot leaders like Samuel Adams and Paul Revere, Copley is celebrated as one of America’s founding artists. But, married to the daughter of a tea merchant and seeking artistic approval from abroad, he could not sever his own ties with Great Britain. Rather, ambition took him to London just as the war began. His view from abroad as rich and fascinating as his harrowing experiences of patriotism in Boston, Copley’s refusal to choose sides cost him dearly. Yet to this day, his towering artistic legacy remains shared by America and Britain alike.
During the Second World War, people arrived in Britain from all over the world as troops, war-workers, nurses, refugees, exiles, and prisoners-of-war-chiefly from Europe, America, and the British Empire. Between 1939 and 1945, the population in Britain became more diverse than it had ever been before. Through diaries, letters, and interviews, Mixing It tells of ordinary lives pushed to extraordinary lengths. Among the stories featured are those of Zbigniew Siemaszko - deported by the Soviet Union, fleeing Kazakhstan on a horse-drawn sleigh, and eventually joining the Polish army in Scotland via Iran, Iraq, and South Africa - and 'Johnny' Pohe - the first Maori pilot to serve in the RAF, who was captured, and eventually murdered by the Gestapo for his part in the 'Great Escape'. This is the first book to look at the big picture of large-scale movements to Britain and the rich variety of relations between different groups. When the war ended, awareness of the diversity of Britain's wartime population was lost and has played little part in public memories of the war. Mixing It recovers this forgotten history. It illuminates the place of the Second World War in the making of multinational, multiethnic Britain and resonates with current debates on immigration.
For those of us who didn't live through World War II, it appears in our mind's eye in black and white. Images of the Blitz, of the D-Day landings at Normandy, the liberation of Paris, the fall of Berlin--all come to us in shadowy grays and blacks, the lack of color simultaneously heightening their drama and distancing them from us. Seen in black and white, World War II seems wholly of the past, a story that's being told much more than an experienced that men and women actually lived through. This book will help change that. Reproducing seventy-eight rare full-color images from the archives of the Imperial War Museums, it shows us a new--or at least long-forgotten--World War II. In these pages, we see the vivid hues of flames, the richly colored fabrics of flags and uniforms, intense blue skies high over battlefields, faces of suntanned soldiers on the march, and the dizzyingly complicated color of the new art of military camouflage. The result is a World War II that has been rescued from the past and restored to us, powerful and unforgettable, so we can see for the first time what our parents, grandparents, and great-grandparents saw as they fought and sacrificed all those decades ago.
Color photography was still in its infancy in 1939. With the outbreak of war against Germany, the short supply of color film stock made color photographs even more rare. But some were taken and a few of them have survived. Most of these images have remained unseen for decades. But the producers of the ITV series Britain at War in Colour scoured the archives to unearth a remarkable collection of startling color images for this book. These photographs are presented with a brief outline of the events surrounding them and illuminate a unique selection of personal accounts of the war. Intimate letters and diaries of service men and women civilians and war-time leaders tell the story of the British experience of war. The personal memories tell the reality of war-time Britain: a time when Britain stood alone; a time of danger and hope. The powerful photographs show the reality of war-time Britain: a nation with a purpose; a people with a will to win. Britain at War in Colour is a unique account of Britain during the Second World War.
From Afua Hirsch - co-presenter of Samuel L. Jackson's major BBC TV series Enslaved - the Sunday Times bestseller that reveals the uncomfortable truth about race and identity in Britain today. You're British. Your parents are British. Your partner, your children and most of your friends are British. So why do people keep asking where you're from? We are a nation in denial about our imperial past and the racism that plagues our present. Brit(ish) is Afua Hirsch's personal and provocative exploration of how this came to be - and an urgent call for change. 'The book for our divided and dangerous times' David Olusoga
The population of Britain was mobilized to support the war effort on a scale unseen in any other Western democracy – or in Nazi Germany. They endured long working shifts, shortages of food and all other goods, and complete government control of their daily lives. Most men and women were conscripted or volunteered for additional tasks outside their formal working hours. Under the air raids that destroyed the centres of many towns and made about 2 million homeless, more than 60,000 civilians were killed and 86,000 seriously injured. This fascinating illustrated summary of wartime life, and the organizations that served on the Home front, is a striking record of endurance and sacrifice.
The riots that broke out in various British port cities in 1919 were a dramatic manifestation of a wave of global unrest that affected Britain, parts of its empire, continental Europe and North America during and in the wake of the First World War. During the riots, crowds of white working-class people targeted black workers, their families and black-owned businesses and property. One of the chief sources of violent confrontation in the run-down port areas was the ‘colour’ bar implemented by the sailors’ trades unions campaigning to keep black, Arab and Asian sailors off British ships in a time of increasing job competition. Black 1919 sets out the economic and social causes of the riots and their impact on Britain’s relationship with its empire and its colonial subjects. The riots are also considered within the wider context of rioting elsewhere on the fringes of the Atlantic world as black people came in increased numbers into urban and metropolitan settings where they competed with working-class white people for jobs and housing during and after the First World War. The book details the events of the port riots in Britain, with chapters devoted to assessing the motivations and make-up of the rioting crowds, examining police procedures during the riots, considering the court cases that followed, and looking at the longer-term consequences for the black British workers and their families. Black 1919 is a stark and timely reminder of the violent racist conflict that emerged after the First World War and the shockwaves that reverberated around the Empire.
