"A gripping, heart-wrenching coming-of-age story" - Guardian In her first YA novel, Costa-shortlisted Kit de Waal responds to classic Moby Dick by tearing the power away from obsessive Captain Ahab and giving it to a teenage girl. Dinah's whole world is upside down, dead things and angry men and cuts all over her head that are beginning to sting.... Seventeen-year-old Dinah needs to leave her home, the weird commune where she grew up. She needs a whole new identity, starting with how she looks, starting with shaving off her hair, her 'crowning glory'. She has to do it quickly, because she has to go now. Dinah was going to go alone and hitch a ride down south. Except, she ends up being persuaded to illegally drive a VW campervan for hundreds of miles, accompanied by a grumpy man with one leg. This wasn't the plan. But while she's driving, Dinah will be forced to confront everything that led her here, everything that will finally show her which direction to turn... In her first YA novel, Costa-shortlisted author Kit de Waal responds to the classic Moby Dick with entirely new characters, a VW campervan, and by tearing the power away from obsessive Captain Ahab and giving it to a teenage girl who's determined to find a new life, far away from her unconventional upbringing. "An emotionally charged book" - Daily Mail "Fresh and defiantly original ... what a beautiful book" - Sarah Moore Fitzgerald "An emotional coming of age tale of escape, mission, and ultimately, self-knowledge" - The Big Issue
"A gripping, heart-wrenching coming-of-age story" - Guardian In her first YA novel, Costa-shortlisted Kit de Waal responds to classic Moby Dick by tearing the power away from obsessive Captain Ahab and giving it to a teenage girl. Dinah's whole world is upside down, dead things and angry men and cuts all over her head that are beginning to sting.... Seventeen-year-old Dinah needs to leave her home, the weird commune where she grew up. She needs a whole new identity, starting with how she looks, starting with shaving off her hair, her 'crowning glory'. She has to do it quickly, because she has to go now. Dinah was going to go alone and hitch a ride down south. Except, she ends up being persuaded to illegally drive a VW campervan for hundreds of miles, accompanied by a grumpy man with one leg. This wasn't the plan. But while she's driving, Dinah will be forced to confront everything that led her here, everything that will finally show her which direction to turn... In her first YA novel, Costa-shortlisted author Kit de Waal responds to the classic Moby Dick with entirely new characters, a VW campervan, and by tearing the power away from obsessive Captain Ahab and giving it to a teenage girl who's determined to find a new life, far away from her unconventional upbringing. "An emotionally charged book" - Daily Mail "Fresh and defiantly original ... what a beautiful book" - Sarah Moore Fitzgerald "An emotional coming of age tale of escape, mission, and ultimately, self-knowledge" - The Big Issue
Sweet, sleepy -- beautiful -- old Pompey's Head, South Carolina. Anson Page thought he'd ground it out of his life for good. Now a Manhattan lawyer representing a large publishing house, he's returning to his hometown after fifteen years to investigate the mystery surrounding one of his client's authors, a major American novelist who lives on nearby Tamburlaine Island. Both painfully familiar and irrevocably altered, the landmarks and people in Pompey's Head resurrect for Page the sweep of his past life. As he sets about resolving business matters, he collides headlong with the enduring power of lineage to determine belonging and dominance, exclusion and shame, and the realization that leaving does not mean escaping.A deft interlacing of recollection and suspense, The View from Pompey's Head is Hamilton Basso's most popularly acclaimed novel. When first published, it spent forty weeks on the New York Times bestseller list and was translated into seven languages.
This provocative biography tells the story of how an ambitious young Londoner became England’s greatest novelist. Focused on the 1830s, it portrays a restless, uncertain Dickens who could not decide on a career path. Through twists and turns, the author traces a double transformation: in reinventing himself Dickens reinvented the form of the novel.
Music lovers, researchers, students, librarians, and teachers can trace the personal and artistic influences behind music makers from Elton John to Leontyne Price. Individual entries on over 400 of the world's most renowned and accomplished living performers, composers, conductors, and band leaders in musical genres from opera to hip-hop. Also includes an in-depth Index covering musicians of all eras, so that readers can learn which artists, alive or dead, influenced the work of today's most important figures in the music industry.
Believe in the Supreme Creator is a book about hope, trust, and belief in God. It follows the life of Dinah and her relationship with Kalson. They are faced with disappointments, betrayal, and challenges. They learn to submit to God and walk with Him in faith. Dr. Nchege weaves a story about God and religion using biblical references and African idioms to demonstrate the power of belief and faith. This is an inspiring and enjoyable book by my old friend from my Nigeria days, Dr. Kalu Nchege. I am amazed and thrilled by the way he has been able to show that in all circumstances there is a Scriptural admonition or promise, if when trusted in, brings answers and blessings and a resolution to the situation. Here is hope, encouragement, and instruction for any reader who really wants to know the Supreme Creator who is revealed in the Holy Scriptures Father, Son, and Holy Spirit. Rev. Z. D. Reece Through this narrative, Dr. Nchege is able to depict the need for each of us to believe in the Supreme Creator. Only one who has gotten to know how gracious and merciful God is could have delivered a piece of literature like this. Such a remarkable way to let the world know regardless of nationality, ethnic origin, or religious denomination style of worshipping, God loves each of us unconditionally and we must love Him back and be born of the Spirit of God. Wilber and Delores Parker
The first biography of May Sarton: a brilliant revelation of the life and work of a literary figure who influenced her thousands of readers not only by her novels and poetry, but by her life and her writings about it. May Sarton's career stretched from 1930 (early sonnets published in Poetry magazine) to 1995 (her journal At Eighty-Two). She wrote more than twenty novels, and twenty-five books of poems and journals. The acclaimed biographer Margot Peters was given full access to Sarton's letters, journals, and notes, and during five years of research came to know Sarton herself--the complex woman and artist. She gives us a compelling portrait of Sarton the actress, the poet, the novelist, the feminist, the writer who struggled for literary acceptance. She shows us, beneath Sarton's exhilarating, irresistible spirit, the needy courtier and seducer, the woman whose creativity was propelled by the psychic drama she created in others. We watch young May at age two as she is abruptly uprooted from her native Belgium by World War I, a child ignored both by her mother, who was intent on her own artistic vision and reluctant to cope with a child, and by her father, obsessed with his academic research. We see Sarton as a young girl in America, and then later, at nineteen, choosing a life in the theatre, landing a job in Eva Le Gallienne's Civic Repertory, and gathering what would become a tight-knit coterie of friends and lovers . . . Sarton beginning to write poetry and novels . . . Sarton making friends with Elizabeth Bowen and Julian Huxley, Erika and Klaus Mann, Virginia Woolf, the poet H.D.--charming and enlisting them with her work, her vitality, her hunger for love, driven by her need to conquer (among her conquests: Bowen, Huxley, and later his wife, Juliette). We see her intense friendships with literary pals, including Muriel Rukeyser (her lover), and Louise Bogan, Sarton's "literary sibling, who at once encouraged her and excluded her from a world in which Bogan was a central figure. We see Sarton begin to create in the spiritual journals that inspired the devotion of readers the image of a strong, independent woman who lived peacefully with solitude--an image that contradicted the reality of her neediness, loneliness, and isolation as she pushed away loved ones with her demands and betrayals. A fascinating portrait of one of our major literary figures--a book that for the first time reveals the life that she herself kept hidden.
Kristina Riggle, the acclaimed author of Real Life & Liars, returns with a thought-provoking novel inspired by real-life events Seventeen-year-old Morgan Monetti shocks her parents and her community with one simple act: She chooses to stand by the man everyone else believes has exploited her—popular high school teacher TJ Hill. Quietly walking across a crowded courtroom to sit behind TJ, and not beside her parents, she announces herself as the adult she believes herself to be. But her mother, Dinah, wants justice. Dinah is a fighter, and she believes with all her heart and soul that TJ is a man who took advantage of her daughter. He is a criminal who should be brought to justice, no matter what the cost to his family. Rain, TJ's wife, is shocked that her handsome, loving, respected husband has been accused of a terrible crime. But has her desperation to start a family closed her eyes to the fault lines in her marriage? And can she face the painful truths about herself and her husband? Told from the perspectives of these three remarkable women, The Whole Golden World navigates the precarious territory between childhood and adulthood, raising questions about love and manipulation, marriage and motherhood, consent and responsibility. It's a novel both shocking and unforgettable in its power.
What does it mean to feel time, to sense its passing along the sinews and nerves of the body as much as the synapses of the mind? And how do books, as material arrangements of print and paper, mediate such temporal experiences? Chronometres: Devotional Literature, Duration, and Victorian Reading Culture is a study of the time-inflected reading practices of religious literature, the single largest market for print in Victorian Britain. It examines poetic cycles by John Keble, Alfred Tennyson, Christina Rossetti, and Frances Ridley Havergal; family prayer manuals, Sunday-reading books and periodicals; and devotional gift books and daily textbooks. Designed for diurnal and weekly reading, chronometrical literature tuned its readers' attentions to the idea of eternity and the everlasting peace of spiritual transcendence, but only in so far as it parcelled out reading into discrete increments that resembled the new industrial time-scales of factories and railway schedules. Chronometres thus takes up print culture, affect theory, and the religious turn in literary studies in order to explore the intersections between devotional practice and the condition of modernity. It argues that what defines Victorian devotional literature is the experience of its time signatures, those structures of feeling associated with its reading durations. For many Victorians, reading devotionally increasingly meant reading in regular portions and often according to the calendar and work-day in contrast to the liturgical year. Keeping pace with the temporal measures of modernity, devotion became a routinized practice: a way of synchronizing the interior life of spirit with the exigencies of clock time. Chronometres considers how the deliverances afforded through time-scaled reading are persistently materialised in the body, both that of the book and of the reader. Recognizing that literature and devotion are not timeless abstractions, it asks how the materiality of books, conceived as horological relationships through reading, might bring about the felt experience of time. Even as Victorian devotion invites us to tarry over the page, it also prompts the question: what if it is 'eternity' that keeps time with the clock?
A revised edition of the publisher’s inaugural publication in 1990, which won the Pandora Award from Women-in-Publishing. Inspirational in its original format, this new edition features poems, stories, essays and interviews with 30 + women writers, both emerging authors and luminaries of contemporary literature such as: – Choices: The Writing of Possession by A.S. Byatt – Becoming a Writer by Saskia Calliste – Jenny – a song by April de Angelis – Interview with Kit de Waal – Anne Hathaway by Carol Ann Duffy – Let the World Burn through you by Sian Evans – Early Women Writers by Philippa Gregory – The Creative Process by Mary Hamer – The Writing Life by Jackie Kay – Screen Diversity by Shuchi Kothari – Writing Plays by Bryony Lavery – The Novelist as Wanderer by Annee Lawrence – Interview with Roseanne Liang – Mei Kwei, I love you by Suchen Christine Lim – The Badminton Court by Jaki McCarrick – Interview with Laura Miles – The Motherload by Raman Mundair – The Feminist Library by Magda Oldziejewska – Fortune Favours The Brave... by Kaite O’Reilly – Interview with Jacqueline Pepall – The Art of Translation by Gabi Reigh – Conditions of Amefricanity -Djamila Ribeiro – Inspiration: Where does it come from? by Fiona Rintoul – Interview with Jasvinder Sanghera – A Room of One’s Own ...or Not? by Anne Sebba – Being a Feminist Writer by Kalista Sy – Mslexia by Debbie Taylor – My Mother, Reading a Novel by Madeleine Thien – Interview with Clare Tomalin – Fortune by Ida Vitale, transl. Tanya Huntington – Interview with Sarah Waters – Virginia Woolf...100 years on by Emma Woolf Includes the original writing workshops plus illustrations from contemporary and vintage illustrators. Guest editor Ann Sandham has compiled the new collection. Reviews: The Women Writers Handbook is a superb, powerful collection of writings from 30 women that are considered to be the emerging authors and luminaries of contemporary fiction, from Carol Ann Duffy to Kit De Waal. With its short chapters, background to who the author is and with 20% of all profits going towards the campaign for a full-sized statue of Virginia Woolf, the first in the UK, it is absolutely a book to buy, read and help to highlight the creativities of women, as well as inspiring other women to believe that they can also do it too. Not only is every piece of work that is included different, well written and informative but the way that the whole book is laid out with inspiring quotes but also beautiful illustrations from women. I loved the activities that can be found at the end of the book, writing workshop activities that could be used within a group in order to breakdown boundaries, to help overcome the fears and misgivings of individuals who would like to become writers, as well as activities to help create depth in characters. I think this inclusion of interactivity, as well as giving a feminist spin on fairy tales is a cleverly unique concept. ...its absolutely one to pick up and for a worthy cause too. --thereadingcloset Knowledgeably compiled and deftly edited, 'The Women Writers Handbook'; by Ann Sandham (Commissioning Editor for Ladybird Children's Books at Penguin Random House) also features an informative Foreword by Cheryl Robson (the Aurora Metro Books publisher). Of special note is the inclusion of a instruction article on how to operate a writing workshop, a five page Resource Directory (compiled by Saskia Calliste), and a fun one-page Quiz. Informative, thought-provoking, inspiring, 'The Women Writers Handbook'; is an extraordinary, unique, and thoroughly 'reader friendly' in both organization and presentation. Certain to be an immediate and enduringly popular addition to personal, professional, community, college, and university library Writing/Publishing collections in general, 'The Women Writers Handbook'; is unreservedly recommended for Women's Fiction, Literature, and Writing supplemental curriculum reading lists in particular. --Midwest Book Review As a young woman both studying literature and harbouring dreams of becoming a writer myself, it seems to me that the world of writers is a great looming circle of male literary greats. Dickens, Wilde, Shakespeare, Scott, Browning the list of the most respected literary figures seems both to be endless and decidedly full of men. The whole industry seems overwhelmingly male with merely a few select women being let into this strange world governed by men. Although I have felt very welcomed and my voice heard in my studies and critique of literature, there seems to be precious few ways for me to become a meaningful contributor to the discipline. That is why it is so important that a book like this exists, giving guidance like this, telling stories like these, and using women's voices to do so. Sandham offers a helping hand to all aspiring female writers to aid them in navigating their ventures into the literary world. The Handbook offers a space to women from all backgrounds to share their stories in my favourite segment: Women's Voices. One story that stood out to me most was told by Magda Oldziejewska in The Feminist Library. Oldziejewska recounts her experience of discovering the Feminist Library; an archive in London which exists to preserve the lives, works and memories of many women. I especially liked this piece as it shows that there does in fact exist a space for women to feel not only safe and welcomed, but actively valued in the literary world. A space where we can learn about the forgotten women who came before us and ensure that the great female powers of our time do not slip into the void of lost female writers. The importance of creating access points to the literary world for women is monumental and Sandham has so beautifully created another in her making of this Handbook. The later segments of the Handbook (Writing Workshops and Workshop Sessions) give an incredible level of insight into the more finnicky aspects of serious writing with guides on Developing Complex Characters to Self-censorship. The frank discussion provided throughout the workshop segments is an indispensable tool for any budding author looking to get real and seriously improve the quality of their writing. I would recommend The Women Writers' Handbook not only to women with explicit intentions to embark on their literary careers who need some support, but to anyone who seeks to better understand both the struggles and triumphs of women in the world of literature. --portobellobookblog What a fabulous source book - full of inspirational essays, short stories, poems and interviews with some top female writers - about the writing process, feminism and the experience of female authors, designed to get the juices flowing for any woman who has the hankering to write. If this was not enough to make you want to grab your note book and pen and embark on a writing project, then there are also writing exercises designed to stimulate the creative impulses and a directory of resources to help you on your way! And... quotes from some of the top women writers, both contemporary, and from history, are spread liberally throughout the publication, as encouragement. If I have not already persuaded you that you need a copy of this book to hand on the writing desk you are now surely going to purchase (should you not have one already), perhaps it will help if you know that 20% of the profits from the sale of this book will go towards the Virginia Woolf statue campaign! --Sue, Vine Voice Thrilled to get my hands on a copy of this updated version of The Women Writers’ Handbook, released to celebrate the 30th anniversary of Aurora Metro books. Edited by Ann Sandham, a fabulous collection of poems, stories and interviews from a diverse group of internationally acclaimed women. Also included are the workshops from the original edition of this anthology and there is a newly updated resources list. As well as being a good read with lovely black and white drawings dotted throughout, it’s a really useful book - one I know I will return to time and time again. In addition, 20% of each sale is being donated to the Virginia Woolf statue campaign to go towards funding a statue of the esteemed British writer - the author of pioneering essays on women’s writing and the politics of power, so this is very apt. --Daisy Hollands In aid of the Virginia Woolf Statue campaign at: www.aurorametro.org/virgini-woolf-statue
