Bristolians' love of banter and outlandish gossip provides a perfect environment for the urban legend to breed, expand and ferment. One can never be sure that these stories are not in fact entirely true – or that the truth behind them may not be stranger than the legend itself. What one can be sure of is that these stories have been passed, with increasing delight, from child to child, from uncle to aunt, from granddad to everybody, until they have become right rollicking tales. Forget small talk – this here is Bristol Urban Legends.
Urban Legends is a remarkably complete collection of the modern myths that make the rounds in offices, college dorms, and every other place where people tell the stories that spring from our deepest fears and fascinations. Every culture has its folktales including ours. Except, instead of involving gods and goddesses or princes and princesses, ours involve "some guy my sister's best friend knows" or "someone who woke up in a motel room." They happened, supposedly, to real people, usually recently, in a particular place. And they touch the most sensitive nerves of our psyches with ironic twists, gross-out shocks, and moral lessons learned the hard way. From the classic tale "The Mexican Pet" in which the "dog" turns out to be no Chihuahua to the more unappetizing story of condoms as fast-food burger garnish, from surgically skilled kidney thieves to sexual experiments that end in the emergency room, Urban Legends relates more 300 of the most enticing, macabre, and unforgettable tales. Expertly told, they are arranged in such chapters as "Crazy Little Thang Called Sex," "Oh, Scare Me," "Campus Capers," "Corporate Convolutions," and "So Much For Comfort Food." Fascinating, chilling, and occasionally repulsive, Urban Legends has all your favorites and hundreds more.
America's premier folk detective is back on the case, sniffing out those zany but dubious stories that "really happened" to a friend of your sister's boyfriend's accountant's mechanic. Jan Harold Brunvand—''Mr. Urban Legend" [Smithsonian]—tracks the most fabulous tales making today's cocktail-party circuit and shows why those stories that sound too good to be true probably are too good to be true. The eponymous episode—"The Baby Train"—sheds light on certain predawn activities that have linked unusually high birth rates to the whim of train schedule makers. Other stories offer a revealing peek behind the story of "The Exploding Bra," expose the embarrassing source of "The Hairdresser's Error," resurrect a "Failed Suicide" Buster Keaton would have died for, and show why adults are better off not bringing their comic book fantasies out of the closet. From "Superhero Hijinx" to "The Shocking Videotape" to "The Accidental Cannibal," The Baby Train uncovers the mysteries behind some of the bawdiest, goriest, funniest, most pyrotechnic urban legends yet.
No one knows for certain when Bristol was founded. What we do know is that for more than 1,000 years it has been at the centre of national and international history. From its earliest days Bristol's prosperity was linked to its port, with the importation of wine and tobacco and its involvement with the slave trade. In those days, explorers sailed from Bristol on epic voyages and discovered new lands. In more recent times its economy has been built on creative media and the aerospace industry, including the construction of Concorde, the world's first supersonic aircraft. From the Avon Gorge's formation, Iron Age settlers and Norman castle construction, to civil war, riots and bus boycotts, The Little History of Bristol is guaranteed to enthral both residents and visitors alike.
Do motorists pick up a phantom hitchhiker on Blue Bell Hill during stormy nights? Does Satan appear if you dance round the Devil's Bush in the village of Pluckley? Do big cats roam the local woods? And what happens if you manage to count the 'Countless Stones' near Aylesford? For centuries strange urban legends have materialised in the Garden of England. Now, for the first time, folklorist and monster-hunter Neil Arnold looks at these intriguing tales, strips back the layers, and reveals if there is more to these Chinese whispers than meets the eye. Folklore embeds itself into a local community, often to the extent that some people believe all manner of mysteries and take them as fact. Whether they're stories passed around the school playground, through the internet, or round a flickering campfire, urban legends are everywhere. Kent Urban Legends is a quirky and downright spooky ride into the heart of Kent folklore.
Do motorists pick up a phantom hitchhiker on Blue Bell Hill during stormy nights? Does Satan appear if you dance round the Devil's Bush in the village of Pluckley? Do big cats roam the local woods? And what happens if you manage to count the 'Countless Stones' near Aylesford? For centuries strange urban legends have materialised in the Garden of England. Now, for the first time, folklorist and monster-hunter Neil Arnold looks at these intriguing tales, strips back the layers, and reveals if there is more to these Chinese whispers than meets the eye. Folklore embeds itself into a local community, often to the extent that some people believe all manner of mysteries and take them as fact. Whether they're stories passed around the school playground, through the internet, or round a flickering campfire, urban legends are everywhere. Kent Urban Legends is a quirky and downright spooky ride into the heart of Kent folklore.
Part of every legend is true. Or so argues Jody Enders in this fascinating look at early French drama and the way it compels us to consider where the stage ends and where real life begins. This ambitious and bracing study explores fourteen tales of the theater that are at turns dark and dangerous, sexy and scandalous, humorous and frightening—stories that are nurtured by the confusion between truth and fiction, and imitation and enactment, until it becomes impossible to tell whether life is imitating art, or art is imitating life. Was a convicted criminal executed on stage during a beheading scene? Was an unfortunate actor driven insane while playing a madman? Did a theatrical enactment of a crucifixion result in a real one? Did an androgynous young man seduce a priest when portraying a female saint? Enders answers these and other questions while presenting a treasure trove of tales that have long seemed true but are actually medieval urban legends. On topics ranging through politics, religion, marriage, class, and law, these tales, Enders argues, do the cultural work of all urban legends: they disclose the hopes, fears, and anxieties of their tellers. Each one represents a medieval meditation created or dramatized by the theater with its power to blur the line between fiction and reality, engaging anyone who watches, performs, or is represented by it. Each one also raises pressing questions about the medieval and modern world on the eve of the Reformation, when Europe had never engaged more anxiously and fervently in the great debate about what was real, what was pretend, and what was pretense. Written with elegance and flair, and meticulously researched, Death by Drama and Other Medieval Urban Legends will interest scholars of medieval and Renaissance literature, history, theater, performance studies, and anyone curious about urban legends.
Collects both well-known stories and shady rumors, including "The Stolenidney," "Naked at His Own Surprise Party," and "The Scuba Diver in theorest Fire".
Provides evidence either verifying or disproving thirty urban legends, such as exploding silicon implants, cooking a chicken in a tanning bed, and cleaning chrome with cola, as seen on the television show "Mythbusters."
