Daniel Defoe was one of the most prolific writers in English literature, however the canon of works attributed to him swelled from 100 to 570 titles between 1790 and the 1990s. Furbank and Owens provide a critical bibliography of Defoe's works, including evidences for ascription.
Innovative in its structure and approach, Daniel Defoe in Context contains 42 essays by leading scholars illuminating the life, times, and world of Daniel Defoe. Defoe is one of the most important literary figures in English history, thanks not only to his pioneering novels Robinson Crusoe and Moll Flanders, but also to his notable works in journalism, travel writing, conduct literature, and verse, both satiric and serious. Written with general readers and students in mind, the essays in this volume provide up-to-date knowledge about eighteenth-century literature, culture, and history in a high quality, clearly written, but completely accessible form. Together they demonstrate the ways not only in which Defoe's world shaped his writing, but also in which Defoe's writings profoundly affected his world, and therefore our world.
Daniel Defoe was one of the most important and best-known writers of the eighteenth century but there is a feeling among scholars that the Defoe 'canon' is a remarkably strange and not very satisfactory construction. Between 1790, when the first bibliography of Defoe appeared, and 1971, when J.R. Moore published the second edition of his Checklist, the canon had swollen from just over a hundred items to 570. A large proportion of these attributions had been made in the nineteenth and twentieth centuries, on the basis of features of style, 'favourite phrases' and resemblance to Defoe's known views. This book is a list of all the items in Moore's Checklist (the current authority on the Defoe canon) that at present the authors consider questionable with in each case a note as to who was the first attributer, a brief synopsis and an explanation of the reasons for doubting the ascription.
Daniel Defoe, best known as the author of Robinson Crusoe, lived during a period of dramatic historical, political, and social change in Britain, and was by any standard a superb observer of his times. Through his pamphlets, newspapers, books of travel, and works of fiction he commented onanything and everything, from birth control to the price of coal, from flying machines to academies for women, from security for the aged to the dangers of the plague. In his fiction he created a type of vivid realism that powerfully influenced the development of the novel. The publication of workssuch as Robinson Crusoe are major events because they shape the ways in which we see our world, so that ever afterwards thoughts of desolation and desert islands immediately evoke Defoe's masterpiece. We should not be surprised: Defoe always wrote to make things happen. During his career as anauthor, he was a provocative pamphleteer, journalist, and poet; but when he was not writing, he was, at times, a spy and a double agent, a revolutionary and a dreamer. He was variously hunted by mobs with murderous intent and treated as a celebrity by the most powerful leaders of the country.Imprisoned four times or more, pilloried and reviled by his enemies, through it all he never lost confidence in his ability as a writer and thinker. Daniel Defoe: Master of Fictions is the first biography to view Defoe's complex life through the angle of vision that is most important to us as modern readers--his career as a writer. From his earliest collection of brief stories, which he presented to his future wife under the sobriquet Bellmour,to his Compleat English Gentleman, left unpublished at his death, Defoe was pre-eminently a creator of fictions. This life gives us, for the first time, a full understanding of the thought and personal experience that went into such great works as Crusoe, Moll Flanders, and Roxana.