Schmidt's Jahrbuecher
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Published: 1837
Total Pages: 812
ISBN-13:
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Author: Alexander Schnell
Publisher: BRILL
Published: 2015-11-24
Total Pages: 240
ISBN-13: 900431086X
DOWNLOAD EBOOKDieser Band der Fichte-Studien Bild, Selbstbewusstsein, Einbildung stellt Fichtes Bildlehre im systematischen Zusammenhang seiner Wissenschaftslehre vor. Im Vordergrund steht der Bezug des Bildes zur Einbildungskraft und zum Selbstbewusstsein sowohl in einer transzendentalphilosophischen Perspektive als auch das Verhältnis zu Gott, dem Absoluten und der Welt betreffend. Zugleich werden hierbei auch praktische und ästhetische Aspekte der Bildproblematik mitberücksichtigt. Die verschiedenen Beiträge machen deutlich, inwiefern diese Problematik den Bezug zum frühen Fichte herzustellen und auch einen Ausblick auf die späten Arbeiten des Begründers der Wissenschaftslehre zu geben vermag. Dank der Vielfalt der Ansätze bietet dieser Band einen wertvollen Einblick in die jüngste internationale Fichte-Forschung bezüglich eines grundlegenden Aspekts im Denken eines der Hauptvertreter der Klassischen Deutschen Philosophie.
Author: Stipa Madland
Publisher: BRILL
Published: 2023-11-27
Total Pages: 178
ISBN-13: 9004654593
DOWNLOAD EBOOKAuthor: F. Rash
Publisher: Springer
Published: 2012-10-17
Total Pages: 235
ISBN-13: 1137030216
DOWNLOAD EBOOKThis book provides a detailed linguistic analysis of the nationalist discourses of the German Second Reich, which most effectively demonstrate the contrasting images of the German Self and its various Others, such as Jews, native Africans, gypsies and the enemy Other during the First World War.
Author: David Gethin John
Publisher: McGill-Queen's Press - MQUP
Published: 1998
Total Pages: 344
ISBN-13: 9780773516816
DOWNLOAD EBOOKJohn argues that shifting the focus from the text to the efficacy of performance requires broadening our concept of performance beyond what occurs on stage and its critical reception to include the daily life of the society that provides its context. It follows from this semiotic approach that there can be no fixed text or understanding of Egmont or of Goethe himself - only multiple images. John's exploration of image includes literary motifs, acting, staging, and social role playing, with particular reference to Goethe's development as an artist and cultural icon. In addition to presenting a comprehensive analysis of the play and a discussion of Egmont's reception from its first appearance to the present (including productions on both stage and screen), John provides an in-depth performance analysis based on the theories of Alter, Burns, Carson, Fischer-Lichte, Goffman, Pavis, and Schechner. The book includes the complete Mannheim manuscript (M372), critically edited and published as a performance text for the first time.
Author: Katherine Hambridge
Publisher: University of Chicago Press
Published: 2018-07-16
Total Pages: 295
ISBN-13: 022656309X
DOWNLOAD EBOOKWe seem to see melodrama everywhere we look—from the soliloquies of devastation in a Dickens novel to the abject monstrosity of Frankenstein’s creation, and from Louise Brooks’s exaggerated acting in Pandora’s Box to the vicissitudes endlessly reshaping the life of a brooding Don Draper. This anthology proposes to address the sometimes bewilderingly broad understandings of melodrama by insisting on the historical specificity of its genesis on the stage in late-eighteenth-century Europe. Melodrama emerged during this time in the metropolitan centers of London, Paris, Vienna, and Berlin through stage adaptations of classical subjects and gothic novels, and they became famous for their use of passionate expression and spectacular scenery. Yet, as contributors to this volume emphasize, early melodramas also placed sound at center stage, through their distinctive—and often disconcerting—alternations between speech and music. This book draws out the melo of melodrama, showing the crucial dimensions of sound and music for a genre that permeates our dramatic, literary, and cinematic sensibilities today. A richly interdisciplinary anthology, The Melodramatic Moment will open up new dialogues between musicology and literary and theater studies.
Author: Jeffrey Morrison
Publisher: Rodopi
Published: 1997
Total Pages: 456
ISBN-13: 9789042001534
DOWNLOAD EBOOKText into Image: Image into Text is a truly interdisciplinary publication. Whilst all of the contributions focus upon the central problem of the relationship between literature and the visual arts -- one which has lost nothing of its fascination as the debate has expanded in numerous forms from antiquity into the realm of postmodern theory -- they come from contributors working in a large number of different areas. Represented are academics from the worlds of German Studies, French Studies, English Studies, Art History and Film Studies. Given their backgrounds each of the contributors can offer a different perspective upon the core issue of translation between media, but perhaps most valuable is the com-bination of perspectives made possible by the arrangement of the volume into sections dealing with aspects of the image/text debate. In the same way that the volume gains by ranging across traditional disciplinary boundaries so it also gains from dealing with a wide range of historical material from -- to take only one possible route -- Baroque icono-graphy through Romantic imagery to Expressionist agony.
Author: Gregory Divers
Publisher: Boydell & Brewer
Published: 2002
Total Pages: 320
ISBN-13: 9781571132420
DOWNLOAD EBOOKExamines the image of the US in German poetry and the reception and influence of American poetry in Germany since 1945. This book focuses on the image of the US in German poetry and the reception of American poetry in Germany since 1945. Gregory Divers examines poems by major figures in 20th-century German literature - Benn, Brecht, Bachmann, Jandl, and Grass, among others - and by other poets who shaped America's postwar image in Germany. Divers traces America's postwar status in Germany from the prisoner-of-war poems of Günter Eich to the pop poetry of Rolf Dieter Brinkmann and Peter Handke. Continuing, he finds that although the 1960s protest poems of Erich Fried and others reflect the tarnishing of America's image due to Vietnam, 1970s travel poems by Brinkmann, Kunert, and Kunze confirm the resiliency of that image. Finally, Divers looks at poems by Hartung, Delius, and Kling to illustrate the new heights reached by America's image within German literary circles during the 1980s, and the status of America in Germany after reunification. In charting these developments in postwar German poetry, Divers also shows how American influences are crucial to its understanding, not only surveying postwar German reception of Whitman, Eliot, Pound, and William Carlos Williams, but also examining the influence of such figures as Charles Olson and Robert Creeley, Allen Ginsberg and the Beats, Frank O'Hara and John Ashbery, and Robert Lowell and Sylvia Plath. Gregory Divers is Assistant Professor of German at Saint Louis University.