An anthology of poetry selected as the best published in magazines and periodicals in 2007 by editor Charles Wright, featuring seventy-five poems by Carolyn Forche, Jorie Graham, Louise Gluck, Alex Lemon, and others.
"When Last on the Mountain is an open look at the many and astonishing ways our bodies bear both curses and blessing and is a testament to our abiding need to address in language and image the body's sure and swift betrayals. From a vantage point of life after fifty, with grace and humor these writers peer soberly at the future while maintaining their gaze on the past."—Gina Ochsner, author of The Russian Dreambook of Color and Flight "A fun and varied read. Insightful, witty, and sometimes heartbreaking selections, but all with an underlying fire for life."—Will Weaver, author of Sweet Land: New & Selected Stories "Who better to bear witness to the slings and arrows of outrageous fortune than writers over 50? The voices of experience collected by Lettmann and Roan are generous in their honest specificity. Prospective readers can be assured of a good and meaningful time with these stories, essays and poems."—Sam Hodges, reporter for The Dallas Morning News and author of B-Four "When Last on the Mountain is a book full of treasures. From these writers comes work of substance, surprise, and death-defying candor. To read these pieces is to be inside an art that sifts through comedy, irony, and hard facts to offer the intensely interesting (yes) exhilarations of the long view."—Joan Silber, author of Ideas of Heaven: A Ring of Stories and The Size of the World "One day I will write my last downhill run, not on snow, but on paper. Not today. No. I dance, stop, dance, stop, dance, dance, dance down the mountain."—Kaye Bache-Snyder What sets these writers apart? Until we reach fifty, how we live and write is colored by our futures: those we expect to have and those we imagine. The perspective of the over-fifty writer takes on the hues of both past and future, tinted by memories of first loves, stained by memories of war and loss, and made more poignant by the knowledge that this spring's blooms or this morning's cup of coffee with a beloved husband may be the last and must be savored fully. These essays, stories, and poems were chosen from more than two thousand submissions of previously unpublished work. Some of the contributors—a poet laureate, a Pulitzer Prize nominee, a former foreign correspondent—have long literary histories; others—a social worker, a civil service employee, a clergywoman—began to write later in life. All of them were inspired by a call that asked for fresh and honest writing from the fullness of their lives. Vicky Lettmann, who writes fiction, essays, and poetry, served as an editor for the literary/arts magazines Speakeasy (the Loft Literary Center) and Under Construction (North Hennepin Community College). She received an MFA in fiction writing from Warren Wilson College. Her work has appeared in Twenty-Six Minnesota Writers (Nodin Press) and in Beloved on the Earth: 150 Poems of Grief and Gratitude (Holy Cow! Press). Carol Roan teaches voice and stage presence in Winston-Salem, North Carolina. She is the author of Clues to American Dance (Starrhill Press) and Speak Easy: A Guide to Successful Performances, Presentations, Speeches, and Lectures (Starrhill Press), and she writes a column on the "art of performance" for an online 'zine. She won a fellowship to Summer Literary Seminars, Russia, in 2006.
This essential handbook, revised and updated for 2010, provides everything you need to know about deciding where and how to apply to the best graduate creative writing programs for you. -The top programs in the United States. -How to decide where to apply. -Advice on preparing your application. -A look at PhD programs in writing. -Tips on becoming a teaching assistant. -How to get the most out of your MFA experience. A collection of articles edited by the staff of Poets & Writers Magazine, this handy resource includes straightforward advice from professionals in the literary field, additional resources to help you choose the best programs to apply to, and an application tracker to keep you organized throughout the process.
With works by over 100 poets, The Bloomsbury Anthology of Contemporary Jewish American Poetry celebrates contemporary writers, born after World War II , who write about Jewish themes. This anthology brings together poets whose writings offer fascinating insight into Jewish cultural and religious topics and Jewish identity. Featuring established poets as well as representatives of the next generation of Jewish voices, it includes poems by Ellen Bass, Charles Bernstein, Carol V. Davis, Edward Hirsch, Jane Hirshfield, David Lehman, Jacqueline Osherow, Ira Sadoff, Philip Schultz, Alan Shapiro, Jane Shore, Judith Skillman, Melissa Stein, Matthew Zapruder, and many others.
Shares essays outlining recommendations for caregivers and educators, offers celebrity contributions, and includes an account of how Katy Butler campaigned to change the movie's rating to make it available to teen viewers.
For any of us, what stays? For the arsonist's wife who has not yet left? The devout saint trudging another mile in his nail-shoes? The lost couple in their dying moments in a Nebraska blizzard? The old woman who refuses to leave her home in Chernobyl? With an unflinching eye, James Crews gives us the forbidden love, forbidden unions, and secret lives that, whatever the loss, the attrition, the cost, we must acknowledge, must hold, must keep. And here, in Crews's finely wrought, deeply felt poems, is their testimony.
In these 59 essays, published female poets share a wealth of practical advice and inspiration. Aimed at students and aspiring and experienced poets alike, the essays address such topics as the women's collective writing experience, tips on teaching in numerous contexts, the publishing process, and essential wisdom to aid the poet in her chosen vocation.
Award-winning poet David Wagoner and renowned editor David Lehman present the 2009 edition of Best American Poetry—"a ‘best’ anthology that really lives up to its title" (Chicago Tribune). Eagerly anticipated by scholars, students, readers, and poets alike, Scribner’s Best American Poetry series has achieved brand-name status in the literary world, serving as a yearly guide to who’s who in American poetry. Known for his marvelous narrative skill and humane wit, David Wagoner is one of the few poets of his generation to win the universal admiration of his peers. Working in conjunction with series editor David Lehman, Wagoner brings his refreshing eye to this year’s anthology. With new work by established poets, such as Billy Collins, Denise Duhamel, Mark Doty, and Bob Hicok, The Best American Poetry 2009 also features some of tomorrow’s leading luminaries. Readers of all ages and backgrounds will treasure this illuminating collection of modern American verse. With its high-profile editorship and its generous embrace of American poetry in all its exuberant variety, the Best American Poetry series continues to be, as Robert Pinsky says, "as good a comprehensive overview of contemporary poetry as there can be."
Charles Bernstein is our postmodern jester of American poesy, equal part surveyor of democratic vistas and scholar of avant-garde sensibilities. In a career spanning thirty-five years and forty books, he has challenged and provoked us with writing that is decidedly unafraid of the tensions between ordinary and poetic language, and between everyday life and its adversaries. Attack of the Difficult Poems, his latest collection of essays, gathers some of his most memorably irreverent work while addressing seriously and comprehensively the state of contemporary humanities, the teaching of unconventional forms, fresh approaches to translation, the history of language media, and the connections between poetry and visual art. Applying an array of essayistic styles, Attack of the Difficult Poems ardently engages with the promise of its title. Bernstein introduces his key theme of the difficulty of poems and defends, often in comedic ways, not just difficult poetry but poetry itself. Bernstein never loses his ingenious ability to argue or his consummate attention to detail. Along the way, he offers a wide-ranging critique of literature’s place in the academy, taking on the vexed role of innovation and approaching it from the perspective of both teacher and practitioner. From blues artists to Tin Pan Alley song lyricists to Second Wave modernist poets, The Attack of the Difficult Poems sounds both a battle cry and a lament for the task of the language maker and the fate of invention.