Ask the Mad Poet: Observations from My Homeland in a Time of Convoluted Realities begins with the title poem, an invitation to “Ask the Mad Poet” (what better commentator on a mad world?), and ends with “I Ask a Few Questions,” a long, surreal overview of the poet’s generation based on a dream. In between, the fifty-four other poems, written from 2007 through 2014, include history, social commentary, celebrations, and, in “Mater Dei, Mater Gaia,” advocacy for Mother Earth. These are the poems of an aging man, lived beyond his three score ten, much of it working with the dispossessed, who feels a call to witness truth to power on behalf of the earth, the least among us, and the way things really are: a cry for balance in a world where the kings are in the counting house, the peasants fight for crumbs, and Mother Gaia burns.
Wendell Baerry has become ''mad'' at contemporary society. Gleaned from various collections of this amazing American voice, the poems take the shape of manifestos, insults, and Whitmanic ravings that are often funny in spite of themselves. The whole is a wonderful testimony to the power of humor to bring even the most terrible consequences into an otherwise unobtainable focus.
"The Rise of the COVFEFE" holds a satirical mirror up to these times, right down to the tiniest freckle on society's backside, and it's not for the faint of heart. But neither are these times, and the author's goal in writing this poem was to reach the conscience of those who might not be reached in any other language but their own; that is to say, a language that is brutally honest, with zero damns given. The single long poem that makes up this entire book sprinkles many humorous spots in amongst the dark undertones that haunt its stanzas; and even if it does not change the mind or heart of its audience, it will still prove entertaining and keep the reader's attention.
I have seen both sides of America - the ghetto and Wall Street. Unfortunately, the past decade has not shown America in a good light. I would like to apologize to the world, also to the American middle class, poor, disabled, and senior citizens for enduring an America that has been un-American. My writings reflect the bad and good in America and I hope it inspires America to do better. My style of writing is not poetry, but rather hip hop on paper. For example: I don't know what to do I can't tell angels from demons Demons from angels Don't know if these women wanna be loved or strangled Don't know if they wear chains or bangles Don't know if they're strippin' or tango All these dudes flossin' They say they got paper, but when they walk, they jangle Don't know if these politicians for real or got an angle Don't know if these preachers married to the church or sangle America, she doesn't know the Lord's Prayer But she knows the Pledge of Allegiance and Star Spangle I would like to apologize in advance if some of my writings seem harsh and offensive. However, my writings reflect the external world as I experienced it. My experiences have influenced and shaped my internal world, the way I think and feel. I pray that you have had many more positive experiences than I. Welcome to my world, the world of URBAN Poet. I am in love with a country that sometimes doesn't love me. I am disappointed in America and angry at government, politicians, religion, and citizens who have chosen greed and selfishness over humanity. Furthermore, I am disappointed in the world and all the evil, injustice, prejudice, poverty, and corruption. Today we live in the new age of Sodom and Gomorrah. An environment where money is god, sex is casual, and love conditional. These are the things that motivated and inspired me to write this book. Writing as the URBAN Poet, this is my first book. My next two books will be titled Diary of a Mad Poet - Volume 2 and From the Ghetto to Wall Street. My parents lived in a very poor community in Grenada, Mississippi. In search of better living conditions, they moved to Chicago. I was born in Maplewood Projects, on the West Side of Chicago. I had a physically abusive father. I ran away from home at the age of fifteen, but still attended high school for food and shelter. After high school, my life went on a downward spiral for many years. When I fell to the bottom, I wondered, "Why was I poor and the rich man rich?" I came to the conclusion that it had to be more than race, it had to be education. Shortly afterward, I enrolled in college and started receiving an abundance of loans, scholarships and grants. After tuition and rent were paid, I invested in the stock market. I continued on this course for seven years and received a bachelor of science in accounting and a master's in finance, while managing to develop a large investment portfolio. I've been working on Wall Street since I graduated. Currently I live in Atlanta, my income is well into the six-figure range, and I have traveled around the world. Publisher's website: http: //sbpra.com/URBANPoet
Mad Long Emotion wants to talk flora to fauna like you. It talks by dancing, as bumblebees do. In its dances, loosestrife shoos humans away, green carnations flirt with handsome men beyond the shade, and “dogbanes though dead bloom.” Meanwhile, in better-discerned motion, numerous species both spiny and spineless prove invasive, from Great Lake lampreys to hydraulic triceratopses. But they’re just looking for better homes. The book concludes with a long poem about distance, desire and the difficulty of combining the two. Lend this book your eyes and nose; mouth its contents to your house plants. The poetry of Mad Long Emotion wants to live forever, and you can make that happen with your face.
Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. “Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation “An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost “Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!
A scholarly edition of poetical works by Christopher Smart. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
