The Mediterranean in Music
The Mediterranean in Music

Author: David Cooper

Publisher: Scarecrow Press

Published: 2005

Total Pages: 270

ISBN-13: 9780810854079

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Politically and historically, the Mediterranean has been a space for critical dialogue for competing and often antagonistic voices, and still functions as meeting place for diverse and interdisciplinary approaches. Although other academic disciplines have attempted a unified approach to Mediterranean studies, until recently Mediterranean music as a singular concept has received relatively little scholarly development. This volume is a crucial first step and investigates several musical cultures that have traditionally demonstrated common threads, trends, and interactions. The music of Greece, Crete, Turkey, Albania, Corsica, Italy, Spain, Morocco, Algeria and Palestine are all considered in this volume as the scholars represented here reveal the musical commonality among otherwise divergent traditions. Unnecessary technical jargon is avoided, and an interdisciplinary approach embracing ethnology and material culture considerations makes this volume relevant not only to musicologists and anthropologists, but likewise to the general reader interested in tourism.

Balkan Popular Culture and the Ottoman Ecumene
Balkan Popular Culture and the Ottoman Ecumene

Author: Donna A. Buchanan

Publisher: Scarecrow Press

Published: 2007-10-01

Total Pages: 462

ISBN-13: 0810866773

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Since the early twentieth century, 'balkanization' has signified the often militant fracturing of territories, states, or groups along ethnic, religious, and linguistic divides. Yet the remarkable similarities found among contemporary Balkan popular music reveal the region as the site of a thriving creative dialogue and interchange. The eclectic interweaving of stylistic features evidenced by Albanian commercial folk music, Anatolian pop, Bosnian sevdah-rock, Bulgarian pop-folk, Greek ethniki mousike, Romanian muzica orientala, Serbian turbo folk, and Turkish arabesk, to name a few, points to an emergent regional popular culture circuit extending from southeastern Europe through Greece and Turkey. While this circuit is predicated upon older cultural confluences from a shared Ottoman heritage, it also has taken shape in active counterpoint with a variety of regional political discourses. Containing eleven ethnographic case studies, Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse examines the interplay between the musicians and popular music styles of the Balkan states during the late 1990s. These case studies, each written by an established regional expert, encompass a geographical scope that includes Albania, Bosnia and Herzegovina, Bulgaria, the Republic of Macedonia, Croatia, Slovenia, Romania, Greece, Turkey, Serbia, and Montenegro. The book is accompanied by a VCD that contains a photo gallery, sound files, and music video excerpts.

Albanian Urban Lyric Song in the 1930s
Albanian Urban Lyric Song in the 1930s

Author: Eno Koço

Publisher: Scarecrow Press

Published: 2004

Total Pages: 436

ISBN-13: 9780810848900

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The author examines the indigenous diatonic and chromatic modes used in Albanian urban music and classifies them under traditional headings and as part of a newly established grouping, here termed south-western Balkan modes. The core of the work is the analysis of Albanian urban lyric songs, seen as an artistic version of the traditional Albanian urban songs.

Albanian Identity in History and Traditional Performance
Albanian Identity in History and Traditional Performance

Author: Eno Koço

Publisher: Cambridge Scholars Publishing

Published: 2021-07-05

Total Pages: 283

ISBN-13: 1527571890

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This book represents a group of individual musical essays collected under common Albanian themes, with a particular focus on historical identities and traditional musical performance. It shows that, at the beginning of the 18th century, there was a growing interest in representing the Albanian hero Scanderbeg on the operatic stage, as some well-known composers of baroque music began to place a greater emphasis on music’s dramatic power to elicit emotional response. The book also notes that this sense of drama was also incorporated into the vocal forms such as opera.

The Wellsprings of Music
The Wellsprings of Music

Author: Curt Sachs

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 257

ISBN-13: 9401510598

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Typical mild "Sachsonian" humor and illustrated with a wealth of examples and evidence. I doubt whether any other of us ethnomusicologists would have been capable of writing such a comprehensive study: S~chs had at his fingertips a phenomenal amount of factual information. Sometimes, under his wise guidance, complicated propositions become surprisingly simple. The reader will be as fascinated as I was by the originality of some of his conelusions, captivated by his penetrating com parisons, and charmed by his rich and expressive language. After having lived with this book for aperiod of some months, I realize a1l themore what the death of Curt Sachs means to the musicological world. "The Wellsprings of Music" forms a worthy elose to that long series of publications his boundless energy and unsurpassed knowledge have given uso I feel greatly indebted to Dr. Eric Werner, New York, for his decisive encouragement towards the publication of this work and for the active interest he took in it. I want also to express my gratitude to the musicologist Miss Marijke Charbon, The Hague, for having made an Index of N ames and for some useful suggestions. Amsterdam, 15th February 1960 JAAP KUNST My dear friend Jaap Kunst did not live to see this book in print. I wish to express my deep gratitude to him, whose dedi cated help and unfailing and devoted interest made its publi cation possible.

Encyclopedia of Percussion
Encyclopedia of Percussion

Author: John H. Beck

Publisher: Routledge

Published: 2013-11-26

Total Pages: 727

ISBN-13: 1317747674

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The Encyclopedia of Percussion is an extensive guide to percussion instruments, organized for research as well as general knowledge. Focusing on idiophones and membranophones, it covers in detail both Western and non-Western percussive instruments. These include not only instruments whose usual sound is produced percussively (like snare drums and triangles), but those whose usual sound is produced concussively (like castanets and claves) or by friction (like the cuíca and the lion’s roar). The expertise of contributors have been used to produce a wide-ranging list of percussion topics. The volume includes: (1) an alphabetical listing of percussion instruments and terms from around the world; (2) an extensive section of illustrations of percussion instruments; (3) thirty-five articles covering topics from Basel drumming to the xylophone; (4) a list of percussion symbols; (5) a table of percussion instruments and terms in English, French, German, and Italian; and (6) an updated section of published writings on methods for percussion.

Bright Balkan Morning
Bright Balkan Morning

Author: Charles Keil

Publisher: Wesleyan University Press

Published: 2002-12-09

Total Pages: 374

ISBN-13: 0819564885

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CD contains: Market Day in Jumaya -- Afternoon at Mahala Café -- At home in Mahala -- At church, Sunday, December 31 -- Pre-New Year's parties in Serres -- Parties for the new year in Sohos -- Taverna party at Nikisiani -- The road home.