The Chinese Straight Sword, or Jian, is perhaps the weapon that represents Chinese swordsmanship the most. Rarely seen nowadays in Chinese martial arts is the practice of a 2-handed Long Straight Sword. In this book, I've translated the Straight Sword chapter in 武備志 (Wu Bei Zhi), a 400 years old Chinese military manual, as well as offer my own interpretation. I hope my work will help you in practicing this art, as well as preserve and promote it for further generations to appreciate. Jack Chen
The Chinese double-edged straight sword (jian), the “gentleman of weapons,” is the focus of this e-book. There are a growing number of people interested in this fascinating weapon, its history, and its use. For your convenience, this anthology assembles the best articles on this subject as published in the Journal of Asian Martial Arts. Chapters 1 and 2 were written by Dr. Richard Pegg, a scholar of Asian studies and art curator with over thirty years of studies in the martial arts. With sound academic and practical experience in swordsmanship, Dr. Pegg writes here on ancient Chinese bronze swords and also on the parallels of Chinese calligraphy and swordplay. The analysis and presentation of the calligraphic illustrations give insight into the physical execution of sword movement. These superb presentations provide a perspective that is useful for understanding the technical and historical significance of the sword arts in China. In the next chapter, Tony Yang, Andy Lianto, and Robert Figler give an excellent overview of the fundamentals of training with the straight sword. This article outlines some of the most famous sword forms in history, Liu Yunqiao’s lineage, solo and two-person practice, as well as details on fundamental techniques and their combinations. For all intents and purposes, the practice and perfection of these fundamentals make one a master of the sword. Over 140 photos are used just in this chapter to illustrate the techniques. Stephan Berwick’s chapter details the history and practice of a famous straight sword system, the Qingping (Green Duckweed). The study meshes Chinese- and English-sourced research and a revealing interview with Lu Junhai—the grandmaster of this unique sword system. The interview is conducted by America’s senior Qingping disciples, Reza Momenan and Hon Lee. If you are a serious practitioner of the Chinese double-edged straight sword and have an interest in its history and techniques, you’ll enjoy each chapter included in this anthology. May it be a handy reference work for information as well as a source of inspiration for actual sword practice.
The Chinese double-edged straight sword (jian), the "gentleman of weapons," is the focus of this e-book. There are a growing number of people interested in this fascinating weapon, its history, and its use. For your convenience, this anthology assembles the best articles on this subject as published in the Journal of Asian Martial Arts. Chapters 1 and 2 were written by Dr. Richard Pegg, a scholar of Asian studies and art curator with over thirty years of studies in the martial arts. With sound academic and practical experience in swordsmanship, Dr. Pegg writes here on ancient Chinese bronze swords and also on the parallels of Chinese calligraphy and swordplay. The analysis and presentation of the calligraphic illustrations give insight into the physical execution of sword movement. These superb presentations provide a perspective that is useful for understanding the technical and historical significance of the sword arts in China. In the next chapter, Tony Yang, Andy Lianto, and Robert Figler give an excellent overview of the fundamentals of training with the straight sword. This article outlines some of the most famous sword forms in history, Liu Yunqiao's lineage, solo and two-person practice, as well as details on fundamental techniques and their combinations. For all intents and purposes, the practice and perfection of these fundamentals make one a master of the sword. Over 140 photos are used just in this chapter to illustrate the techniques. Stephan Berwick's chapter details the history and practice of a famous straight sword system, the Qingping (Green Duckweed). The study meshes Chinese- and English-sourced research and a revealing interview with Lu Junhai-the grandmaster of this unique sword system. The interview is conducted by America's senior Qingping disciples, Reza Momenan and Hon Lee. If you are a serious practitioner of the Chinese double-edged straight sword and have an interest in its history and techniques, you'll enjoy each chapter included in this anthology. May it be a handy reference work for information as well as a source of inspiration for actual sword practice.
The dao, a single-edged sword with a curved blade, is one of the most popular weapons in traditional Chinese martial arts. The art of Taiji Dao is a set of skills for using the dao, derived from the popular martial art Taijiquan. One of the most important aspects of Taijiquan practice is weapons training, eagerly pursued by students who have become adept in the basic skills of the art. The Complete Taiji Dao introduces the principles and practice of Taiji Dao and provides illustrated discussions of the history of Chinese swords. The book covers the history and features of the dao; the Taiji principles from which Taiji Dao practice derives; the basic skills and techniques of the art; detailed descriptions and photographs of the traditional Taiji Dao form; and Taiji Dao fighting principles and training methods. Broad in scope and detailed in its presentation of the principles and practice of Taiji Dao, The Complete Taiji Dao represents a significant contribution to the field of traditional Chinese weapons practice.
This unique history of Japanese armed martial arts--the only comprehensive treatment of the subject in English--focuses on traditions of swordsmanship and archery from ancient times to the present. G. Cameron Hurst III provides an overview of martial arts in Japanese history and culture, then closely examines the transformation of these fighting skills into sports. He discusses the influence of the Western athletic tradition on the armed martial arts as well as the ways the martial arts have remained distinctly Japanese. During the Tokugawa era (1600-1867), swordsmanship and archery developed from fighting systems into martial arts, transformed by the powerful social forces of peace, urbanization, literacy, and professionalized instruction in art forms. Hurst investigates the changes that occurred as military skills that were no longer necessary took on new purposes: physical fitness, spiritual composure, character development, and sport. He also considers Western misperceptions of Japanese traditional martial arts and argues that, contrary to common views in the West, Zen Buddhism is associated with the martial arts in only a limited way. The author concludes by exploring the modern organization, teaching, ritual, and philosophy of archery and swordsmanship; relating these martial arts to other art forms and placing them in the broader context of Japanese culture.
Most Westerners are familiar with Taiji Quan (often spelled T'ai Chi Ch'uan), the graceful, dancelike exercise movements practiced by the Chinese to promote health and longevity. However, many do not realize that Taiji is also a martial art, and that it includes practice with weapons, including the ancient sword called jian. As with Taiji Quan, the practice ofTaiji Jian is based on Chinese yin-yang, five-elements, and Daoist philosophical concepts, and combines meditation, martial, and healing arts. The Art of Chinese Swordsmanship is the first complete English-language introduction to Taiji Jian. It describes the history of jian swordsmanship, its fundamental principles, and its essential form of thirty-two postures, including a thorough discussion of both internal and external components. Written by a master who has practiced the sword form for twenty-five years, it will allow interested Westerners to study and practice this rewarding path to physical and mental well-being.
The history of China is a history of warfare. Rarely in its 3,000-year existence has the country not been beset by war, rebellion, or raids. Warfare was a primary source of innovation, social evolution, and material progress in the Legendary Era, Hsia dynasty, and Shang dynasty -- indeed, war was the force that formed the first cohesive Chinese empire, setting China on a trajectory of state building and aggressive activity that continues to this day. In Ancient Chinese Warfare, a preeminent expert on Chinese military history uses recently recovered documents and archaeological findings to construct a comprehensive guide to the developing technologies, strategies, and logistics of ancient Chinese militarism. The result is a definitive look at the tools and methods that won wars and shaped culture in ancient China.
In the global world of the twenty-first century, martial arts are practised for self-defense and sporting purposes only. However, for thousands of years, they were a central feature of military practice in China and essential for the smooth functioning of society. This book, which opens with an intriguing account of the very first female martial artist, charts the history of combat and fighting techniques in China from the Bronze Age to the present. This broad panorama affords fascinating glimpses into the transformation of martial skills, techniques and weaponry against the background of Chinese history, the rise and fall of empires, their governments and their armies. Quotations from literature and poetry, and the stories of individual warriors, infuse the narrative, offering personal reflections on prowess in the battlefield and techniques of engagement. This is an engaging and readable introduction to the authentic history of Chinese martial arts.
A study of the production and use of iron and steel in early China, and simultaneously a methodological study of the reconciliation of archaeological and written sources in Chinese cultural history. Includes chapters on the technology of iron production based on studies of artifact microstructures.
