In this dramatic journey through religious and artistic history, R. A. Scotti traces the defining event of a glorious epoch: the building of St. Peter's Basilica. Begun by the ferociously ambitious Pope Julius II in 1506, the endeavor would span two tumultuous centuries, challenge the greatest Renaissance masters—Michelangelo, Raphael, and Bramante—and enrage Martin Luther. By the time it was completed, Shakespeare had written all of his plays, the Mayflower had reached Plymouth—and Rome had risen with its astounding basilica to become Europe's holy metropolis. A dazzling portrait of human achievement and excess, Basilica is a triumph of historical writing.
Ray, a former Evangelical Protestant and Bible teacher, goes through the Scriptures and the first five centuries of the Church to demonstrate that the early Christians had a clear understanding of the primacy of Peter in the see of Rome. He tackles the tough issues in an attempt to expose how the opposition is misunderstanding the Scriptures and history. He uses many Protestant scholars and historians to support the Catholic position. This book contains the most complete compilation of Scriptural and Patristic quotations on the primacy of Peter and the Papal office of any book available. It has over 500 footnotes with supporting evidence from Catholic, Orthodox, Evangelical, and non-Christian authorities.
The Chair of Saint Peter surveys the history of the papal office from the first century to the current papacy of Pope John Paul II. At the approach of the third millennium, the office of the papacy remains a vital sign of unity in the Catholic church and a link with the earliest church. But the papal office in its current form is the product of a long and conflicted history of evolution. The Chair of Saint Peter is an essential resource for future discussions about the shape of the church to come.
Winner of a 2020 Catholic Press Association book award (first place, best new religious book series). Church history is a lot like the tale The Emperor’s New Clothes, according to Catholic historian James L. Papandrea: No one wants to seem unenlightened, so they pretend to see what’s not there. In The Early Church (33–313): St. Peter, the Apostles, and Martyrs, Papandrea refutes fourteen fashionable “mythconceptions” about early Christian history and enables believers to make sense of the Church’s beginnings. The first Apostles spread the message of Jesus Christ and were willing to suffer and die for their faith. The next generations of believers followed their example with zeal, producing inspiring martyrs including Sts. Justin and Perpetua, and great thinkers such as Irenaeus, and Tertullian. In this book, you will learn: No money or power was attached to being a bishop or priest in the early Church. Christian holidays were not adaptations of pagan celebrations. Christians have never believed in an eternal life for souls without bodies. The doctrine of the Trinity was not forced upon the Church by Constantine, but rather was a belief from the beginning of Christianity. Books in the Reclaiming Catholic History series, edited by Mike Aquilina and written by leading authors and historians, bring Church history to life, debunking the myths one era at a time
Michelangelo, Raphael, Bramante—together these artists created some of the most glorious treasures of the Vatican, viewed daily by thousands of tourists. But how many visitors understand the way these artworks reflect the passions, dreams, and struggles of the popes who commissioned them? For anyone making an artistic pilgrimage to the High Renaissance splendors of the Vatican, George L. Hersey's book is the ideal guide. Before starting the tour of individual works, Hersey describes how the treacherously shifting political and religious alliances of sixteenth-century Italy, France, and Spain played themselves out in the Eternal City. He offers vivid accounts of the lives and personalities of four popes, each a great patron of art and architecture: Julius II, Leo X, Clement VII, and Paul III. He also tells of the complicated rebuilding and expanding of St. Peter's, a project in which Bramante, Raphael, and Michelangelo all took part. Having set the historical scene, Hersey then explores the Vatican's magnificent Renaissance art and architecture. In separate chapters, organized spatially, he leads the reader through the Cortile del Belvedere and Vatican Museums, with their impressive holdings of statuary and paintings; the richly decorated Stanze and Logge of Raphael; and Michelangelo's Last Judgment and newly cleaned Sistine Chapel ceiling. A fascinating final chapter entitled "The Tragedy of the Tomb" recounts the vicissitudes of Michelangelo's projected funeral monument to Julius II. Hersey is never content to simply identify the subject of a painting or sculpture. He gives us the story behind the works, telling us what their particular themes signified at the time for the artist, the papacy, and the Church. He also indicates how the art was received by contemporaries and viewed by later generations. Generously illustrated and complete with a useful chronology, High Renaissance Art in St. Peter's and the Vatican is a valuable reference for any traveler to Rome or lover of Italian art who has yearned for a single-volume work more informative and stimulating than ordinary guidebooks. At the same time, Hersey's many anecdotes and intriguing comparisons with works outside the Vatican will provide new insights even for specialists.
The most accurate and faithful English translation ever produced of St. Peter Damian's Book of Gomorrah, an impassioned denunciation of the vice of sodomy among clerics. The work carries a foreword by Cardinal Juan Sandoval Iñiguez, endorsements by eminent scholars, and an account of Damian's struggle against corruption in the Catholic Church. It also includes a preface addressing and resolving certain historical controversies about the text.
"All thoughtful leaders can admit experiences of ongoing incompetence--dilemmas, decisions, and even debacles that make them question how they became leaders in the first place. When we look at St. Peter, however, we see a great leader who engaged with his weaknesses and knew his shortcomings. By following his example, we become better leaders in any arena. Seminary president Peter Lillback's profound treatment of more than 100 principles drawn from St. Peter helps you to think through your management style, communication, decision-making, and more. Practical spiritual exercises put the lessons of each short chapter into action--bringing joy to our hearts, guidance to our lives, and help to our service"--From publisher's description.
