When Sam agrees to take his little sister, Lexie, to see the world's most popular boy band, Apocalips, he expects it to be bad. But he doesn't expect to get locked in a cupboard, to overhear the band plotting to destroy the world and to witness them disintegrate one of their own members. When no one believes him but his best friend, Milo, Sam is left with no option but to take part in a contest to join the band to try and save the world from Armageddon. To do this Sam will have to become someone he's never been before. With help from Milo and Lexi, he'll have to overcome the Four Horsewomen of the Apocalypse, pop Svengali Nigel Cruul, a dodgy haircut, and his complete inability to sing or dance. Still, it's not the end of the world. Not yet anyway.
Just when Sam thinks life has returned to normal he's kidnapped by agents of the Apocalypse Intelligence Agency who send him off the remote jungle island of Fin del Mundo to appear on a survival reality TV game show. One of Sam's rival "celebrity" contestants is none other than the evil music mogul Nigel Cruul, who the AIA suspect is planning to bring back the Horsewomen of the Apocalypse. Luckily his best friend Milo and kick-ass sister Lexi are starring in the show too. But they'll have to survive everything from crocodile-infested swamps to public vote offs, if they're to save the world once more.
Book two in a hilarious new series featuring one boy and a little dragon with an oversized appetite for adventure. Eric finally succumbs to Pan’s demands and agrees to take the Mini-Dragon to school with him. But Eric gets more trouble than he bargained for when nightmare neighbour Toby switches his backpack with Eric’s and dragon-naps Pan! Now Eric must dash across town to Toby’s posh school and swap them back before his snappy secret is out! Perfect for fans of Jeremy Strong and Compton Valance.
An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology. Contributors Taylor J. Acosta, Catherine Grant, Dominic Johnson, Kate Random Love, Maud Lavin, Owen G. Parry, Alice Butler, SooJin Lee, Jenny Lin, Judy Batalion, Ika Willis. Artists featured in the artist pages Jeremy Deller, Ego Ahaiwe Sowinski, Anna Bunting-Branch, Maria Fusco, Cathy Lomax, Kamau Amu Patton, Holly Pester, Dawn Mellor, Michelle Williams Gamaker, The Women of Colour Index Reading Group, Liv Wynter, Zhiyuan Yang
When Flo's engineer mum creates a device that will make her image appear in her videogames, Flo can't wait to use it! Ignoring her mum's warnings that it's not ready, Flo accidently transports herself into a game, along with her not-so-keen-on-videogames-and-wishing-he'd-stayed-home best friend Max. Immersed in the world of Star Smasher, they not only have to face armies of soldiers, but also the very real possibility that there may not be a way out...
Once upon a time, these stories of magical transformation were told to young women by their mothers and grandmothers and the wise women of the clan. The heroines of these old tales set out on a difficult road of trials to discover their true destiny. And marrying a prince was not the only goal. These ancient tales of wonder and adventure are about learning to be strong, brave, kind and true-hearted, and trusting in yourself to change the world for the better. -- Back cover.
Eleven-year-old Solomon loves to run! The great athletes of the Ethiopian national team are his heroes and he dreams that one day he will be a gold-medal-winning athlete like them, in spite of his ragged shorts and bare feet. When his grandfather announces that he's going to take Solomon to Addis Ababa, Solomon cannot believe his ears. A trip to the capital? It's unfathomable. Solomon's joy is increased when he realizes that the Ethiopian running team will be doing a victory parade through the city that day. Maybe he'll get a glimpse of Haile Gebrselassie or Derartu Tulu?! But Solomon's grandfather has other plans. As Solomon follows him through the big, overwhelming streets, he learns something he cannot believe. The strict old man is a war hero who once risked his life to save a friend and has been in hiding ever since. When grandfather collapses, Solomon knows that getting help from his village is up to him. It's a twenty-mile run from the city to home, and grandfather's life hangs in the balance. Can the small bare-footed runner with the big heart do it? Shortlisted for the CILIP Carnegie Medal, The Fastest Boy in the World by Elizabeth Laird is the inspiring story of a small Ethiopian runner with a very big heart.
An Edgar Award finalist A gripping and unforgettable story of survival after life in a cult, inspired by the survivors of the Branch Davidian siege in Waco, Texas, 1993 The things I've seen are burned into me, like scars that refuse to fade. Before, she lived inside a fence with her family. After, she's trapped, now in a federal facility. Before, she was never allowed to leave the property, never allowed to talk to Outsiders, never allowed to speak her mind. After, there are too many people asking questions, wanting to know what happened to her, trying to find out who she really is. Before, she thought she was being protected from something. After, people are telling her that now she's finally safe. She isn't sure what's better, before or after, all she knows is that there are questions she can't answer, and if everything she's been told is a lie, how can she know who's telling the truth now? Suspenseful and moving, After the Fire is perfect for readers looking for cult books and stories young adult historical fiction binge-worthy teen thrillers an intense, ripped-from-the-headlines plot compulsively readable books that keep you hooked until the very end Praise for After the Fire: "Genuinely different...thrilling and spellbinding!"—Patrick Ness, #1 New York Times bestselling author "The gripping story of survival and escape...It will keep you up late until you get to the very end."—Maureen Johnson, New York Times bestselling author of Truly Devious "A heartrending portrait of a young girl's struggle to survive a domineering religious sect and the resilience of the human spirit; this belongs on every YA shelf." —School Library Journal
Patience Kelleher doesn't want to be a soldier of the Lord. She doesn't want His voice in her head, and she certainly doesn't want Him texting her emoticon-laden messages about boy band singers and sinister solar power corporations. All Patience wants is to keep a job she actually likes, and to avoid falling for her confounding new neighbour, Zane, if at all possible. When the Lord enlists said neighbour to convince her to step up, it doesn't brighten her mood. Patience fights to keep her sanity as Zane fights to keep the peace, determined not to let the world die.
Flo and Max are competing to be the last ones standing in a battle royale game. Can they make it to the end? And will that be enough to send them home?
