Historic Avant-Garde Work on Paper
Historic Avant-Garde Work on Paper

Author: Sascha Bru

Publisher: Taylor & Francis

Published: 2024-03-13

Total Pages: 370

ISBN-13: 1003856667

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This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstrate that the material and formal analysis of paper in the avant-garde’s artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde’s attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design.

Ernest Hemingway. Supplement to Ernest Hemingway
Ernest Hemingway. Supplement to Ernest Hemingway

Author: Audre Hanneman

Publisher: Princeton University Press

Published: 2015-03-08

Total Pages: 409

ISBN-13: 1400869382

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This supplementary bibliography describes work by and about Ernest Hemingway published between 1966 and 1973. Part One lists publications by Hemingway, including six recent books, new editions of previously published volumes, and work by other authors to which Hemingway contributed. Translations and anthologies are entered, as are previously unpublished writings and material reprinted in newspapers and periodicals (including articles recently attributed to Hemingway). The first half of Part Two lists 448 books and pamphlets on or mentioning Hemingway. The second half describes work that appeared in newspapers and journals, including articles, reviews, poems, critical essays, and textual studies. Foreign publications arc noted throughout Part Two. Omissions to the first volume of the bibliography have been entered in each section. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Lovers of Cinema
Lovers of Cinema

Author: Jan-Christopher Horak

Publisher: Univ of Wisconsin Press

Published: 1995

Total Pages: 420

ISBN-13: 9780299146849

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Historians and students of American avant-garde cinema often overlook the films of the 1920s through the early 1940s, considering them mere derivatives of their European counterparts. In fact, the American films possess an eclecticism, innovation, and naivete all their own. Marshaling his broad cinematic and cultural knowledge, editor Jan-Christopher Horak has compiled in Lovers of Cinema a ground-breaking group of articles on this neglected film period. With one exception, all are original to this volume, and many are the first to treat comprehensively such early filmmakers as Mary Ellen Bute, Theodore Huff, and Douglass Crockwell.

Kentucky Marine
Kentucky Marine

Author: David J. Bettez

Publisher: University Press of Kentucky

Published: 2014-03-18

Total Pages: 321

ISBN-13: 0813144817

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“Follows the changes in the Marine Corps from its role as colonial infantry to amphibious assault force . . . us[ing] the career of Maj. Gen. Logan Feland.” —Allan R. Millett, author of Semper Fidelis Winner of the Marine Corps Heritage Foundation’s Colonel Joseph Alexander Award A native of Hopkinsville, Kentucky, Major General Logan Feland (1869-1936) played a major role in the development of the modern Marine Corps. Highly decorated for his heroic actions during the battle of Belleau Wood in World War I, Feland led the hunt for rebel leader Augusto César Sandino during the Nicaraguan revolution from 1927 to 1929—an operation that helped to establish the Marines’ reputation in guerrilla warfare and search-and-capture missions. Yet, despite rising to become one of the USMC’s most highly ranked and regarded officers, Feland has been largely ignored in the historical record. In Kentucky Marine, David J. Bettez uncovers the forgotten story of this influential soldier of the sea. During Feland’s tenure as an officer, the Corps expanded exponentially in power and prestige. Not only did his command in Nicaragua set the stage for similar twenty-first-century operations in Iraq and Afghanistan, but Feland was one of the first instructors in the USMC’s Advanced Base Force, which served as the forerunner of the amphibious assault force mission the Marines adopted in World War II. Kentucky Marine also illuminates Feland’s private life, including his marriage to successful soprano singer and socialite Katherine Cordner Feland, and details his disappointment at being twice passed over for the position of commandant. Drawing from personal letters, contemporary news articles, official communications, and confidential correspondence, this long-overdue biography fills a significant gap in twentieth-century American military history.