Poetry. BEAUTY WAS THE CASE THAT THEY GAVE ME is Mark Leidner's first full-length collection of poems. A collection of poems that might make you feel like a flower, like a black hole, like punishment meted out at night by a giant tractor, like you have to get on fire, then slowly walk around your old neighborhood, like the town was real, like she thinks swoon is a funnier word than mulligan, and he thinks swoon is a funny word too, but no way in hell is it funnier than mulligan, like he's searching for the Holy Grail and she has little Holy Grail-shaped pupils, like an effusion of steam, like what's cool changes, like hemisphere paint, like a blue flower, like the house you have lived above forever.
At a juncture in which art and culture are saturated with the forces of commodification, this book argues that problems, forms, and positions that defined modernism are crucially relevant to the condition of contemporary art and culture. The volume is attuned to the central concerns of recent scholarship on modernism and contemporary culture: the problems of aesthetic autonomy and the specific role of art in preserving a critical standpoint for cultural production; the relationship between politics and the category of the aesthetic; the problems of temporality and contemporaneity; literary transnationalism; and the questions of medium and medium specificity. Ranging across art forms, mediums, disciplines, and geographical locations, essays address the foundational questions that fuse modernism and the contemporary moment: What is art? What is the relation between art and the economy? How do art and technology interpenetrate and transform each other? What is modernism’s logic of time and contemporaneity, and how might it speak to the problem of thinking genuine novelty, or the possibility of an alternative to the current stage of neo-liberal capitalism? What is modernism, and what is its history? The book is thus committed to revising our understanding of what modernism was in its earlier instantiations, and in accounting for the current moment, addressing the problems raised by modernism's afterlives and reverberations in the 20th and 21st centuries. The volume includes essays that consider literature, sociology, philosophy, visual art, music, architecture, digital culture, television, and other artistic media. It synthesizes the most recent thinking on modernism and contemporary culture and presents a compelling case for what happens to literature, art, and culture in the wake of the exhaustion of postmodernism. This book will be of interest to those studying literature, visual art, media studies, architecture, literary theory, modernism, and twentieth-century and contemporary culture more generally.
(Kar-ma - The sum of a person’s actions during the successive phases of his or her existence, regarded as determining his or her destiny in future incarnations.) “Karma” it’s all around us affecting our everyday lives, we’re absorbed by it. It’s as real as the air we breathe, and the love we share. Just like the love we feel and the air we breathe it’s going on without being seen. No one is more affected by this than Christopher. After years of sexual escapades, breaking hearts, and in the end ruining good women over and over again, he thought that he had finally found the ONE. There was something different about her, she had a certain realness about herself, she was special. So special in fact that instead of her being head over heels for him like so many others before her, it was the complete opposite. It was she that had him wide open, and in the end it would be him that would have to pick up the pieces of his broken heart, and find a way to go on with his existence.
Over twenty-two months in 1979 and 1981 nearly two dozen children were unspeakably murdered in Atlanta despite national attention and outcry; they were all Black. James Baldwin investigated these murders, the Black administration in Atlanta, and Wayne Williams, the Black man tried for the crimes. Because there was only evidence to convict Williams for the murders of two men, the children's cases were closed, offering no justice to the families or the country. Baldwin's incisive analysis implicates the failures of integration as the guilt party, arguing, "There could be no more devastating proof of this assault than the slaughter of the children." As Stacey Abrams writes in her foreword, "The humanity of black children, of black men and women, of black lives, has ever been a conundrum for America. Forty years on, Baldwin's writing reminds us that we have never resolved the core query: Do black lives matter? Unequivocally, the moral answer is yes, but James Baldwin refuses such rhetorical comfort." In this, his last book, by excavating American race relations Baldwin exposes the hard-to-face ingrained issues and demands that we all reckon with them.
This eBook features the unabridged text of ‘The Insulted and Humiliated’ from the bestselling edition of ‘The Complete Works of Fyodor Dostoyevsky’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dostoyevsky includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Insulted and Humiliated’ * Beautifully illustrated with images related to Dostoyevsky’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Set during the Civil War, a troubled young woman struggles with her conscience after the suspicious death of her unfaithful husband. When her dreams of a new life seem hopeful, she ventures across the western plains with her sickly daughter in tow and an unscrupulous businessman who promises her a pot of gold. But the seeds of this dangerous venture-sown in blood-yield the unexpected and what she encounters along the fringes of the Oregon Trail in the dark corners of the prairies, will change her life forever.
