In Douglas Preston's Blasphemy, the world's biggest supercollider, locked in an Arizona mountain, was built to reveal the secrets of the very moment of creation: the Big Bang itself. The Torus is the most expensive machine ever created by humankind, run by the world's most powerful supercomputer. It is the brainchild of Nobel Laureate William North Hazelius. Will the Torus divulge the mysteries of the creation of the universe? Or will it, as some predict, suck the earth into a mini black hole? Or is the Torus a Satanic attempt, as a powerful televangelist decries, to challenge God Almighty on the very throne of Heaven? Twelve scientists under the leadership of Hazelius are sent to the remote mountain to turn it on, and what they discover must be hidden from the world at all costs. Wyman Ford, ex-monk and CIA operative, is tapped to wrest their secret, a secret that will either destroy the world...or save it. The countdown begins... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
What society considers blasphemy - a verbal assault against the sacred - is a litmus test of the standards it believes to be necessary to preserve unity, order, and morality. Society has always condemned as blasphemy what it regards as an abuse of liberty
Sixteen new stories and fifteen classics by the National Book Award–winning, New York Times–bestselling author of War Dances. Sherman Alexie’s stature as a writer of stories, poetry, and novels has soared over the course of his twenty-book, twenty-year career. His wide-ranging, acclaimed fiction throughout the last two decades—from The Lone Ranger and Tonto Fistfight in Heaven to his most recent PEN/Faulkner Award–winning War Dances—have established him as a star in contemporary American literature. A bold and irreverent observer of life among Native Americans in the Pacific Northwest, the daring, versatile, funny, and outrageous Alexie showcases his many talents in Blasphemy, where he unites fifteen beloved classics with sixteen new stories in one sweeping anthology for devoted fans and first-time readers. Included here are some of his most esteemed tales, including “What You Pawn I Will Redeem,” in which a homeless Indian man quests to win back a family heirloom; “This Is What It Means to Say Phoenix, Arizona,” a road-trip morality tale; “The Toughest Indian in the World,” about a night shared between a writer and a hitchhiker; and his most recent, “War Dances,” about a man grappling with sudden hearing loss in the wake of his father’s death. Alexie’s new stories are fresh and quintessential, about donkey basketball leagues, lethal wind turbines, a twenty-four-hour Asian manicure salon, good and bad marriages, and all species of warriors in America today. An indispensable Alexie collection, Blasphemy reminds us, on every thrilling page, why Alexie is one of our greatest contemporary writers and a true master of the short story. Praise for Blasphemy “Alexie once again reasserts himself as one the most compelling contemporary practitioners of the short story. In Blasphemy, the author demonstrates his talent on nearly every page. . . . [Alexie] illuminates the lives of his characters in unique, surprising, and, ultimately, hopeful ways.” —Boston Globe “Alexie writes with arresting perception in praise of marriage, in mockery of hypocrisy, and with concern for endangered truths and imperiled nature. He is mischievously and mordantly funny, scathingly forthright, deeply and universally compassionate, and wholly magnetizing. This is a must-have collection.” —Donna Seaman, Booklist (starred review) “[A] sterling collection of short stories by Alexie, a master of the form. . . . The newer pieces are full of surprises. . . . These pieces show Alexie at his best: as an interpreter and observer, always funny if sometimes angry, and someone, as a cop says of one of his characters, who doesn’t “fit the profile of the neighborhood.”“—Kirkus Reviews (starred review)
In June 2009 a Pakistani mother of five, Asia Bibi, was out picking fruit in the fields. At midday she went to the nearest well, picked up a cup, and took a drink of cool water, and then offered it to another woman. Suddenly, one of her fellow workers cried out that the water belonged to Muslim women and that Bibi—who is Christian—had contaminated it. “Blasphemy!” someone shouted, a crime punishable by death in Pakistan. In that instant, with one word, Bibi’s fate was sealed. First attacked by a mob, Bibi was then thrown into prison and sentenced to be hanged. Since that day, Asia Bibi has been held in appalling conditions, her family members have had to flee their village under threat from vengeful extremists, and the two brave public figures who came to Bibi’s defense—the Muslim governor of the Punjab and Pakistan’s Christian Minister for Minorities—have been brutally murdered. In Blasphemy, Asia Bibi, who has become a symbol for everyone concerned with ending an unjust law that allows people to settle personal scores and that kills Christians and Muslims alike indiscriminately, bravely tells her shocking and inspiring story and makes a last cry for help from her prison cell. Proceeds from the sale of this book support Asia Bibi’s family, which has been forced into hiding. Asia Bibi is currently in prison in Pakistan awaiting the result of her appeal against the death sentence she was given in 2009. She dictated her story secretly, through intermediaries, to Anne-Isabelle Tollet, an international reporter for news channel France 24 who was the permanent correspondent in Islamabad from 2008 to 2011.
Through an examination of a broad range of contentious imagery in art, this book questions the status of blasphemy in a world ever more divided in its views of what is acceptable, and aims to provide a vantage point from which to view the interrelations between religion, politics and the visual arts.
Blasphemy deals with popular and literary culture, religion and racism, law, social power, and international relations. Its scope extends from the Old Testament to the fatwa imposed on Salman Rushdie and the Gulf War.
In the days of Moses, blasphemy was the mortal offence of failing to respect the divine. In an age of human rights, blasphemy is understood as a failure to respect persons, as insult, defamation, or "advocacy of religious hatred." The criminalisation of this personal blasphemy has been advanced at the United Nations and upheld by the European Court of Human Rights, which has asserted a universal "right to respect for religious feelings." The Future of Blasphemy turns respect on its head. Respect demands that we grant each other equal standing in the moral community, not that we never offend. Politically, respect for citizens requires a public discourse that is open to all viewpoints. Going beyond the question of free speech versus religion, The Future of Blasphemy defends an ethical model of blasphemy. Controversies surrounding sacrilege are contests over what counts as sacred, disagreements about what has central, inviolable, and incommensurable value. In such public contestation of the sacred, each of us-secular and religious alike-has equal right to speak on its behalf.
Set In South Pakistan, This Controversial Novel Is A Searing Study Of Evil. It Is The Tragic And Shocking Story Of The Beautiful Heer, Brutalized And Corrupted By Pir Sain, The So-Called Man Of God Whom She Is Married To At The Age Of Fifteen.
This fascinating book uncovers the hidden stories behind Pakistan’s fixation with blasphemy–tales of revenge, political scheming and sovereign betrayal. Hussain’s account opens in nineteenth-century colonial Punjab and traces blasphemy killings to the present, linking their emergence to polemic encounters between Hindu and Muslim revivalist sects, namely the Arya Samaj and the Ahmadiyya. It offers, for the first time, the arresting backstories to the assassinations of Pandit Lekh Ram, a leading Hindu nationalist; Swami Shraddhanand, an early progenitor of Hindu nationalism and the principal advocate for converting Muslims; and Rajpal, the Hindu publisher of a sensationalist book on the Prophet Muhammad. Revenge, Politics and Blasphemy in Pakistan then maps the curious afterlives of these killings, illuminating the most critical moments in Pakistan’s history: 1953, when outraged protestors smashed stores owned by religious minorities, triggering the country’s first state of emergency; 1974, when Islamist parties pressured Zulfiqar Ali Bhutto to put blasphemy on the constitutional agenda; 1984, when Zia-ul-Haq transformed Pakistan according to his Islamist vision, which included more severe punishments for blasphemy; and the twenty-first century, when digital media has dramatically increased the visibility of blasphemy killings, prompting political parties to demonstrate their commitment to the cause.
Greetings from the dead,' declares Maxwell Broadbent in the videotape he left behind after his mysterious disappearance. A notorious treasure hunter and tomb robber, Broadbent accumulated over half a billion dollars' worth of priceless art, gems and artefacts before vanishing - along with his entire collection - from his mansion in New Mexico. As a final challenge to his three sons, Broadbent has buried himself and his treasure somewhere in the world, hidden away like an ancient Egyptian pharaoh. If the sons wish to claim their fabulous inheritance, they must find their father's carefully concealed tomb. The race is on, but among the treasures is an ancient Mayan codex that may hold a secret far more important than the wealth of riches around it, and the brothers aren't the only ones in pursuit.
