Making Art History

Making Art History

Author: Elizabeth Mansfield

Publisher: Routledge

Published: 2014-05-01

Total Pages: 322

ISBN-13: 1134703295

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Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations. The text is split into four thematic sections, each of which begins with a short introduction from the editor, the sections include: Border Patrols, addresses the artistic canon and its relationship to the ongoing 'war on terror', globalization, and the rise of the Belgian nationalist party. The Subjects of Art History, questions whether 'art' and 'history' are really what the discipline seeks to understand. Instituting Art History, concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today. Old Master, New Institutions, shows how art history and the museum respond to nationalism, corporate management models and the 'culture wars'.


Art and Its Institutions

Art and Its Institutions

Author: Nina Möntmann

Publisher:

Published: 2006

Total Pages: 204

ISBN-13:

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A survey of art's complex and troubled relationship with institutions, this is a useful introduction to those involved with art appreciation, collecting, curation, the art market, art practice, as well as students and practitioners of art history, theory and politics.


The Institutions of Art

The Institutions of Art

Author: Peter B_rger

Publisher: U of Nebraska Press

Published: 1992-01-01

Total Pages: 216

ISBN-13: 9780803212237

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Art has been an umbrella term for poetry; music, dance, sculpture painting, and architecture since the end of the eighteenth century, when the bourgeoisie were establishing their hegemony over culture and politics in Germany, labor was becoming more clearly divided, and religion was losing its unifying force. Art became a broad and separate entity as the expectations and experience of it changed. The Institutions of Art concentrates on German and French literature in illustrating the formation of aesthetic autonomy and the divergence between high and popular culture. Peter B_rger builds on his earlier Theory of the Avant-Garde (1984), pushing further into key theoretical questions about art and society. Christa B_rger extends the critique to the history of the novel, focusing on Goethe and Kleist. Looking backward to feudalism and forward to our century, the authors show how the function of art has changed along with the criteria for its production and evaluation.


Art and Its Worlds: Exhibitions, Institutions and Art Becoming Public Exhibition Histories Vol. 12

Art and Its Worlds: Exhibitions, Institutions and Art Becoming Public Exhibition Histories Vol. 12

Author:

Publisher: Walther Konig Verlag

Published: 2021-06

Total Pages: 288

ISBN-13: 9783960989172

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An anthology of essays on art's relation to the public realm since 1989 This critical anthology explores the myriad histories and worlds through which art is produced and experienced. It is guided by the following questions: How are the "global" and the "located" shaped and understood in disparate contexts and times? How have artists experimented with modes of exhibition-making and public presentation? Key essays previously published by Afterall are included alongside new image-led presentations, translated material and commissioned texts. The anthology addresses the topic in both theoretical terms and through case studies. Contributors include: Silvia Rivera Cusicanqui, Miguel A. López, Eddie Chambers, Francesca Recchia, Pablo Lafuente, Philippe Pirotte, Ntone Edjabe, Clémentine Deliss, Khwezi Gule, Charles Gaines, David Teh, Ekaterina Degot, Ana Teixeira Pinto, María Berríos, Mujeres Creando, Comunitario del Valle de Xico, Tonika Sealy Thompson and Stefano Harney.


The Australian Art Field

The Australian Art Field

Author: Tony Bennett

Publisher: Routledge

Published: 2020-05-25

Total Pages: 306

ISBN-13: 0429590008

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This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists. This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.


How Institutions Think

How Institutions Think

Author: Paul O'Neill

Publisher: National Geographic Books

Published: 2017-11-24

Total Pages: 0

ISBN-13: 0262534320

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Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us. Contemporary art and curatorial work, and the institutions that house them, have often been centers of power, hierarchy, control, value, and discipline. Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. This anthology–taking its title from Mary Douglas's 1986 book, How Institutions Think–reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art and curating. Contributors reflect upon how institutions inform art, curatorial, educational, and research practices as much as they shape the world around us. They consider the institution as an object ofienquiry across many disciplines, including political theory, organizational science, and sociology. Bringing together an international and multidisciplinary group of writers, How Institutions Think addresses such questions as whether institution building is still possible, feasible, or desirable; if there are emergent institutional models for progressive art and curatorial research practices; and how we can establish ethical principles and build our institutions accordingly. The first part, “Thinking via Institution,” moves from the particular to the general; the second part, “Thinking about Institution,” considers broader questions about the nature of institutional frameworks. Contributors include Nataša Petrešin Bachelez, Dave Beech, Mélanie Bouteloup, Nikita Yingqian Cai, Binna Choi and Annette Kraus, Céline Condorelli, Pip Day, Clémentine Deliss, Keller Easterling and Andrea Phillips, Bassam El Baroni, Charles Esche, Patricia Falguières, Patrick D. Flores, Marina Gržinić, Stefano Harney and Fred Moten, Alhena Katsof, Emily Pethick, Sarah Pierce, Moses Serubiri, Simon Sheikh, Mick Wilson


Art History and Its Institutions

Art History and Its Institutions

Author: Elizabeth Mansfield

Publisher: Psychology Press

Published: 2002

Total Pages: 352

ISBN-13: 9780415228695

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"What is art history? The answer depends on who asks the question. Museum staff, academics, art critics, collectors, dealers and artists themselves all stake competing claims to the aims, methods, and history of art history. Dependent on and sustained by different - and often competing - institutions, art history remains a multi-faceted field of study. Art History and Its Institutions focuses on the professional and institutional formation of art history, showing how the discourses that shaped its creation continue to define the field today. Grouped into three sections, articles examine the sites where art history is taught and studied, the role of institutions in conferring legitimacy, the relationship between modernism and art history, and the systems that define and control it. From museums and universities to law courts and photography studios, the contributors explore a range of different institutions, revealing the complexity of their interaction and their impact on the discipline of art history." --BOOK JACKET.


Institutions by Artists

Institutions by Artists

Author: Jeff Khonsary

Publisher: Fillip Editions

Published: 2018-09-25

Total Pages: 240

ISBN-13: 9781927354339

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The second volume of Institutions by Artists looks at various global artist-run centers and initiatives within the historical contexts that saw their emergence--among them Western Front (Vancouver), Alice Yard (Trinidad and Tobago), ASCO (Los Angeles) and General Idea (Toronto). It compiles material presented at and around the Institutions by Artists conference, organized in Vancouver in 2012, documenting a series of historical and theoretical texts on artist-led practices as well as transcripts of two debates investigating the professionalization and state sponsorship of art.


The Art of Relevance

The Art of Relevance

Author: Nina Simon

Publisher: Museum 2.0

Published: 2016-06-14

Total Pages: 196

ISBN-13: 9780692701492

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What do the London Science Museum, California Shakespeare Theater, and ShaNaNa have in common? They are all fighting for relevance in an often indifferent world. The Art of Relevance is your guide to mattering more to more people. You'll find inspiring examples, rags-to-relevance case studies, research-based frameworks, and practical advice on how your work can be more vital to your community. Whether you work in museums or libraries, parks or theaters, churches or afterschool programs, relevance can work for you. Break through shallow connection. Unlock meaning for yourself and others. Find true relevance and shine.


Are the Arts Essential?

Are the Arts Essential?

Author: Alberta Arthurs

Publisher: NYU Press

Published: 2022-02-22

Total Pages: 342

ISBN-13: 1479812625

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"Twenty-seven contributors--artists, cultural professionals, scholars, a journalist, grantmakers--were asked this question: 'Are the arts essential?' In response, they offer deep and challenging answers applying the lenses of the arts, and those of the sciences, the humanities, public policy, and philanthropy. Playing so many parts, situated in so many places, these writers illustrate the ubiquity of the arts and culture in the United States. They draw from the performing arts and the visual arts, from poetry and literature, and from culture in our everyday lived experiences. The arts, they remind readers, are everywhere, and--in one way and another--touch everyone"--