This latest BLACK [AF] collected mini-series is written by breakout star Vita Ayala (X-Men: Children Of The Atom, Morbius, Bitch Planet, The Wilds) and rising star artist Liana Kangas (She Said Destroy). When a new drug called VANTA hits the streets, word is it's the hottest thing since Ecstacy. For regular people, it has all the highs and none of the lows of traditional drugs. There is some fine print, however - for empowered Black folks, the drug causes a total and violent loss of control. The Project sends Indigo to investigate, and it soon becomes apparent that this is more than just a new designer distraction for the masses. Indigo, together with former Detective Ellen Waters race to find the source of the substance poisoning their people, before it's too late! The superhero universe where only black people have super powers continues to expand, for the first time with a new creative team building onto the exciting world created by Kwanza Osajyefo, Tim Smith 3, Jamal Igle & Khary Randolph. Collects issues 1-4.
STAR WARS meets The Wicked + The Divine! The Morrigan, Goddess of Death, is the last thing standing between her sister Brigid and total domination of the solar system. As their forces prepare for a final battle, the Morrigan must destroy everything to save anything. A WAR BETWEEN SISTERS, WAGED OVER EONS, COMES TO A CLOSE. Over millenniums, Brigid, Goddess of the Sun, has conquered and converted the entire solar system into worshipping her and her alone, save one space colony. The witches of Fey are the last believers of The Morrigan, Goddess of Death, Brigid's sister and the only other God left. As Brigid's forces prepare for one final battle, The Morrigan prepares to do what she does best: Destroy! Collects the complete five issue series.
After a cataclysmic plague sweeps across America, survivors come together to form citystate-like communities for safety. Daisy Walker is a Runner for The Compound, a mix of post-apocalyptic postal service and black market salvaging operation. It is a Runner's job to ferry items and people between settlements, and on occasion scavenge through the ruins of the old world. Daisy is the best there is at what she does. Out beyond the settlement walls are innumerable dangers: feral animals, crumbling structures, and Abominations - those that were touched by the plague and became something other. After a decade of surviving, Daisy isn't phased by any of it - until her lover, another Runner named Heather, goes missing on a job. Desperate to find her, Daisy begins to see that there may be little difference between the world inside the walls and the horrors beyond. From writer Vita Ayala (X-Men: Children Of The Atom, Bitch Planet: Triple Feature, Morbius) and Emily Pearson (Snap Flash Hustle) with a cover by Natasha Alterici (Heathen), comes this bold tale of surviving in bleak times. Collects issues 1-5. "With a beautiful and horrific twist on the classic zombie at the heart, Ayala and Pearson craft a bold new dystopia that can't be missed." - James Tynion IV (Batman, Something Is Killing The Children, Department Of Truth) "The Wilds is the kind of book that stays with you long after you read it. The characters, the world, the images, all leave you desperate to read more. It's haunting in the best possible way." -Matthew Rosenberg (4 Kids Walk Into A Bank, Uncanny X-Men) "Mad Max meets Day Of The Dead, with the beautiful impressionistic style of Tarsem Singh... this is The Wilds. A pitch-perfect callback to the metaphorical heart of apocalypse fiction that began with Night Of The Living Dead, with the action you need waiting beneath the cover." -Steve Orlando (Midnighter, Supergirl, Justice League of America) “The Wilds is that rare book you open to page one and know immediately you’ve found something special. A dark, creeping garden of story full of wonders and terrors... With the Wilds, Ayala has crafted a gripping, poetic and deeply scary, post apocalyptic world like none other." –Scott Snyder (Batman, Wytches)
Can a black woman be America's first superhero? Eli Franklin is a 15-year-old girl living in rural Montana-and she just happens to be the most powerful person on the planet. In the aftermath of the world learning that only black people have superpowers, Eli makes her debut as the superhero Good Girl, on a mission to help people and quell the fear of empowered blacks. When a super-terrorist threatens to take away everything Eli has worked toward, will donning a patriotic costume be enough for her to find acceptance? America's Sweetheart expands BLACK into a universe of heroes.
A searing anatomy of a New Orleans murder trial and a system of justice gone wrong. In a New Orleans supermarket parking lot in the fall of 1984 ,two disparate lives become inextricably bound for the next fourteen years. The first, the life of Delores Dye, a white housewife and grandmother. The second, a young black man with a gun in hand. Moments following their maybe not so chance encounter, Mrs. Dye lay dead on the sunbaked macadam, and the killer had made off with her purse, her groceries, and her car. Four days later, following a tip, authorities arrested a known drug dealer and father of five named Curtis Kyles. Kyles would then be tried for Mrs. Dye's murder an unprecedented five times, though he maintained his innocence throughout each trial. Convicted and sentenced to death in his second trial, he would spend fourteen years on death row. After a fifth jury was unable to reach a verdict, New Orleans Parish District Attorney Harry Connick, Sr., finally conceded defeat and dropped the murder charge. But the case slowly yielded a deeper drama: The crime turned out to have been the side effect of an intricately plotted act of revenge. That police and prosecutors may have been complicit in the vengeance that framed Kyles cuts to the heart of a system of justice for Southern blacks in the era since lynch mobs were shamed into obsolescence. A compellingly written legal drama that has at its heart passionate intrigue and justice gone awry. Desire Street is a 2006 Edgar Award Nominee for Best Fact Crime.
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
In a world that already hates and fears them - what if only Black people had superpowers. After miraculously surviving being gunned down by police, a young man learns that he is part of the biggest lie in history. Now he must decide whether it's safer to keep it a secret or if the truth will set him free. Collects issues 1-6.
New diversity style guide helps journalists write with authority and accuracy about a complex, multicultural world A companion to the online resource of the same name, The Diversity Style Guide raises the consciousness of journalists who strive to be accurate. Based on studies, news reports and style guides, as well as interviews with more than 50 journalists and experts, it offers the best, most up-to-date advice on writing about underrepresented and often misrepresented groups. Addressing such thorny questions as whether the words Black and White should be capitalized when referring to race and which pronouns to use for people who don't identify as male or female, the book helps readers navigate the minefield of names, terms, labels and colloquialisms that come with living in a diverse society. The Diversity Style Guide comes in two parts. Part One offers enlightening chapters on Why is Diversity So Important; Implicit Bias; Black Americans; Native People; Hispanics and Latinos; Asian Americans and Pacific Islanders; Arab Americans and Muslim Americans; Immigrants and Immigration; Gender Identity and Sexual Orientation; People with Disabilities; Gender Equality in the News Media; Mental Illness, Substance Abuse and Suicide; and Diversity and Inclusion in a Changing Industry. Part Two includes Diversity and Inclusion Activities and an A-Z Guide with more than 500 terms. This guide: Helps journalists, journalism students, and other media writers better understand the context behind hot-button words so they can report with confidence and sensitivity Explores the subtle and not-so-subtle ways that certain words can alienate a source or infuriate a reader Provides writers with an understanding that diversity in journalism is about accuracy and truth, not "political correctness." Brings together guidance from more than 20 organizations and style guides into a single handy reference book The Diversity Style Guide is first and foremost a guide for journalists, but it is also an important resource for journalism and writing instructors, as well as other media professionals. In addition, it will appeal to those in other fields looking to make informed choices in their word usage and their personal interactions.
Indigo is the rich, electrifying history of a precious dye: its relationship to the trans-Atlantic slave trade, its profound influence on fashion, and its spiritual significance - all very much alive today. But it is also the story of a personal quest: Catherine McKinley's ancestors include a clan of Scots who wore indigo tartan, several generations of Jewish 'rag traders' and Massachusetts textile factory owners, and African slaves who were traded along the same Saharan routes as indigo. Her journey takes her to nine West African countries and is resplendent with powerful lessons of heritage and history which shape the way she understands her world at home.
A sci-fi anthology comic book written by Matt Mair Lowery, art by Jenna Cha, Dave Law, Tyrell Cannon, Lisa Naffziger and Karl Slominski. ThoughtScapeComics.com
