American Illustration 38 presents the year's best photographs from 2018 as selected by a jury of art and design experts. From over 7,000 images submitted to our annual competition, the jury selected only 362 illustrations to be presented in the oversized, beautifully printed, deluxe, hardcover, 384-page annual award book. The AI38 jury included: Christopher Brand, Crown Publishing; Hannah K Lee, The New York Times; Janet Michaud, Politico; Dennis Huyhn, Buzzfeed; Maria G. Keehan, Smithsonian; Aaron Rinas, Art + Mechanical; and Marianne Seregi, National Geographic.
This handsomely illustrated work is a collection of interviews with 21 leading American illustrators whose work revolutionized the artform over the past 35 years. Tom Allen, Seymour Chwast, Maurice Sendak, Barbara Nessim, Sue Coe, andRobert Weaver are just some of those included. Illustrated.
This edited work offers a different view of Yosemite's visual history by presenting 200 works of art together with essays that explore the intersections between art and nature. Integrating the work of Native people, this work provides an inclusive view of the artists who helped create an icon of the American wilderness.
American Weathervanes: The Art of the Winds, published to coincide with an exhibition at the American Folk Art Museum, reveals the beauty, historical significance, and technical virtuosity of American vanes fashioned between the late seventeenth and early twentieth centuries. This American art form has long been an enduring part of the country's skylines. Early church steeples were graced with weathercocks, following a European tradition that dates to the MiddleAges. America's first documented vane maker, metalsmith Shem Drowne of Boston, crafted a number of surviving vanes, including the iconic golden grasshopper that has topped the city's Faneuil Hall since 1742. Farmers, blacksmiths, and other craftsmen proudly fashioned roosters, cows, horses, and other forms for country barns, and as the tradition and public demand expanded over the course of the nineteenth century, so did the diversity of forms, which grew to fill the mail order catalogs of commercial manufacturers in Boston, New York, and other cities. Today, weathervanes hold a well-established place in the canon of American folk art and American Weathervanes celebrates this artistry in the most up-to-date and authoritative work on the subject. Lavishly illustrated with masterworks from prominent private and public collections, this is a book to be treasured by anyone who collects or simply admires American vernacular art and sculpture.
From 1989 to 2001, author Fred Taraba was a regular contributor to the graphic arts publication, Step-By-Step Graphics. His column, Methods of the Masters, documented the lives and working methods of some of America s finest Golden Age illustrators. While a number of other writers contributed to the regular column, Fred himself wrote 41 installments. This book is a compilation of those 41 classic articles, which have been extensively reworked and revised with completely new artwork especially prepared for this volume. Featuring 41 of America's greatest illustrators, this book is a showcase for hundreds of reproductions of original paintings, photographs, and tearsheets of vintage printed ephemeral materials. Each artist's life and career is discussed, and their working methods are described in detail. This book is destined to be a classic, and belongs on the bookself of every serious student of American illustration history.
Covering three centuries, this vibrant, fresh overview ranges from Puritan portraits to the American Impressionists to the videos and digital works of today's most intriguing conceptual artists. 500 color illustrations.
Catalog of an exhibition held at the Brooklyn Museum, Brooklyn, N.Y., Oct. 28, 2011-Jan. 29, 2012; Dallas Museum of Art, Mar. 4-May 27, 2012; Cleveland Museum of Art, July 1-Sept. 16, 2012.
A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
