Intended for those interested in the African continent and the diversity of human history, this work looks at Africa's past and reflects on the changing ways it has been imagined and represented. It illustrates key themes in modern thinking about Africa's history with a range of historical examples.
An introduction to the complex relationship between African Americans and the African continent What is an “African American” and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States’ first African American president have all sparked new dialogue around the question. This book provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. The diversity of African American identities through relationships with region, ethnicity, slavery, and immigration are all examined to investigate questions fundamental to the study of African American history and culture.
Why has Africa remained persistently poor over its recorded history? Has Africa always been poor? What has been the nature of Africa's poverty and how do we explain its origins? This volume takes a necessary interdisciplinary approach to these questions by bringing together perspectives from archaeology, linguistics, history, anthropology, political science, and economics. Several contributors note that Africa's development was at par with many areas of Europe in the first millennium of the Common Era. Why Africa fell behind is a key theme in this volume, with insights that should inform Africa's developmental strategies.
In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.
From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.
Annotation. The tumultuous uprisings in Tunisia, Egypt and Libya have seized the attention of media, but what about the rest of Africa? This text presents the 2011 uprisings in their African context.
A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture. One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people like Phillis Wheatley and George Moses Horton and activist Frances Ellen Watkins Harper voice their passionate resistance to slavery. Young’s fresh, revelatory presentation of the Harlem Renaissance reexamines the achievements of Langston Hughes and Countee Cullen alongside works by lesser-known poets such as Gwendolyn B. Bennett and Mae V. Cowdery. The later flowering of the still influential Black Arts Movement is represented here with breadth and originality, including many long out-of-print or hard-to-find poems. Here are all the significant movements and currents: the nineteenth-century Francophone poets known as Les Cenelles, the Chicago Renaissance that flourished around Gwendolyn Brooks, the early 1960s Umbra group, and the more recent work of writers affiliated with Cave Canem and the Dark Room Collective. Here too are poems of singular, hard-to-classify figures: the enslaved potter David Drake, the allusive modernist Melvin B. Tolson, the Cleveland-based experimentalist Russell Atkins. This Library of America volume also features biographies of each poet and notes that illuminate cultural references and allusions to historical events.
In 1955 on a visit to South Africa, Robert Ardrey became aware of the growing evidence that man had evolved on the African continent from carnivorous, predatory stock, who had also, long before man, achieved the use of weapons. A dramatist, Ardrey's interest in the African discoveries sprang less from purely scientific grounds than from the radical new light they cast on the eternal question: Why do we behave as we do? Are we naturally inclined towards war and weapons? From 1955 to 1961, Ardrey commuted between the museums and libraries and laboratories of the North, and the games reserves and fossil beds of Africa trying to answer that question. Eventually, his investigation expanded to include nationalism and patriotism, private property and social order, hierarchy and status-seeking, even conscience. All revealed roots in our most ancient animal beginnings and parallels in primate societies. African Genesis is at once the story of an unprecedented personal search and a story of man that had never before been told. It is a shocking book in that it challenges assumptions of human uniqueness that color every segment of modern thought and every aspect of our daily life. While evolutionary science has advanced markedly since Ardrey's times, his insights on human behavior have a timeless quality and African Genesis remains a classic reference for anyone exploring life's biggest questions. Praise for the 1961 edition: "It is fate and fortune of some books to mark or make a turning point in science and culture. This I believe African Genesis will do." Dr Harlow Shapley, Harvard University "The most enjoyable and stimulating book on the evolution of man that has been published for some time." The Nation "What this sensational book presents is a new and radical interpretation of human behavior. Since Ardrey has written it with excitement, clarity and style, the book will undoubtedly be widely read and cause widespread controversy. But African Genesis also deserves the most serious attention on the part of scientists as well as laymen." Dr Kenneth Oakley, Leading British Anthropologist, Senior Principal Scientific Officer, British Museum "Mr Ardrey's African Genesis is a fascinating drama played on a very broad and deep stage of space, time, biological evolution and ideas. The theme develops around man's striving to collect evidence and to understand the relational orders and timed sequences of living organisms. The search is for rational light on the true place of man himself in these biotic orders, and in the vast sweeps of the controlling environments. In this high drama the characters enter, leave relics and artifacts, act their roles as species, express their views and then exit. Among the characters are men of prehistory, nonhuman primates and the searching scientists themselves. The latter quarrel and dispute, cooperate and agree, strive for status and retreat from controversy. They are 'humans' as portrayed skillfully by Ardrey. Nevertheless, they contribute to the slowly advancing understanding of man in his living world or to what Ardrey describes as a revolution of biological conceptions." C. R. Carpenter, Penn State University "This quarrel about the innate nature of man began outside the gates of Eden, was continued by Darwin and Wallace and now looms menacingly across the threshold of the United Nations. Mr Ardrey has peered into our inner human darkness with wisdom gained from discoveries of natural history." Loren Eiseley, Benjamin Franklin Professor of Anthropology and History of Science, University of Pennsylvania