Ispirandosi alla logica che aveva guidato Palladio nel "Secondo" dei suoi "Quattro libri dell'Architettura", in questo volume i curatori hanno voluto la parola scritta ridotta all'essenziale, per lasciare spazio alle oltre 250 fotografie scattate da Pino Guidolotti. Un vero e proprio ritratto dell'opera palladiana allo scadere del secolo, attraverso il quale sono state censite tutte le 66 opere autografe, o presunte tali da una tradizione consolidata.
Andrea Palladio (1508-1589) was one of the most creative architects the world has ever known; many consider his villas, palaces, and churches the epitome of Renaissance ideals. Though his buildings have often been photographed and numerous specialized studies have been written about his career, never before have Palladio's life and times been brought together in a narrative as incisive as this one. Richly illustrated with specially commissioned photographs as well as period plans and drawings, this volume defines Palladio's remarkable career against the backdrop of the dramatic events and personalities of the age, while the buildings are discussed in terms of their importance in art history.
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Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.
Andrea Palladio (1508�-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome’s ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio’s guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket-sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael’s famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travelers, this book offers fresh and surprising insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.
From "one of our most original, accessible, and stimulating writers on architecture" ("Library Journal") comes a captivating account of the life and work of Andrea Palladio, the father of domestic architecture.
Andrea Palladio is unquestionably the most important architect in the Western world: his carefully proportioned, pedimented designs are the foundations for most single-family homes and public buildings in the United States and Europe. In 1776, architect and scholar Ottavio Bertotti Scamozzi began documenting and analyzing Palladio's designs, which were published in four volumes as Le fabbriche e i disegni di Andrea Palladio. Gathered together here for the first time in English in a single volume, The Buildings and Designs of Andrea Palladio is the complete works of Palladio, from his well-known villas of the Veneto to his lesser-known engineering structures, such as bridges. Featuring the highest quality printing and binding, this large-format stunner features more than two hundred reproductions and showcases Palladio's designs for villas, churches, and civic buildings, and for the first time, the English translation of Scamozzi's introduction to Palladio's remarkable oeuvre.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T040073 The titlepage is engraved; with individual engraved titlepages to books II-IV. At head of titlepage: "Regina virtus." Translated by Isaac Ware. London: published by Isaac Ware, 1738. [14],110p., plates; 2°
Drawing on Palladio's original published legacy of approximately 40 designs, the authors attempt to reveal the rigorous geometric rules by which Palladio conceived these structures. Using a computer, they test each rule in every possible application.
"Any attempt to sum up Andrea Palladio's creative achievements is invariably distorted by the fact that some of the greatest projects of his mature years were never built. For the most part, these unfinished works were in Venice. They include the patriarchal Church of San Pietro di Castello, the reorganisation of the Rialto district at the commercial and financial heart of the city, a church that would have overlooked the Grand Canal and, lastly, the monumental complex of the monastery for the Lateran Canons, the Convento della Carità. Antonio Foscari has now restored the balance by charting the course of Andrea Palladio's remarkable life and prodigious oeuvre in a way that sheds new light on all his works while also recognising a number of previously unclassified drawings. The books culminates with an attempt, unprecedented in over four hundred years of Palladian studies, to reconstruct the project that Palladio, in the autumn of his life, held to be the supreme testimonial of his creativity: the rebuilding of the Doge's Palace in Venice."--P. [4] of cover.
