Mamma Mia! (Easy Piano)
Mamma Mia! (Easy Piano)

Author: Wise Publications

Publisher: Wise Publications

Published: 2006-03-10

Total Pages: 82

ISBN-13: 1783235888

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Mamma Mia!, the stage production based upon the wonderful music of ABBA, has become one of the most successful shows of all time - and this special set of Easy Piano arrangements gives you the chance to learn the songs from the show, even at an early stage in your piano development. All 22 songs from the musical spectacular are included here, and each has been carefully arranged and presented to be as accessible as possible to the elementary Piano student, complete with full lyrics and chord symbols. There's no better way to master those all-important musical skills than by playing songs that you know and love, and the music of ABBA remains unbeatable to this day. Song List: - Chiquitita - Dancing Queen - Does Your Mother Know - Gimme! Gimme! Gimme! (A Man After Midnight) - Honey Honey - I Do, I Do, I Do, I Do, I Do - I Have A Dream - Knowing Me, Knowing You - Lay All Your Love On Me - Mamma Mia - Money, Money, Money - One Of Us - Our Last Summer - S.O.S. - Slipping Through My Fingers - Super Trouper - Take A Chance On Me - Thank You For The Music - The Name Of The Game - The Winner Takes It All - Under Attack - Voulez-vous

Mozart's Grace
Mozart's Grace

Author: Scott G. Burnham

Publisher: Princeton University Press

Published: 2013

Total Pages: 205

ISBN-13: 0691009104

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Concentrating on music's effects, this book focuses on the most important elements of Mozart's music. Moving beyond conventional analysis and using the figurative powers of language with skill and imagination, this book engages musical issues such as sonority, texture, line, harmony, dissonance, and timing, and aspects of large-scale form such as thematic returns, retransitions, and endings.

Guide to the Solo Horn Repertoire
Guide to the Solo Horn Repertoire

Author: Richard Seraphinoff

Publisher: Indiana University Press

Published: 2016-04-18

Total Pages: 622

ISBN-13: 0253019354

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This comprehensive, annotated resource of solo repertoire for the horn documents in detail the rich catalogue of original solo compositions for the instrument. Intended as a guide for practical use and easy reference, it is organized into three large sections: works for unaccompanied horn, works for horn and keyboard, and works for horn and ensemble. Each entry includes publisher information, a brief description of the form and character of a work, technical details of the horn writing, and information on dedication and premiere. The authors also include commentary on the various techniques required and the performance challenges of each piece. Representing over ten years of careful compilation and notation by an expert in horn performance and pedagogy, and by a seasoned music librarian and natural horn performer, Guide to the Solo Horn Repertoire will be an invaluable resource for performers, educators, and composers.

Short Orchestral Works
Short Orchestral Works

Author: Alice Mary Smith

Publisher: A-R Editions, Inc.

Published: 2020-01-01

Total Pages: 79

ISBN-13: 1987204522

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One of the most prolific women composers of her time, Alice Mary Smith (1839–84) produced the greatest number of publicly performed large-scale orchestral and choral works of any of her gender. This edition presents three of her short orchestral compositions for the first time in print. The Andante for Clarinet and Orchestra, an orchestral transcription of the slow movement of Smith’s Sonata for Clarinet and Piano of 1870, was greatly admired by the English clarinetist Henry Lazarus, who performed it multiple times. The two intermezzi, along with the overture, comprise the complete orchestral music from Smith’s grand choral cantata The Masque of Pandora, a setting of Henry Wadsworth Longfellow’s epic poem. Designed as independent instrumental movements, Smith fully orchestrated the intermezzi for a performance in 1879 by the New Philharmonic Society under William Ganz. In the introduction to the edition, Graham-Jones includes a brief biography of Smith and reproduces numerous reviews and program notes from the various performances of these three works.

Portuguese Piano Music
Portuguese Piano Music

Author: Nancy Lee Harper

Publisher: Scarecrow Press

Published: 2013-01-10

Total Pages: 362

ISBN-13: 0810883007

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As the first book of its kind, Nancy Lee Harper’s Portuguese Piano Music: An Introduction and Annotated Bibliography fills the gap in the historical record of Portuguese piano music from its start in the 18th century to the present. While although Spanish piano music is well documented owing to the reputation of such composers as Isaac Albéniz, Enrique Granados, and Manuel de Falla, our knowledge of compositions in the tradition of Portuguese piano music has not fared as well, barring the work of Carlos Seixas (1704–1742). This obscurity, however, reflects poorly on the history of early piano music in light of the many compositions written for fortepiano on behalf of the Portuguese court during the first half of the 18th century. Indeed, it was in the royal halls of King John V during his reign from 1706 to 1750 where the early fortepiano was frequently heard. In Portuguese Piano Music, Harper explores this rich musical tradition, offering a brief introduction to the pianistic history of Portugal and overviews of Portugal’s contributions to solo piano music, piano in instrumental chamber music, piano concerti, piano for multiple pianists including with works with electronics, and didactic piano. While paying close attention to female composers, Harper adds an annotated and graded bibliography that presents readers with a comprehensive inventory of compositions. Appendixes include a selected discography, list of publishers, and other types of critical source information. To further illustrate its contents, Portuguese Piano Music contains a CD on which Harper performs representative repertoire, some of which are world premieres. This work is aimed at pianists, teachers, pupils, musicologists, and music lovers seeking to discover the remarkable world of Portuguese piano music.

Interpreting Historical Keyboard Music
Interpreting Historical Keyboard Music

Author: Andrew Woolley

Publisher: Routledge

Published: 2016-05-23

Total Pages: 328

ISBN-13: 131711356X

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Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.