Artemus Ward's Panorama

Artemus Ward's Panorama

Author: Artemus Ward

Publisher:

Published: 1869

Total Pages: 232

ISBN-13:

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Artemus Ward's lecture on the Mormons, together with the illustrations shown with the lecture, and prefatory notes on the author and his lecture methods. Discussion and drawings of the Mormon Tabernacle conception and construction in Salt Lake City, Utah.


Artemus Ward's Panorama

Artemus Ward's Panorama

Author: Artemus Ward

Publisher: Lulu.com

Published: 2008-08-08

Total Pages: 218

ISBN-13: 1435756290

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As exhibited at the Egyptian hall, London. With 34 illustrations. Contents: Proscenium (with the curtain down) -- The Steamer "Ariel" -- Montgomery Street, San Francisco -- Virginia City, Nevada -- Plains between Virginia and Salt Lake -- Part of Salt Lake City -- Salt Lake City -- The Salt Lake House -- Main Street, Salt Lake City -- The Coach to Salt Lake -- The Mormon Theatre -- Upper Part of Main Street -- Brigham Young's Palace -- Heber C. Kimball Harem -- Tabernacle and Bowery -- Foundation of the Temple -- The Temple as it is to be -- Great Salt Lake -- The Endowment House -- Entrance to Echo Canyon -- The Indians on the Plains -- Our Encounter with the Indians -- The Rocky Mountains, Scenery -- The Plains of Colorado -- Crossing the Plains -- An Emigrant Caravan -- The Prairie on Fire -- Brigham Young at Home -- The Proscenium.


The Complete Works of Artemus Ward

The Complete Works of Artemus Ward

Author: Artemus Ward

Publisher: Musson, [188-?]

Published: 1898

Total Pages: 690

ISBN-13:

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Anecdotes, stories and essays about politics, Mormons, Brigham Young, Joseph Smith, Salt Lake City, Utah, Canada, Mexico. "Many Humorous Illustrations."


The Complete Works of Artemus Ward, Part 1

The Complete Works of Artemus Ward, Part 1

Author: Farrar Browne Charles Farrar Browne

Publisher: 1st World Publishing

Published: 2007-12

Total Pages: 264

ISBN-13: 142189632X

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There is a story of two "smart" Yankees, one named Hosea and the other Hezekiah, who met in an oyster shop in Boston. Said Hosea, "As to opening oysters, why nothing's easier if you only know how." "And how's how?" asked Hezekiah. "Scotch snuff," replied Hosea, very gravely-"Scotch snuff. Bring a little of it ever so near their noses, and they'll sneeze their lids off." "I know a man who knows a better plan," observed Hezekiah. "He spreads the bivalves in a circle, seats himself in the centre, reads a chapter of Artemus Ward to them, and goes on until they get interested. One by one they gape with astonishment at A. Ward's whoppers, and as they gape my friend whips 'em out, peppers away, and swallows 'em."


Illusions in Motion

Illusions in Motion

Author: Erkki Huhtamo

Publisher: MIT Press

Published: 2023-08-22

Total Pages: 461

ISBN-13: 0262547546

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Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.