European Porcelain in The Metropolitan Museum of Art
European Porcelain in The Metropolitan Museum of Art

Author: Jeffrey Munger

Publisher: Metropolitan Museum of Art

Published: 2018-05-09

Total Pages: 315

ISBN-13: 1588396436

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Porcelain imported from China was the most highly coveted new medium in sixteenth- and early seventeenth-­century Europe. Its pure white color, translucency, and durability, as well as the delicacy of decoration, were impossible to achieve in European earthenware and stoneware. In response, European ceramic factories set out to discover the process of producing porcelain in the Chinese manner, with significant artistic, technical, and commercial ramifications for Britain and the Continent. Indeed, not only artisans, but kings, noble patrons, and entrepreneurs all joined in the quest, hoping to gain both prestige and profit from the enterprises they established. This beautifully illustrated volume showcases ninety works that span the late sixteenth to the mid-nineteenth century and reflect the major currents of European porcelain production. Each work is illustrated with glorious new photography, accompanied by analysis and interpretation by one of the leading experts in European decorative arts. Among the wide range of porcelains selected are rare blue-and-white wares and figures from Italy, superb examples from the Meissen factory in Germany and the Sèvres factory in France, and ceramics produced by leading British eighteenth-century artisans. Taken together, they reveal why the Metropolitan Museum’s holdings in this field are among the finest in the world. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

L’Europe et ses Populations
L’Europe et ses Populations

Author: J.A. Miroglio

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 824

ISBN-13: 9400997310

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ET VUES D'ENSEMBLE SUR L'EUROPE GENESE, CARACTERISTIQUES ET CONTEXTES MORAUX DU PRESENT OUVRAGE versite de Caen fut excellent. On aurait aime L'elaboration d'un dictionnaire des populations pouvoir y poursuivre sa carriere. Mais des que de l'Europe est citee au nombre des motifs donnes dans le decret ministeriel date du 20 juin 1960 l'Universite de Rouen fut fondee, Le Havre etant officialisant une societe scientifique fondee au de son ressort, cet Institut de psychologie des Havre, au cours de l'hiver 1937-1938, vivant sous peuples y fut necessairement transfere. I1 apparut le regime de la loi sur les associations de 1901 vite que l'apport fait ci cette toute nouvelle uni et denommee Institut havrais de sociologie econo versite ne pouvait etre evalue comme une richesse mique et de psychologie des peuples. Les deux au suscitant beaucoup d'interet. I1 fallait se contenter tres motifs de l'officialisation, c'etaient l'existence d'un succes d'estime pour une revue de psycho logie des peuples dont le rayonnement avait pu ci maintenir de la Revue de psychologie des peuples s'etendre ci une soixantaine de pays etrangers et qui, parvenue ci cette epoque ci sa quinzieme annee, I qui, grace ci quelques collaborations de la plus avait dejci largement fait ses preuves, et le lance ment de Cahiers de sociologie economique dont haute valeur, fournissait les premiers efforts pour deux numeros etaient dejci parus, devancant l'an hisser ci un niveau scientifique notre discipline de.

The Art of Ceramics
The Art of Ceramics

Author: Howard Coutts

Publisher: Yale University Press

Published: 2001-01-01

Total Pages: 272

ISBN-13: 0300083874

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The great age of European ceramic design began around 1500 and ended in the early 19th century with the introduction of large-scale production of ceramics. In this illustrated history, with nearly 300 color and black and white photos and reproductions, curator Howard Coutts considers the main stylistic trends�Renaissance, Mannerism, Oriental, Rococo, and Neoclassicism�as they were represented in such products as Italian Majolica, Dutch Delftware, Meissen and S�vres porcelain, Staffordshire, and Wedgwood pottery. He pays close attention to changes in eating habits over the period, particularly the layout of a formal dinner, and discusses the development of ceramics as room decoration, the transmission of images via prints, marketing of ceramics and other luxury goods, and the intellectual background to Neoclassicism.