Aristotle on Language and Style

Aristotle on Language and Style

Author: Ana Kotarcic

Publisher: Cambridge University Press

Published: 2020-11-12

Total Pages: 239

ISBN-13: 110849952X

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Divides Aristotle's concept of lexis into three interconnected levels, exposing numerous valuable statements on language and style.


Aristotle's Art of Rhetoric

Aristotle's Art of Rhetoric

Author: Aristotle

Publisher: University of Chicago Press

Published: 2019-03-29

Total Pages: 328

ISBN-13: 022659176X

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A “singularly accurate, readable, and elegant translation [of] this much-neglected foundational text of political philosophy” (Peter Ahrensdorf, Davidson College). For more than two thousand years, Aristotle’s“Art of Rhetoric” has shaped thought on the theory and practice of persuasive speech. In three sections, Aristotle defines three kinds of rhetoric (deliberative, judicial, and epideictic); discusses three rhetorical modes of persuasion; and describes the diction, style, and necessary parts of a successful speech. Throughout, Aristotle defends rhetoric as an art and a crucial tool for deliberative politics while also recognizing its capacity to be misused by unscrupulous politicians to mislead or illegitimately persuade others. Here Robert C. Bartlett offers an authoritative yet accessible new translation of Aristotle’s “Art of Rhetoric,” one that takes into account important alternatives in the manuscript and is fully annotated to explain historical, literary, and other allusions. Bartlett’s translation is also accompanied by an outline of the argument of each book; copious indexes, including subjects, proper names, and literary citations; a glossary of key terms; and a substantial interpretive essay.


Aristotle's Voice

Aristotle's Voice

Author: Jasper Neel

Publisher: SIU Press

Published: 2013-11-14

Total Pages: 261

ISBN-13: 0809332825

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In this book, Jasper Neel’s sure-to-be-controversial resituating of Aristotle centers around three questions that have been constants in his twenty-two years of teaching experience: What does itmean to teach writing? What should one know before teaching writing? And, if there is such a thing as "research in the teaching of writing," what is it? Believing that all composition teachers are situated politically and socially, both as part of the institution in which they teach and as beings with lived histories, Neel examines his own life and the life of composition studies as a discipline in the context of Aristotle. Neel first situates the Rhetoric as a political document; he then situates the Rhetoric in the Aristotelian system and describes how professional discourse came to know itself through Aristotle’s way of studying the world; finally, he examines the operation of the Rhetoric inside itself before arguing the need to turn to Aristotle’s notion of sophistry as a way of negating his system. By pointing out the connections among Aristotelian rhetoric, the contemporary university, and the contemporary writing teacher, Neel shows that Aristotle’s frightening social theories are as alive today as are Aristotelian notions of discourse. Neel explains that by their very nature teachers must speak with a professional voice. It is through showing how to "hear" one’s professional voice that Neel explores the notion of professional discourse that originates with Aristotle. In maintaining that one must pay a high price in order to speak through Aristotle’s theory or to assume the role of "professional," he argues that no neutral ground exists either for pedagogy or for the analysis of pedagogy. Neel concludes this discussion by proposing that Aristotelian sophistry is both an antidote to Aristotelian racism, sexism, and bigotry and a way of allowing Aristotelian categories of discourse to remain useful. Finally, as an Aristotelian, a teacher, and a writer, Neel responds both to Aristotle and to professionalism by rethinking the influence of the past and reviving the voice of Aristotelian sophistry.


Aristotle and Style

Aristotle and Style

Author: Sara J. Newman

Publisher:

Published: 2005

Total Pages: 0

ISBN-13: 9780773461949

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This book examines what Aristotle has to say about style, metaphor, the figures of speech, and other less recognized stylistic elements within his corpus. Proceeding from the texts themselves, this study argues that Aristotle's discussion of style in the Rhetoric is conceptually consistent with his treatment of invention in that text. By applying Aristotle's theory to his own intellectual practices in the Nicomachean Ethics, this study also illuminates the way that Aristotle's thinks through his intellectual and rhetorical practices. As such, Aristotle offers to contemporary readers a relatively coherent understanding of what style is and how it contributes to successful and appropriate persuasion in more than the traditional decorative sense. He also demonstrates the range of his own theoretical statements. In these ways, Aristotle provides us with a fresh perspective on ancient and contemporary concerns with language.


Rereading Aristotle's Rhetoric

Rereading Aristotle's Rhetoric

Author: Alan G. Gross

Publisher: SIU Press

Published: 2008-02-20

Total Pages: 254

ISBN-13: 9780809328475

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In this collection edited by Alan G. Gross and Arthur E. Walzer, scholars in communication, rhetoric and composition, and philosophy seek to “reread” Aristotle’s Rhetoric from a purely rhetorical perspective. So important do these contributors find the Rhetoric, in fact, that a core tenet in this book is that “all subsequent rhetorical theory is but a series of responses to issues raised by the central work.” The essays reflect on questions basic to rhetoric as a humanistic discipline. Some explore the ways in which the Rhetoric explicates the nature of the art of rhetoric, noting that on this issue, the tensions within the Rhetoric often provide a direct passageway into our own conflicts.


The Poetics of Aristotle

The Poetics of Aristotle

Author: Aristotle

Publisher: Createspace Independent Publishing Platform

Published: 2017-03-07

Total Pages: 82

ISBN-13: 9781544217574

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In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."


The Philosophy of Argument and Audience Reception

The Philosophy of Argument and Audience Reception

Author: Christopher W. Tindale

Publisher: Cambridge University Press

Published: 2015-04-30

Total Pages: 257

ISBN-13: 1107101115

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This book approaches the topic of argumentation from the perspective of audiences, rather than the perspective of arguers or arguments.


Rhetoric

Rhetoric

Author: Aristotle

Publisher: Sta

Published: 2024-05-15

Total Pages: 0

ISBN-13:

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RHETORIC the counterpart of Dialectic. Both alike are concerned with such things as come more or less within the general ken of all men and belong to no definite science. Accordingly all men make use more or less of both; for to a certain extent all men attempt to discuss statements and to maintain them to defend themselves and to attack others. Ordinary people do this either at random or through practice and from acquired habit. Both ways being possible the subject can plainly be handled systematically for it is possible to inquire the reason why some speakers succeed through practice and others spontaneously; and every one will at once agree that such an inquiry is the function of an art.