Dissatisfaction has matured in Africa and elsewhere around the fact that often, the dominant frameworks for interpreting the continents past are not rooted on the continents value system and philosophy. This creates knowledge that does not make sense especially to local communities. The big question therefore is can Africans develop theories that can contribute towards the interpretation of the African past, using their own experiences? Framed within a concept revision substrate, the collection of papers in this thought provoking volume argues for concept revision as a step towards decolonizing knowledge in the post-colony. The various papers powerfully expose that cleansed knowledge is not only locally relevant: it is also locally accessible and globally understandable.
Archives, museums, and libraries are pivotal to the management and preservation of any society's heritage. Heritage assets should be systematically managed by putting in place proper policies, maintenance procedures, security and risks measures, and retrieval and preservation plans. The Handbook of Research on Heritage Management and Preservation is a critical scholarly resource that examines different aspects of heritage management and preservation ranging from theories that underline the field, areas of convergence and divergence in the field, infrastructure and the policy framework that governs the field, and the influence of the changing landscape on practice. Featuring coverage on a broad range of topics, such as community involvement, records legislation, and collection development, this book is geared towards academicians, researchers, and students seeking current research on heritage management and preservation.
The Routledge International Handbook of Heritage and Politics surveys the intersection of heritage and politics today and helps elucidate the political implications of heritage practices. It explicitly addresses the political and analyses tensions and struggles over the distribution of power. Including contributions from early-career scholars and more established researchers, the Handbook provides global and interdisciplinary perspectives on the political nature, significance and consequence of heritage and the various practices of management and interpretation. Taking a broad view of heritage, which includes not just tangible and intangible phenomena, but the ways in which people and societies live with, embody, experience, value and use the past, the volume provides a critical survey of political tensions over heritage in diverse social and cultural contexts. Chapters within the book consider topics such as: neoliberal dynamics; terror and mobilisations of fear and hatred; old and new nationalisms; public policy; recognition; denials; migration and refugeeism; crises; colonial and decolonial practice; communities; self- and personhood; as well as international relations, geopolitics, soft power and cooperation to address global problems. The Routledge International Handbook of Heritage and Politics makes an intervention into the theoretical debate about the nature and role of heritage as a political resource. It is essential reading for academics and students working in heritage studies, museum studies, politics, memory studies, public history, geography, urban studies and tourism.
Conditioned by local ways of knowing and doing, Great Zimbabwe develops a new interpretation of the famous World Heritage site of Great Zimbabwe. It combines archaeological knowledge, including recent material from the author’s excavations, with native concepts and philosophies. Working from a large data set has made it possible, for the first time, to develop an archaeology of Great Zimbabwe that is informed by finds and observations from the entire site and wider landscape. In so doing, the book strongly contributes towards decolonising African and world archaeology. Written in an accessible manner, the book is aimed at undergraduate students, graduate students, and practicing archaeologists both in Africa and across the globe. The book will also make contributions to the broader field such as African Studies, African History, and World Archaeology through its emphasis on developing synergies between local ways of knowing and the archaeology.
This volume takes a more comprehensive view of past familial dynamics than has been previously attempted. By applying interdisciplinary perspectives to periods ranging from the Prehistoric to the Modern, it informs a wider understanding of the term family, and the implications of family dynamics for children and their social networks in the past. Contributors drawn from across the humanities and social sciences present research addressing three primary themes: modes of kinship and familial structure, the convergence and divergence between the idealised image and realities of family life, and the provision of care within families. These themes are interconnected, as the idea and image of family shapes familial structure, which in turn defines the type of care and protection that families provide to their members. The papers in this volume provide new research to challenge assumptions and provoke new ways of thinking about past families as functionally adaptive, socially connected, and ideologically powerful units of society, just as they are in the present. A broad focus on the networks created by familial units also allows the experiences of historically underrepresented women and children to be highlighted in a way that underlines their interconnectedness with all members of past societies. The Family in Past Perspective builds a much-needed bridge across disciplinary boundaries. The wide scope of the book hmakes important contributions, and informs fields ranging from bioarchaeology to women's history and childhood studies.
Refiguring the Archive at once expresses cutting-edge debates on `the archive' in South Africa and internationally, and pushes the boundaries of those debates. It brings together prominent thinkers from a range of disciplines, mainly South Africans but a number from other countries. Traditionally archives have been seen as preserving memory and as holding the past. The contributors to this book question this orthodoxy, unfolding the ways in which archives construct, sanctify, and bury pasts. In his contribution, Jacques Derrida (an instantly recognisable name in intellectual discourse worldwide) shows how remembering can never be separated from forgetting, and argues that the archive is about the future rather than the past. Collectively the contributors demonstrate the degree to which thinking about archives is embracing new realities and new possibilities. The book expresses a confidence in claiming for archival discourse previously unentered terrains. It serves as an early manual for a time that has already begun.
Zusammenfassung: Spatial Futures invites readers to imagine power and freedom through the lens of the 'Black Outdoors', a transdisciplinary spatial concept that operates beyond the planetary, stratigraphic confines of the 'Anthropocene'. The chapters collectively point to the ontological-epistemological contradictions involved in forging liberatory spatial futures. Bringing new spatial imaginaries to bear in and outside geography, the book refuses the strictures of the 'cenic', entertaining difference as world-making
This dissertation challenges the conventional narrative of Danish colonial history by critiquing the predominant reliance on textual records and archives as primary carriers of historical knowledge. Through case studies focused on landscape and landscaping practices, it offers an alternative approach to understanding the past by actively engaging with material heritage in what is conceptualized as a vibrant archive. Utilizing interdisciplinary and practice-led methodologies, from cultural and memory studies to ecocriticism, the research examines and engages with colonial history through case studies in dialog with contemporary interlocutors. Emphasizing the dynamic nature of landscapes as vibrant archives-in-the-making, building on Jane Bennett’s concept of vibrant matter, the dissertation underscores their capacity to both shape and be shaped by diverse actors and forces. This perspective prioritizes ethical considerations in preserving and interpreting cultural heritage, aiming to foster inclusivity and resilience in shaping future landscapes. As landscapes embody multiple pasts that transcend national borders, they reveal a global network of interconnected material heritage. However, prevailing historical understandings often prioritize certain discursive national formations, limiting a comprehensive grasp of global connectivity. By exploring contemporary investments in constructing new relational pasts, the dissertation seeks to broaden the analytical scope and challenge such dominant narratives. Through an exploration of colonial trauma and the enduring impacts of historical violence, the research delves into the entangled relationships between past, present, and future. Additionally, the dissertation investigates the role of sound recordings in creating immersive narratives and enhancing the communication of findings, offering insights into preservation efforts, cultural revitalization projects, and community-led initiatives in a contemporary context. Throughout the research, there is a consistent advocacy for a more just and inclusive approach to caring for the colonial archive within the context of colonial exploitation and ecological crisis. This emphasis on interconnectedness across social, environmental, and cultural dynamics highlights the urgent need to reckon with colonial legacies to promote social and environmental justice. Denna avhandling utmanar den konventionella berättelsen om dansk kolonialhistoria genom att kritisera den rådande särställning som skrivna dokument och arkiv har i förmedlingen av historisk kunskap. Via fallstudier som fokuserar på landskap och landskapspraktiker erbjuder den ett alternativt tillvägagångssätt för att förstå det förflutna genom att aktivt engagera sig med materiellt arv i det som konceptualiseras som ett vibrerande arkiv. Med hjälp av tvärvetenskapliga och praxisbaserade metoder, från kultur- och minnesstudier till ekokritik, undersöks kolonialhistorien i fallstudier i dialog med samtida samtalspartner. Genom att betona landskapens dynamiska natur som vibrerande arkiv under uppbyggnad, med utgångspunkt i Jane Bennetts begrepp vibrerande materia, framhåller avhandlingen deras förmåga att både forma och formas av olika aktörer och krafter. Detta perspektiv lyfter fram etiska överväganden i bevarandet och tolkningen av kulturellt arv, med målet att främja inkludering och resiliens i utformningen av framtida landskap. Eftersom landskap förkroppsligar flera skepnader av det förflutna som överskrider nationsgränser, vittnar de om ett globalt nätverk av sammanlänkat materiellt arv. Emellertid betonar rådande historiska förståelser ofta vissa diskursiva nationella formationer, vilket begränsar en heltäckande förståelse av en global sammanlänkning. Genom att utforska samtida ansatser att konstruera det förflutna som multipelt och relationellt, strävar avhandlingen efter att bredda den analytiska ramen och utmana sådana dominerande berättelser. Koloniala trauman och de bestående effekterna av historiskt våld utforskas, vilket leder till en fördjupad förståelse av de sammanflätade relationerna mellan förflutet, nutid och framtid. Dessutom undersöker avhandlingen ljudinspelningars roll i att skapa immersiva berättelser och förbättra kommunikationen av forskningsresultat, och erbjuder insikter i bevarandeinsatser, kulturella revitaliseringsprojekt och samhällsledda initiativ i en samtida kontext. Genomgående förespråkas i avhandlingen ett mer rättvist och inkluderande tillvägagångssätt när det gäller omsorgen om det koloniala arkivet inom ramen för kolonial exploatering och ekologisk kris. Denna betoning på sammanlänkning av sociala, miljömässiga och kulturella dynamiker framhäver det akuta behovet av att hantera det koloniala arvet för att främja social och miljömässig rättvisa.
What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? Crafting History provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow the work of conservators, librarians, cataloguers, digital archivists, museum technicians, curators, and architects, and we capture archiving in its mundane and practical course. Based on ethnographic observation at the Canadian Centre for Architecture and interviews with a range of practitioners, including Álvaro Siza and Peter Eisenman, Albena Yaneva traces archiving through the daily work and care of all its participants, scrutinizing their variable ontology, scale, and politics. Yaneva addresses the strategies practicing architects employ to envisage an archive-based future and tells a story about how architectural collections are crafted so as to form the epistemological basis of architectural history.
This Handbook explores the latest cross-disciplinary research on the inter-relationship between memory studies, place, and identity. In the works of dynamic memory, there is room for multiple stories, versions of the past and place understandings, and often resistance to mainstream narratives. Places may live on long after their physical destruction. This collection provides insights into the significant and diverse role memory plays in our understanding of the world around us, in a variety of spaces and temporalities, and through a variety of disciplinary and professional lenses. Many of the chapters in this Handbook explore place-making, its significance in everyday lives, and its loss. Processes of displacement, where people’s place attachments are violently torn asunder, are also considered. Ranging from oral history to forensic anthropology, from folklore studies to cultural geographies and beyond, the chapters in this Handbook reveal multiple and often unexpected facets of the fascinating relationship between place and memory, from the individual to the collective. This is a multi- and intra-disciplinary collection of the latest, most influential approaches to the interwoven and dynamic issues of place and memory. It will be of great use to researchers and academics working across Geography, Tourism, Heritage, Anthropology, Memory Studies, and Archaeology.
