Music Entries at Stationers' Hall, 1710–1818

Music Entries at Stationers' Hall, 1710–1818

Author: Michael Kassler

Publisher: Routledge

Published: 2016-04-29

Total Pages: 764

ISBN-13: 1317092058

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The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.


Some Other Note

Some Other Note

Author: Ross W. Duffin

Publisher: Oxford University Press

Published: 2018-01-09

Total Pages: 761

ISBN-13: 0190856629

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English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost--until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries.


"Desire, Drink and Death in English Folk and Vernacular Song, 1600?900 "

Author: Vic Gammon

Publisher: Routledge

Published: 2017-07-05

Total Pages: 451

ISBN-13: 1351569589

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This much-needed book provides valuable insights into themes and genres in popular song in the period c. 1600-1900. In particular it is a study of popular ballads as they appeared on printed sheets and as they were recorded by folk song collectors. Vic Gammon displays his interest in the way song articulates aspects of popular mentality and he relates the discourse of the songs to social history. Gammon discusses the themes and narratives that run through genres of song material and how these are repeated and reworked through time. He argues that in spite of important social and economic changes, the period 1600-1850 had a significant cultural consistency and characteristic forms of popular musical and cultural expression. These only changed radically under the impact of industrialization and urbanization in the nineteenth century. The book will appeal to those interested in folk song, historical popular music (including church music), ballad literature, popular literature, popular culture, social history, anthropology and sociology.


Singing the News

Singing the News

Author: Jenni Hyde

Publisher: Routledge

Published: 2018-02-15

Total Pages: 432

ISBN-13: 1351372998

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Singing the News is the first study to concentrate on sixteenth-century ballads, when there was no regular and reliable alternative means of finding out news and information. It is a highly readable and accessible account of the important role played by ballads in spreading news during a period when discussing politics was treason. The study provides a new analytical framework for understanding the ways in which balladeers spread their messages to the masses. Jenni Hyde focusses on the melody as much as the words, showing how music helped to shape the understanding of texts. Music provided an emotive soundtrack to words which helped to shape sixteenth-century understandings of gendered monarchy, heresy and the social cohesion of the commonwealth. By combining the study of ballads in manuscript and print with sources such as letters and state records, the study shows that when their topics edged too close to sedition, balladeers were more than capable of using sophisticated methods to disguise their true meaning in order to safeguard themselves and their audience, and above all to ensure that their news hit home.


Poets, Players, and Preachers

Poets, Players, and Preachers

Author: Anne James

Publisher: University of Toronto Press

Published: 2016-08-12

Total Pages: 423

ISBN-13: 1442620072

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On the night of November 4th 1605, the English authorities uncovered an alleged plot by a group of discontented Catholics to blow up the Houses of Parliament with the lords, princes, queen and king in attendance. The failure of the plot is celebrated to this day and is known as Guy Fawkes Day. In Poets, Players and Preachers, Anne James explores the literary responses to the discovery of the Gunpowder Plot in poetry, drama, and sermons. This book is the first full-length study of the literary repercussions of the conspiracy. By analyzing the genres of poems, plays, and sermons produced between 1605 and 1688, the author argues that not only did the continuous reinterpretation of the conspiracy serve religious and political purposes but that such literary reinterpretations produced generic changes.


The Common Touch

The Common Touch

Author: Adrian Roscoe

Publisher: Cambridge Scholars Publishing

Published: 2014-08-11

Total Pages: 440

ISBN-13: 1443865745

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During the Elizabethan Age and for the following hundred and fifty years, such figures as Shakespeare and Jonson, Milton and Pope dominated the English literary scene. But what was the vast majority of society really watching, reading and singing? This pioneering anthology, set in two volumes, attempts to answer this question by offering a wide selection of material, ranging from broadside ballads and drolls to witch trial reports and political newsbooks.


Constructing Monsters in Shakespeare's Drama and Early Modern Culture

Constructing Monsters in Shakespeare's Drama and Early Modern Culture

Author: Mark Thornton Burnett

Publisher: Springer

Published: 2002-10-28

Total Pages: 271

ISBN-13: 1403919356

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Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture argues for the crucial place of the 'monster' in the early modern imagination. Burnett traces the metaphorical significance of 'monstrous' forms across a range of early modern exhibition spaces - fairground displays, 'cabinets of curiosity' and court entertainments - to contend that the 'monster' finds its most intriguing manifestation in the investments and practices of contemporary theatre. The study's new readings of Shakespeare, Marlowe and Jonson make a powerful case for the drama's contribution to debates about the 'extraordinary body'.


Introductions, Notes and Commentaries to Texts in ' The Dramatic Works of Thomas Dekker '

Introductions, Notes and Commentaries to Texts in ' The Dramatic Works of Thomas Dekker '

Author: Cyrus Hoy

Publisher: Cambridge University Press

Published: 2009-03-19

Total Pages: 376

ISBN-13: 9780521102988

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Four of the plays in this volume are based on important source materials, so that the relationship of plays to sources looms large in Cyrus Hoy's introductory essays. There is an extensive account of the relation of The Shoemakers' Holiday to Deloney's Gentle Craft. The Introduction to Old Fortunatus relates in detail that play's relationship to the German Volksbuch, and to the German Comoedia von Fortunate und seinem Seckel und Wünschhütlein (1620), a redaction of Dekker's play. The Introduction to Patient Grissil relates Dekker, Chettle and Haughton's play to the tradition of the Griselda story generally. The chronicle-history sources (Foxe, Grafton, Stow, Holinshed) of Sir Thomas Wyatt are surveyed in the Introduction, in his Introduction also, Professor Hoy considers the play's relationship to the lost play, Lady Jane, by Dekker, Chettle, Heywood, Webster and W. Smith. Satiromastix has no known source, but as Dekker's contribution to the stage quarrel of Marston and Jonson, this is a play that has always had particular interest for the student of Elizabethan theatrical history, and Professor Hoy therefore bestows on it the most elaborate Commentary in all these four volumes.


Introductions, Notes and Commentaries to Texts in ' The Dramatic Works of Thomas Dekker ': Volume 1, Sir Thomas More: Dekker's Addition; The Shoemakers' Holiday; Old Fortunatus; Patient Grissil; Satiromastix; Sir Thomas Wyatt

Introductions, Notes and Commentaries to Texts in ' The Dramatic Works of Thomas Dekker ': Volume 1, Sir Thomas More: Dekker's Addition; The Shoemakers' Holiday; Old Fortunatus; Patient Grissil; Satiromastix; Sir Thomas Wyatt

Author: Cyrus Hoy

Publisher: Cambridge University Press

Published: 1980-10-30

Total Pages: 380

ISBN-13: 9780521217866

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Four of the plays in this volume are based on important source materials, so that the relationship of plays to sources looms large in Cyrus Hoy's introductory essays. There is an extensive account of the relation of The Shoemakers' Holiday to Deloney's Gentle Craft. The Introduction to Old Fortunatus relates in detail that play's relationship to the German Volksbuch, and to the German Comoedia von Fortunate und seinem Seckel und Wünschhütlein (1620), a redaction of Dekker's play. The Introduction to Patient Grissil relates Dekker, Chettle and Haughton's play to the tradition of the Griselda story generally. The chronicle-history sources (Foxe, Grafton, Stow, Holinshed) of Sir Thomas Wyatt are surveyed in the Introduction, in his Introduction also, Professor Hoy considers the play's relationship to the lost play, Lady Jane, by Dekker, Chettle, Heywood, Webster and W. Smith. Satiromastix has no known source, but as Dekker's contribution to the stage quarrel of Marston and Jonson, this is a play that has always had particular interest for the student of Elizabethan theatrical history, and Professor Hoy therefore bestows on it the most elaborate Commentary in all these four volumes.