Medieval York
Medieval York

Author: D. M. Palliser

Publisher:

Published: 2014

Total Pages: 371

ISBN-13: 0199255849

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Provides a comprehensive history of what is now considered England's most famous surviving medieval city, covering nearly a thousand years

York
York

Author: Sarah Rees Jones

Publisher:

Published: 2013-10

Total Pages: 406

ISBN-13: 019820194X

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This volume is a study of the development of the city of York as a place and as a community between 1068 and 1350.

Historic Streets and Squares
Historic Streets and Squares

Author: Melanie Backe-Hansen

Publisher: The History Press

Published: 2013-11-01

Total Pages: 498

ISBN-13: 0750951656

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In this picturesque exploration of Britain’s constructed landscape, an array of medieval lanes, Georgian crescents and Victorian squares make an appearance, together with the people – famous, infamous and unfamiliar – who designed, built and lived in them. From Bedford Square and Portobello Road in London, through to Grey Street in Newcastle and Charlotte Square in Edinburgh, Historic Streets and Squares takes you over the doorstep of some of the country’s most familiar addresses. Melanie Backe-Hansen takes us beyond the facades, delving into the evolution of ancient streets, the aspirations of builders and architects, and the extraordinary lives of past residents. She also reveals the fascinating stories of how some of our oldest and most valued crescents, lanes and avenues have survived into the twenty-first century, and the twists and turns of their journey along the way. Taken together, these fifty examples tell us much about Britain’s urban development over the centuries, while also highlighting more recent attempts to preserve our architectural heritage. The history of our streets, avenues, lanes and squares reveals more than just changes to architectural style, but offers a doorway into the heritage of our nation.

York
York

Author: Sarah Brown

Publisher: Routledge

Published: 2021-07-19

Total Pages: 285

ISBN-13: 1000399737

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York explores the archaeology, art, architecture and cultural heritage of the city in the late Middle Ages. In the years since the resurrection of the British Archaeological Association conference in 1976, the association has met in the city only once (in 1988), for a conference that celebrated Yorkshire Monasticism. As a consequence, the secular and vernacular architecture as well as the architecture, art and imagery of York Minster were excluded from its scope, something redressed in the meeting that took place in 2017. As many recent publications have focused on York in the earlier medieval period, this book shines a much-needed light on the city in the later medieval ages. Starting with a range of essays on York Minster by authors directly involved in major conservation projects undertaken in the last ten years, the book also includes information on the vernacular architecture and transport infrastructure of York, as well as the parochial and material culture of the period. Illuminating the extensive resources for the study of the late Middle Ages in England’s second capital, this book provides new research on this important city and will be suitable for researchers in medieval archaeology, art history, literature and material culture.

A Globalised Visual Culture?
A Globalised Visual Culture?

Author: Fabio Guidetti

Publisher: Oxbow Books

Published: 2020-07-31

Total Pages: 416

ISBN-13: 1789254493

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Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels. On the other hand, they are also spread in geographically distant regions, mingled with local elements, far beyond the traditional borders of the classical world. At the same time, foreign motifs, especially of Germanic and Sasanian origin, are attested in Roman territories. This volume aims at investigating the reasons behind this seemingly globalised visual culture spread across the Late Antique world, both within the borders of the (former) Roman and (later) Byzantine Empire and beyond, bringing together diverse approaches characteristic of different national and disciplinary traditions. The presentation of a wide range of relevant case studies chosen from different geographical and cultural contexts exemplifies the vast scale of the phenomenon and demonstrates the benefit of addressing such a complex historical question with a combination of different theoretical approaches.