In diesem Buch geht es um talentierte und kreative Menschen, die die Welt aus anderen Perspektive sehen. Es stellt Künstler, Designer, Fotografen uns Experten der französischen Küche vor. Jeder von Ihnen hat seine eigene Geschichte, die fasziniert und motiviert. Diese Menschen sind sehr unterschiedlich, aber sie haben eines gemeinsam: jeder von Ihnen ist von Frankreich und der französischen Kultur inspiriert.
We are in Algeria, in a small, nameless village, a battered village. The war, stretching from the mountains to the sea, cannot alter the beauty of land and sky, the light falling on the graveyard, the silence of a proud and impoverished people. Ceaselessly, on foot and on horseback, the narrator travels about a land to which he is rapidly becoming attached. During his excursions through a landscape that stimulates and fascinates him, he gives way to an anguished meditation on fate, questioning himself about good and evil, the degradation and corruption of men, the absurdity of war. Day by day, his sense of observation grows more acute, and to keep from giving in to the interior panic that threatens him, he studies attentively his fellow soldiers, the inhabitants, especially the women, and among them, the beautiful and affecting Kheira. As he feels within him the upwelling of a primordial wildness, he chooses to bury himself in solitude. But will he be able to avoid confronting the wild beast in its lair? [adapted from the cover of the original Gallimard edition]
This volume of edited essays is the first one in English to offer a critical overview of the specific features of Belgian modernity from 1880 to 1940 in a multiplicity of disciplines: literature and poetry, politics, music, photography and drama. The first half of the book investigates the roots of twentieth century modernity in Belgian fin de siecle across a variety of genres (novel, poetry and drama), not only within but also beyond the boundaries of Symbolism. The contributors go on to examine the explosion of Belgian culture on the international scene with the rise of the avant-gardes, notably Surrealism: and the contribution made in minor genres, such as the popular novels of Simenon and Jean Ray, and the Tintin comics of Herge.
Beyond Representation in Contemporary Caribbean Art offers an innovative and systematic analysis of contemporary Caribbean art practices in the Francophone, Anglophone, and Hispanic Caribbean. Focusing on a broad range of artistic projects, the book assesses the potential of visual creativity to outline a unique approach to Caribbean visual practices based on individual and collective agency.
The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s Manette Salomon (1867), Émile Zola’s Therèse Raquin (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s In the Sky (1892-1893) and Rachilde’s L’Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the “artist-animal,” an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.
