A little dachshund man very big, Apollo a dachshund tells his and his families story. Many small experiences make a big whole. Apollo would like to share his adventures and many experiences with you, and all dachshund enthusiasts and those who might want to become one. This book is intended to take you into a small world, which sometimes lies hidden, with all its beautiful and sometimes sad times. Have fun reading and dreaming. Your Apollo
April-May is back, and this time she's brought friends! April-May is back for another year at Trinity College, and she still hasn't changed her socks. Sebastian, aka Edward, aka the boy with the lime-green eyes, is still drop-dead gorgeous and totally bad news. But then Fatty turns up. A giant of a boy who eats stew sandwiches and cries when no one's looking. And he's best friends with Sebastian. Awkward. Juggling the evil teacher Mrs Ho as her new live-in mom, along with a new brother (the devious Sam Ho), and a house with half a roof, April-May's life is as much of a mess as the crummy extension Fluffy is building out back. Before she knows it April-May is in an all-night dance-off and she's adopted a dog called Alistair. The less said about him the better. No wonder April-May's in counselling. It's a shame that she's the one giving all the guidance. 100 DAYS OF APRIL-MAY is the hilarious one-eyebrow-raised sequel to A MONTH WITH APRIL-MAY as she finds love, loses a dog and wins the World Cup.
Another dachshund tale about one rescued dachshund bent upon mischief as he travels, his rescued friends and their stories, and his new brother, also a rescued dachshund. Schultz is the storyteller if one uses a smidgen of imagination. Everyday is a new adventure for Schultz, whether he's home on Vashon Island in Puget Sound in Washington state or sniffing the air while passing through new territory. Stubbornness, playfulness and a talent for mischief are part of his personality, the thread of his story. His tale is about his coming to Vashon Island, his new-found family and his pet primate, Marilyn. Schultz introduces some of his favorite rescued friends midway through the book. Each one tells a heart-warming story of a dachsie abandoned, deserted, lost, or caught in a mischievous moment or two. All of the stories are based on true incidents.
WINNER OF THE NATIONAL BOOK AWARD FOR FICTION ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY A NEW YORK TIMES BESTSELLER "A beautiful book . . . a world of insight into death, grief, art, and love." —Wall Street Journal "A penetrating, moving meditation on loss, comfort, memory . . . Nunez has a wry, withering wit." —NPR "Dry, allusive and charming . . . the comedy here writes itself.” —The New York Times A moving story of love, friendship, grief, healing, and the magical bond between a woman and her dog. When a woman unexpectedly loses her lifelong best friend and mentor, she finds herself burdened with the unwanted dog he has left behind. Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: dogs are prohibited in her apartment building. While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time. Isolated from the rest of the world, increasingly obsessed with the dog's care, determined to read its mind and fathom its heart, she comes dangerously close to unraveling. But while troubles abound, rich and surprising rewards lie in store for both of them. Elegiac and searching, The Friend is both a meditation on loss and a celebration of human-canine devotion.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This book takes a close look at a film that has heretofore been significantly undervalued by film scholars: Ernst Lubitsch’s The Student Prince in Old Heidelberg. In so doing, it not only advocates for the elevation of the film within the canon of Lubitsch’s films but also for an appreciation of the certain kind of filmmaking that it represents—one favored in the classical era of Hollywood which is characterized by aesthetics, meticulous structure, and delicate understatement over explicit content or social relevance. This book argues that The Student Prince in Old Heidelberg has perhaps been neglected because of the tendency in contemporary film criticism to devalue films that are not overtly “serious” in their subject matter. The Student Prince in Old Heidelberg represents a master class in classical Hollywood technique, a kind of filmmaking that is characterized by charm, beauty, and elegant form and which chooses not to express its ideas explicitly but to encase them in the substance, structure, and very experience of the film.
