Annual Report of the Museum of Fine Arts, Boston
Author: Museum of Fine Arts, Boston
Publisher:
Published: 1896
Total Pages: 662
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Museum of Fine Arts, Boston
Publisher:
Published: 1896
Total Pages: 662
ISBN-13:
DOWNLOAD EBOOKAuthor: Maureen Meister
Publisher: University Press of New England
Published: 2014-11-04
Total Pages: 504
ISBN-13: 1611686644
DOWNLOAD EBOOKThis book offers the first full-scale examination of the architecture associated with the Arts and Crafts movement that spread throughout New England at the turn of the twentieth century. Although interest in the Arts and Crafts movement has grown since the 1970s, the literature on New England has focused on craft production. Meister traces the history of the movement from its origins in mid-nineteenth-century England to its arrival in the United States and describes how Boston architects including H. H. Richardson embraced its tenets in the 1870s and 1880s. She then turns to the next generation of designers, examining buildings by twelve of the region's most prominent architects, eleven men and a woman, who assumed leadership roles in the Society of Arts and Crafts, founded in Boston in 1897. Among them are Ralph Adams Cram, Lois Lilley Howe, Charles Maginnis, and H. Langford Warren. They promoted designs based on historical precedent and the region's heritage while encouraging well-executed ornament. Meister also discusses revered cultural personalities who influenced the architects, notably Ralph Waldo Emerson and art historian Charles Eliot Norton, as well as contemporaries who shared their concerns, such as Louis Brandeis. Conservative though the architects were in the styles they favored, they also were forward-looking, blending Arts and Crafts values with Progressive Era idealism. Open to new materials and building types, they made lasting contributions, with many of their designs now landmarks honored in cities and towns across New England.
Author: Michael Holleran
Publisher: JHU Press
Published: 2001
Total Pages: 708
ISBN-13: 9780801866449
DOWNLOAD EBOOKHe describes subdivision design innovations and the use of deed restrictions, limits on building heights, and neighborhood zoning protection to control ever-increasing urban growth.
Author:
Publisher:
Published: 1900
Total Pages: 734
ISBN-13:
DOWNLOAD EBOOKBeginning in 1924, Proceedings are incorporated into the Apr. no.
Author: Carnegie Museum
Publisher:
Published: 1898
Total Pages: 474
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 2000
Total Pages: 658
ISBN-13: 0870999575
DOWNLOAD EBOOKPresented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR
Author:
Publisher:
Published: 1899
Total Pages: 146
ISBN-13:
DOWNLOAD EBOOKThe biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Author: Steven Lubar
Publisher: Harvard University Press
Published: 2017-08-07
Total Pages: 417
ISBN-13: 0674983297
DOWNLOAD EBOOKCurators make many decisions when they build collections or design exhibitions, plotting a passage of discovery that also tells an essential story. Collecting captures the past in a way useful to the present and the future. Exhibits play to our senses and orchestrate our impressions, balancing presentation and preservation, information and emotion. Curators consider visitors’ interactions with objects and with one another, how our bodies move through displays, how our eyes grasp objects, how we learn and how we feel. Inside the Lost Museum documents the work museums do and suggests ways these institutions can enrich the educational and aesthetic experience of their visitors. Woven throughout Inside the Lost Museum is the story of the Jenks Museum at Brown University, a nineteenth-century display of natural history, anthropology, and curiosities that disappeared a century ago. The Jenks Museum’s past, and a recent effort by artist Mark Dion, Steven Lubar, and their students to reimagine it as art and history, serve as a framework for exploring the long record of museums’ usefulness and service. Museum lovers know that energy and mystery run through every collection and exhibition. Lubar explains work behind the scenes—collecting, preserving, displaying, and using art and artifacts in teaching, research, and community-building—through historical and contemporary examples. Inside the Lost Museum speaks to the hunt, the find, and the reveal that make curating and visiting exhibitions and using collections such a rewarding and vital pursuit.