This book discusses and studies the basic course of ecological civilization construction in the 70 years since the founding of the People’s Republic of China and summarizes the experience and lessons. It contains 75 articles from 75 top experts and government officials in the field of ecological civilization policy-making and basic theory research in China, including Xi Jinping Thought on Ecological Civilization, ecological culture, green industry economy, environmental quality, legal system, ecological security and so on, so as to provide reference for understanding and studying the progress of ecological environment protection since the founding of China.
John Muir is considered to be the supreme icon of western wilderness and preservation. His counterpart in the east is Harlan P. Kelsey, an often obscure and forgotten figure. In Beautiful Land of the Sky, author Loren M. Wood chronicles Kelsey's journey from the humblest of beginnings to national prominence in horticulture and the establishment of national parks in the eastern United States. In this biography, Wood tells how, a century ago, Kelsey was the first to pioneer native plants for the American landscape and a leader in that process; how he was a leading participant in bringing all of America to our native plants in their finest original setting; and how he helped make a reality of the Great Smoky Mountains National Park, a zenith of horticultural biomass and diversity in America. In addition, this biography explores the parallels in the odysseys of Muir and Kelsey. Though primarily a biography of Kelsey, Wood compares the similarities, differences, and accomplishments of the two men. Including details gathered from more than fifty thousand items in Kelsey's personal files, Beautiful Land of the Sky narrates the inspiring and entertaining story of how the idea of national parks was implemented east of the Mississippi.
Between the 1920s and the 1970s, American economic culture began to emphasize the value of consumption over production. At the same time, the rise of new mass media such as radio and television facilitated the advertising and sales of consumer goods on an unprecedented scale. In Style and Status: Selling Beauty to African American Women, 1920–1975, Susannah Walker analyzes an often-overlooked facet of twentieth-century consumer society as she explores the political, social, and racial implications of the business devoted to producing and marketing beauty products for African American women. Walker examines African American beauty culture as a significant component of twentieth-century consumerism, and she links both subjects to the complex racial politics of the era. The efforts of black entrepreneurs to participate in the American economy and to achieve self-determination of black beauty standards often caused conflict within the African American community. Additionally, a prevalence of white-owned firms in the African American beauty industry sparked widespread resentment, even among advocates of full integration in other areas of the American economy and culture. Concerned African Americans argued that whites had too much influence over black beauty culture and were invading the market, complicating matters of physical appearance with questions of race and power. Based on a wide variety of documentary and archival evidence, Walker concludes that African American beauty standards were shaped within black society as much as they were formed in reaction to, let alone imposed by, the majority culture. Style and Status challenges the notion that the civil rights and black power movements of the 1950s through the 1970s represents the first period in which African Americans wielded considerable influence over standards of appearance and beauty. Walker explores how beauty culture affected black women’s racial and feminine identities, the role of black-owned businesses in African American communities, differences between black-owned and white-owned manufacturers of beauty products, and the concept of racial progress in the post–World War II era. Through the story of the development of black beauty culture, Walker examines the interplay of race, class, and gender in twentieth-century America.
This new edition of Loffler's extensively researched original book about the history of the first two Holden models includes stories never told before, photographs never published, and a wealth of technical information. Lay readers and holden buffs alike will enjoy the 375 period photos and the wealth of information about one of the most significant periods in Australian motoring history. Includes 6 new chapters, and 100 new photos never published before.
For the better part of three decades romance comics were an American institution. Nearly 6000 titles were published between 1947 and 1977, and for a time one in five comics sold in the U.S. was a romance comic. This first full-length study examines the several types of romance comics, their creators and publishing history. The author explores significant periods in the development of the genre, including the origins of Archie Comics and other teen publications, the romance comic "boom and bust" of the 1950s, and their sudden disappearance when fantasy and superhero comics began to dominate in the late 1970s.
Beauty seems simple; we know it when we see it. But of course our ideas about what is attractive are influenced by a broad range of social and economic factors, and in Beauty and Business leading historians set out to provide this important cultural context. How have retailers shaped popular consciousness about beauty? And how, in turn, have cultural assumptions influenced the commodification of beauty? The contributors here look to particular examples in order to address these questions, turning their attention to topics ranging from the social role of the African American hair salon, and the sexual dynamics of bathing suits and shirtcollars, to the deeper meanings of corsets and what the Avon lady tells us about changing American values. As a whole, these essays force us to reckon with the ways that beauty has been made, bought, and sold in modern America.
Humphrey Bogart. Abbott and Costello. Judy Garland and Mickey Rooney. John Wayne. Rita Hayworth and Betty Grable. Images of these film icons conjure up a unique moment in cinema and history, one of optimism and concern, patriotism and cynicism. What Dreams Were Made Of examines the performers who helped define American cinema in the 1940s, a decade of rapid and repeated upheaval for Hollywood and the United States. Through insightful discussions of key films as well as studio publicity and fan magazines, the essays in this collection analyze how these actors and actresses helped lift spirits during World War II, whether in service comedies, combat films, or escapist musicals. The contributors, all major writers on the stars and movies of this period, also explore how cultural shifts after the war forced many stars to adjust to new outlooks and attitudes, particularly in film noir. Together, they represented the hopes and fears of a nation during turbulent times, enacting on the silver screen the dreams of millions of moviegoers.
In this richly detailed and prodigiously researched book, jazz scholar and musician Ricky Riccardi reveals for the first time the genius and remarkable achievements of the last 25 years of Louis Armstrong’s life, providing along the way a comprehensive study of one of the best-known and most accomplished jazz stars of our time. Much has been written about Armstrong, but the majority of it focuses on the early and middle stages of his career. During the last third of his career, Armstrong was often dismissed as a buffoonish if popular entertainer. Riccardi shows us instead the inventiveness and depth of his music during this time. These are the years of his highest-charting hits, including “Mack the Knife” and “Hello, Dolly"; the famed collaborations with Ella Fitzgerald and Duke Ellington; and his legendary recordings with the All Stars. An eminently readable and insightful book, What a Wonderful World completes and enlarges our understanding of one of America’s greatest and most beloved musical icons.
“Pages of dreamlike prose explore Estonia’s terrible Nazi-Soviet past, the trauma of dictatorship, and how memory processes that trauma.” —The Financial Times A Times Literary Supplement Best Book of the Year Just like it was taken for granted that houses could be abandoned and slowly decay, so it was taken for granted that people died in prisons, and that it was possible that no-one would really ever know the cause of death. This is the nature of totalitarianism . . . In the early 1990s, after the collapse of the USSR, Sigrid Rausing completed her anthropological fieldwork on the peninsula of Noarootsi, a former Soviet border protection zone in Estonia. Abandoned watch towers dotted the coast line, and the huge fields of the Lenin collective farm were lying fallow, waiting for claims from former owners who had fled war and Soviet and Nazi occupation. Rausing’s conversations with the local people touched on many subjects: the economic privations of post-Soviet existence, the bewildering influx of western products, and the Swedish background of many of them. In Everything Is Wonderful Rausing reflects on history, political repression, and the story of the minority Swedes in the area. Here she tells her story of what she observed as she lived and worked among the villagers—witnessing their transition from repression to freedom, and from Soviet neglect to post-Soviet austerity. “A delicate, precise, and richly informative memoir of a forgotten Europe and a vanished world.” —Timothy Garton Ash
"In Sean O'Casey: Writer at Work Christopher Murray takes a fresh look at the life of the last of the great writers of the Irish literary revival. Re-exploring the Dublin of O'Casey's childhood and the political situation in the Ireland during his early life, Murray sets them against O'Casey's autobiographies in an attempt to establish 'O'Casey's Ireland'. The second half of O'Casey's life was spent mostly outside Ireland and much of his income came from the United States. Murray examines his rise as an international figure and contrasts his later, more socialist, work with his more nationalist early work." "Christopher Murray establishes O'Casey as a self-made man of letters, an irrepressible fighter, a man who combined political courage and innocence, torn between a humanist vision of life rooted in his Dublin childhood and a utopian but blinkered loyalty to the Soviet Union." "Sean O'Casey: Writer at Work reconstructs a life committed to writing as a moral endeavour. While acknowledging that much of O'Casey's work was uneven, flawed, and overambitious, Murray argues that at its best it was infused with a passion and generosity that place it among the best bodies of drama in the twentieth century."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
